Flower_Corsano_Hejnowski-The_Count_Visits-(Vinyl)-2011-MTD
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- Date
- 2012-02-16
NFO
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▀█████▓▌ MTD Proudly Presents ▐▓█████▀
[Info]
Artist : Flower, Corsano, Hejnowski
Album : The Count Visits
Label : Hot Cars Warp Records / Flowerhouse Records
Genre : Jazz
Street Date : 2011-00-00
Quality : 175 kbps / 44.1kHz / Joint Stereo
Encoder : Lame 3.98.4 -V0
Lineageáááááá:áMusic Hall USB-1 / USB
Size : 47.23 MB
Time : 35:30 min
Url : http://cor-sano.com/
[Tracks]
1. Rare Earth 11:44
2. Natural Order 6:32
3. Tilt 9:53
4. Five Miles High 7:21
[Notes]
Unbelievable out-of-nowhere limited edition private press LP, co-released by
Mick Flower and Chris Corsano, that documents an expanded Flower-Corsano
Duo, now with Count Hejnowski aka Matt Heyner of The No-Neck Blues
Band/Test/Malkuth et al on electric bass. Safe to say that with the loss of
the late Yasushi Ozawa Heyner has taken the crown of greatest living
improvising electric bassist and his addition to what is merely one of the
all-time greatest free music duo partnerships pushes the whole deal into the
stratosphere. The sound is amazing, recorded live at Issue Project Room in
Brooklyn, NY across two nights in October 2009. Flower û best known for his
helming of the UKÆs Vibracathedral Orchestra û has single-handedly
reinvented the Japan Banjo as a sonic reducer par excellence, combining
endless riffing euphorics that are somewhere between John Cipollina and
Sonny Sharrock with a droning, modal style that is uniquely brain
flattening. Corsano is, of course, the wildest drummer on the planet and the
combination of their limbs feels like the ultimate free music cocktail,
re-wiring Fire Music modes with vertical stratas of technicolour. Heyner
comes in with a totally brutal bottom end attack, playing fast bass runs
that serve to nudge and pummel the music into new zones of dunt, at points
bulldozing the front line with all of the steamroller force of MikÆs work in
Kousokuya or even Fushitsusha. Indeed, together the three of them succeed in
storming the kind of heavenly metal/free jazz/garage/psych zone that Last
Exit were always pitching towards but never quite made it, mostly down to
Laswell airbrushed bass attack. No such qualms here for Heyner who plays
with a blunt, bloodied tone and with the kind of logic that only works to
bolster the full-bore ascension style of the duo. ItÆs not all
wall-destroying force tho, and there are some nice almost Pharaoh
Sanders-style cosmo bliss outs in amongst alla the thunder. Four tracks,
with Heyner doubling up on drums on a single cut.
Files