The_Weeknd-House_Of_Balloons-FREEWEB-2011-KPS_INT

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Date
2012-02-26

NFO

       kilocycles per second presents...

                    The Weeknd - House of Balloons


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■▄▄█▓▒░ RELEASE INFO
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       ARTiST   The Weeknd
       TiTLE    House of Balloons
       GENRE    Electronic
       SUBGENRE Pop / R&B / Swing
       LABEL    Not On Label
       CAT.NR   None
       YEAR     2012

       SOURCE   FREEWEB
       ENCODER  FhG
       QUALiTY  320kbps
       SiZE     113,5 MB



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■▄▄█▓▒░ TRACKS
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       01   The Weeknd - High For This                   04:08
       02   The Weeknd - What You Need                   03:26
       03   The Weeknd - House Of Balloons / Glass       06:47
            Table Girls
       04   The Weeknd - The Morning                     05:13
       05   The Weeknd - Wicked Games                    05:25
       06   The Weeknd - The Party & The After Party     07:39
       07   The Weeknd - Coming Down                     04:55
       08   The Weeknd - Loft Music                      06:02
       09   The Weeknd - The Knowing                     05:56
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                                                Total:   49:31 min



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■▄▄█▓▒░ NOTES
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       The Weeknd is 21-year-old Toronto resident Abel Tesfaye.
       House of Balloons is his debut album, distributed freely
       online, and it's quite unlike any other RnB collection
       to have emerged in 2011. Thanks to a Twitter leg-up from
       fellow Toronto artist Drake, Tesfaye has seen his
       underground tracks edge towards the mainstream, and
       earlier this month House of Balloons made the shortlist
       for the Polaris Prize, Canada's equivalent of the
       Mercury. Come 19 September Tesfaye could be both $30,000
       better off - that's the prize money on offer - and in a
       position to genuinely vie for album-of-2011 top spots.

       The foundation stones have certainly been laid. At the
       end of June, House of Balloons featured on numerous
       best-of-2011-so-far lists - number nine at Stereogum,
       number one at Complex; a spot on Spin's (unranked) list
       of the best 25 - and was the highest-rated album of the
       period according to Metacritic, ahead of PJ Harvey and
       Bon Iver. The stage is set, then, for this to really
       impress come December's shuffle of the past-12-months
       pack. Only, Tesfaye isn't limiting himself to just this
       release - due in the summer and autumn respectively are
       Thursday and Echoes of Silence, wholly new collections.
       It's entirely feasible, based on the quality of House of
       Balloons, that this single artist could have three
       entries in the upper reaches of many top albums lists.

       And, should said brace match this recording's mix of
       bruised confessionals and heart-squeezed yearning, set
       to elegant production and some choice sampling (Tesfaye
       lifts from Beach House, twice, and Siouxsie and the
       Banshees for his fantastic title-track), such domination
       will be deserved. From the opener onwards, House of
       Balloons impresses immensely with its compositional
       restraint - imagine The xx if they'd further pursued
       their natural RnB leanings - and Tesfaye's acrobatic
       vocals. He overstretches himself on occasions, but never
       to such an extent that songs don't linger long after
       they've faded to a resigned silence. High for This finds
       our protagonist promising that a relationship is built
       to last - but there's doubt in his voice. This
       uncertainty and open vulnerability runs the set's
       length, even when he's claiming "he's what you want,
       (but) I'm what you need" on the very next cut. Later,
       he's torn to shreds on Wicked Games: "I need confidence
       in myself," he says, before desperately pleading for a
       partner to tell him she loves him, "Only for tonightà
       even though you don't love me". Come Loft Music he can't
       stand to look ahead - "I'm living for the present, and
       the future don't exist" - and like the similarly aged
       Tyler, the Creator, whose controversial-in-some-corners
       raps are merely a means of escape from what have become
       everyday pressures, he's caught in a moment that might
       be too much for one so young.

       This lyrical tone isn't so far away from Drake's short-
       on-stereotypical-braggadocio Thank Me Later - one of the
       best albums of 2010 - and in a production sense House of
       Balloons recalls both The-Dream, albeit stripped of his
       swagger, and Frank Ocean, whose freely distributed
       nostalgia, ULTRA release of February 2011 will soon be
       repackaged in the UK via Mercury. Ocean, an Odd Future
       affiliate, was among the contributors to BeyoncΘ's
       recently released album 4 and has worked with Kanye West
       and Jay-Z, and both Drake and The-Dream are megastars in
       their field. There's every chance that Tesfaye will
       follow them into superstardom, and he exhibits enough
       originality, sparkle and soul across these nine tracks
       to suggest he could one day surpass their successes -
       perhaps sometime around December. (bbc.co.uk)


       URL: http://the-weeknd.com/



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