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P R O U D L Y ████▓ gF ▓████ P R E S E N T S
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▀▄ Lovett - Highway Collection ▄▀
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▀ ▄▄ ████▀ Date ::: 2012-02-19 ▀████ ▄▄ ▀
▄██▓▒▌▀ ▄▄▓ Artist : Lovett ▓▄▄ ▀▐▓▓██▄
▄▄ ▀█▀▄▀▓▀ Title :: Highway Collection ▀▓▀▄█▀▀ ▄▄
▄▄▀▒■ ▄▀ Genre :: Indie ▄▀ ■▒ ▄▄
▐▓▓▀ ■ ▀▄ Label :: Lovers Label ▀ ▀▒▓▌
▄█▄ Encode : Lame 3.98.4 -V0 252 kbps avg 9 File(s) 73.65 ▄██▄
█▓██▌ Source : CDDA ▐██▓█
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▀▒▓ ▀▀ R E L E A S E N O T E S ▀▀ ▓▒▀
Ben Lovett doesnÆt make things easy for himself. The frontman, namesake, and
driving force behind Lovett has never found himself in need of the services of
a record label. So when he finished his first self-published album, Highway
Collection, last month, he had a few listening parties. Having worked as a
film score composer (for Sundance darling ôThe Signalö among other movies) he
knew a lot of people in the movie industry. As happens at Hollywood parties,
soon after he was approached by five different directors about making videos
for five separate songs. So he said yes to all of them. And then he thought,
there are only nine songs on the album, why not do videos for all of them?
After all, just because something is hard is no reason not to do it.
Thus began a collaborative project between Lovett and directors who were
willing to work on his budget (none) and could convince him that their
treatment worked with his song. Three videos have been made so far, including
ôThe Fear,ö that premiered yesterday, and ôEye of the Stormö that has garnered
over 125,000 views on YouTube. (Both videos are posted below). Lovett produces
all the videos. Not alone, but collaboratively as the way most things in the
Lovett world are made. He has the final word on everything, but as he also
stars in all the videos, he acknowledges that he canÆt be in the mini-film and
behind the camera at the same time.
The videos thus far are very much separate entities, each made with a
different director, with different crew members, and shot in different cities.
Lovett, the person, not the band, was the only constant. His band evolves as
much as everything else. Swelling to 30 members during some shows and down to
a svelte dozen during SXSW. During our talk yesterday, he compared the video
project to a Dali painting, where you can study the individual elements in the
work, but only when you step back ù say to 30,000 feet ù can you see how the
pieces work together. Based on the videos created so far, it is an exciting
prospect as the videos are wildly different stylistically. ôThe Fearö is a
heart swelling joyous affair, while ôEye of the Stormö is a lush steampunk
slow jam.
The video project is a labor of love for everyone involved. Lovett has paid
for everything out of pocket, but not a dime has changed hands to the
directors or crew, not even for ôEye of the Storm,ö a stunning video with
eye-popping effects. Lovett explains the extraordinary contributions of the
directors and crew as simply that ôpeople underestimate how much people want
to make stuff.ö The videos are created during the crewÆs free time, which
obviously can slow production. As the project gains momentum other people join
in because they saw that things were actually getting finished. Now, after
three completed videos and with several more underway, the only way to share
what they have been working on is to finish it. Lovett just has to come up
with the money. HeÆs used to this though. While crafting his album, he had to
stop playing to go make money to continue. During the recording, he scored
three movies and produced two other albums just to pay the bills. Speaking of
which, perhaps you should head to iTunes and purchase Highway Collection now?
Yesterday Lovett premiered their latest work, ôThe Fearö, which is billed as a
collaboration between Lovett and the City of Atlanta due to the contributions
of the citizens of the city. Director David BrucknerÆs vision for the video
involved a lot of people. Like, 400 people. Since they had no money to pay
extras, they reached out to every arts community in Atlanta (via social media
and old school fliers) with a request that people show up in costumes that
represented all aspects of society. What resulted was the biggest Come As You
Are Party in Atlanta with volunteers ranging from members of the Atlanta
ballet, a stunt team, a barber, an improv group, to a hair salon that brought
all the shop girls to the film shoot. The process was total mayhem, according
to Lovett, but mayhem doesnÆt mean it wasnÆt fun. Especially with family,
friends, and a healthy dose of chaos in the mix and the ability to massage the
whole thing post-production. In a few short takes, the video was made. With no
further ado, hereÆs ôThe Fearö:
http://www.benlovett.com
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1. The Fear 3:36
2. All The Time 3:25
3. Heartattack 3:06
4. Black Curtain 4:13
5. Same Old Song 4:40
6. Like A Moving Train 5:23
7. Two Lovers 5:47
8. Eye Of The Storm 4:28
9. Ghost Of Old Highways 4:23
Total Playtime: 39:01
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Header+Layout: d!J of BAFH! ▐█▓▌ ▐▓█▌ Updated On 12-01-2011 By gF
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