.
.
.
.::
:::::
\ _ ____ ____ _____ ____ :::::::
_/»» \_ // _ \___/ _/__\ _\_____ __/ \ _________:::::
_______________\__ /__\\ / \ / \ / \ / \ /_/ /:::::
TR.TechnoRulez / \ \ _____/_\___/ \___/ / \\____/_ / /::::::
»»»»»»»»»»»»»»»»//___/ \____\ _ /_____/ /____/_____/ /______/:::::::
/_______\ ____ _______ _____ \_ \:::::::
_\ \ _____ / /___\__ \_ / /____:::
./ \ \/ / / / / // | _/:::
| / / _ / \_______/_______// /| \::::
| \_____/______/ \_____\__ _______\:::
l____\ :::::::::
:::::::::
... because it's about music :::::::::
:::::::::
. :::::::::
. :::::::::
: :::::::::
::::::::::::::........: RELEASE .NFO ::::...... :::::::::
: ____ ____:::: :::::::::
___ _____ / / ______/ /: . :::::::::
__\ \/ /___\ \______ _\ _/ / /:: ,: :::::::::
\ \ \ / _\ \ /____\__ \______/::: .:. .::. :::::::::
/__/ /_____/ // / ___ / _\ :::..╖?' '╖ ╖' ╖ :::::::::
\___/ \________/____\ /\___\ ╖ : ╖ :::::::::
/_____/ .: '╖ :::::::::
: ':::::::::
artist...: Kero :::::::::
title....: Firewire Funk :::::::::
label....: Lowres :::::::::
cat.nr...: LOW013 :::::::::
style....: Electronic :::::::::
quality...: 192kbps@44,1kHz :::::::::
chan-mode.: Full Stereo :::::::::
rls.size.: 29,6 MB source....: Vinyl :::::::::
rls.date.: Apr-30-2004 encoder...: Lame 3.95.1 MMX :::::::::
:::::::::
url/nfo..: http://www.lowres.com :::::::::
:::::::::
:::::::::
____________ _______ /»»» »//_________ :::::::::
____/ / /____/ _ / \ \::::::\____/ /»»»»»/::
::::::::..: NOTES :../ / / / / /_ /__/___\ \::::::: ___/_____/:::
____________________/____\ /____ / /______/ \ \ :::::::::
\___\ / _/ / // \_ :::::::::
\____/ \__________/ :::::::::
:::::::::
"it was just a matter of time before detroit got the :::::::::
picture. LOW RES has known about KERO for years, and it :::::::::
seems absurd that its taken this long to release his work. :::::::::
KERO, a notorious figure in the windsor/detroit metro, has :::::::::
been redefining the rules of the game for a while now, :::::::::
most recently of which dropping the flurry in germany with :::::::::
releases on SHITKATAPULT and B-PITCH CONTROL. a twisted :::::::::
production style that allows KERO to chameleon from the :::::::::
direct to the indirect, forging a layer of detail both :::::::::
academically unprecedented and fiendishly unpredictable. :::::::::
anyway you slice it, its dark, its complex, its the :::::::::
furious funk from the next level. a bold, yet calculated :::::::::
thrill seeking release for the lucky number 013." :::::::::
- LOW RES HQ :::::::::
:::___:::
:___ ____ _ ___::/ /_::_
_____ ___ ___ | | / _/// / //__//_///
_/ /__\ \______\ \_____ | |/ /_____\_ \::::::╖:
.....:: TRACKLIST :\ / \ \ _ / _/___| / /\ / / \\»»»:'
:╖╖╖╖╖╖╖╖╖╖╖╖╖/ _/ / /___ \ / \ \ \_____/ \\ \»»»╖
no : track title ____//___|\ \ \____\___/_____\__| ti:me\________/::::
╖╖╖╖╖╖:╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖╖\______\╖╖ ╖ ╖ ╖ ╖╖ ╖╖╖╖╖╖╖╖╖╖╖ ╖╖..╖╖:::::::
:::::::
A1 : Kero - Tcp/ip-Sync 04:36 :::::::
A2 : Kero - Mr. Sister 06:41 :::::::
B1 : Kero - Terrorbyte 06:05 :::::::
B2 : Kero - Pixelpimp 04:09 :::::::
:::::::
total length: 21:31 min :::::::
. ____ ________ ____ ______:::::::
. ____ _\ \ / /_\ \ _____ ________/ :::::::
:: __/ _/__ / \ \ / / / / /_\ \______ \ _/ / /:::::::
:::.\ \_ / / /________/ / / _/ \ /____\__ \______/ :::::::
::::/_____/ \__|\ \ \ \______/ \\_____// / / _\ :::::::
:::::::::/_____/╖╖\_______\....:::: \____\ /____\ /\___\ :::::::
:::: \_____\ ::::::
:::: GROUP NFO :::....................::::::.
:::::..
Well this is our third year around, and as always we will keep on :::::.
releasing good techno/electronic music to the scene. A lot has ::::::
happened under the three years in TechnoRulez. Some members have ::::::
come and some have passed on, but the fact that we have quality in ::::::
the releases has remained. Will also remain the same in the future. ::::::
::::::
We in TechnoRulez are in it for the fun! And we buy our own records ::::::
with hard earned cash! The artists we deal with are not rock stars. ::::::
They don't pretend to be 'the man'. They're not part of the ::::::
establishment or the multi-million dollar music business. So the ::::::
only way our scene can stay alive is through its undying support for ::::::
the artists and labels. *THIS* is the sole reason we release music. ::::::
::::::
So for fuck's sake, if you like what your hear, go to your local ::::::
record shop and purchase a copy of your own. It's your duty! Only ::::::
through this process we can all continue to enjoy techno music to ::::::
the fullest. As far as our releases go, if you can get hold of them, ::::::
be happy and treasure them. Don't start posting to public domains ::::::
or sources!! This will eventually result in a more restricted ::::::
distribution of our releases, possibly even only internal... ::::::
The choice is yours... ::::::
::::::
/TechnoRulez Crew 2003 :::::..
:::::.
.........................::::: GREETINGS :::::........................::::::.
:::::..
1REAL . 313 . AMOK . BOSS . CHR . CMC . CMG . CQi . dh . DOC . DPS :::::.
DRUM . DW2K . EMP . FWYH . gEm . KrbZ . kW . mbs . MGC . MiM . MOD ::::..
MS . MTC . MYCEL . NBD . OMA . PDJ . PsyCZ . radial . RAMPLjUS ::::.
RNS . sb . smc . sour . SQ . tronik . UBE ::::
:::.
& all underground electronic music lovers ;) ::.
::.
::.
_____________________________________________________________________ __ _____
> TR.oldschool.nfo.Build.0.63 | Updated 2003/07/20 | ⌐ eskoner(t^) // /// /
»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»»» »» »»»»»
:.
.
.