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████ · ▄▓███▓ OPEN MUSiC ASSOCiATiON ▓███▓▄ · ████
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██████▓▀ ▀ ▀ ▀▓██████
█████▀ Bugge Wesseltoft - Songs ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ARTiST..[ Bugge Wesseltoft ▓▓▓▓█
█▓▓▓▓ TiTLE...[ Songs ▓▓▓▓█
████ GENRE...[ Jazz GRABBER.[ --- ████
████ LABEL...[ Jazzland ENCODER.[ Xing ████
████ YEAR....[ 2012 QUALiTY.[ 320kbps ████
████ SOURCE..[ WEB MODE....[ Joint-Stereo ████
████ PLAYTIME[ 59:03 min REL.DATE[ 03.02.2012 ████
████ TRACKS..[ 09 RiPPER..[ TEAM OMA ████
████ SiZE....[ 135,3 MB SUPPLiER[ TEAM OMA ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ NR. TRACK. TiME. ▀███
█▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ 01 Darn That Dream 07:59 ████
████ 02 My Foolish Heart 05:18 ████
████ 03 How High The Moon 06:45 ████
████ 04 Moon River 05:53 ████
████ 05 Chicken Feathers 06:57 ████
████ 06 Lament 05:27 ████
████ 07 We'll Be Together Again 05:05 ████
████ 08 Like Someone In Love 07:08 ████
████ 09 Giant Steps 08:31 ████
████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████
████ TOTAL: 59:03 ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
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████ www.7digital.de ████
████ ████
████ I love jazz! Growing up, listening to my ████
████ father's records I have, since the age of 8, ████
████ been playing and trying to learn this music. ████
████ Firstly, on our old home piano; later, ████
████ pretending to be Jimmy Smith on my Yamaha ████
████ Electone Organ (including the most silly ████
████ electronic rhythmbox ever created). Later, ████
████ using Fender Rhodes and Synth, and, finally, ████
████ in my daily rehearsals on the piano I was able ████
████ to buy at the age of 22. ████
████ ████
████ So why did I never perform this music in ████
████ concert? ████
████ ████
████ Well... There have been so many ████
████ interpretations of these beautiful songs. ████
████ Fantastic versions by fantastic performers. ████
████ Bill Evans, Errol Garner, Art Tatum, Oscar ████
████ Peterson, Ray Charles, Keith Jarrett - to just ████
████ name a genius or two. Likewise, there have ████
████ been some horrible destructive versions, ████
████ showing off skills in a meaningless, obscure, ████
████ imaginary competition. ████
████ ████
████ After all those years spending daily hours ████
████ playing with and around this fantastic song ████
████ material, I finally felt my versions were ████
████ personal enough to be recorded, with respect, ████
████ appreciation and gratitude for those ████
████ wonderfully beautiful songs! ████
████ ████
████ Bugge Wesseltoft ████
████ ████
████ Bugge Wesseltoft, never still, always moving. ████
████ His music, since the release of New ████
████ Conceptions of Jazz 15 years ago, has ████
████ continuously crossed musical frontiers, and ████
████ always questioned the need for these frontiers ████
████ to exist at all. Yet what remains certain is ████
████ the fact that Bugge is a Jazz man - through ████
████ and through. Whether incorporating electronics ████
████ or elements of world music, the heart of ████
████ Bugge's output is - and has always been - ████
████ jazz. Where other explorers from the jazz ████
████ realm hybridize further and further away from ████
████ jazz, Bugge instead has brought new energy and ████
████ perspectives into his jazz. ████
████ ████
████ Now, on his third solo album, he takes a fresh ████
████ look at the music that made him what he is, ████
████ the songs and compositions that have informed ████
████ this jazz sensibility throughout his career. ████
████ No electronic sleight of hand or ████
████ post-production: this is pure musicianship. ████
████ ████
████ Covering standards from the 1930s onwards, ████
████ Bugge's meditation on music that has inspired ████
████ many before him (and will continue to inspire ████
████ musicians of the future) is deeply ████
████ contemplative, and is often both evocative of ████
████ the spirit of the originals, while venturing ████
████ into spontaneous arrangements both unexpected ████
████ and truly satisfying. ████
████ ████
████ Beginning with "Darn That Dream", a 1930s ████
████ classic that has been performed by artists as ████
████ diverse as Billie Holiday, Benny Goodman, ████
████ Miles Davis and Doris Day(!), Bugge's ████
████ declaration of intent is clear. This is late ████
████ night music: dark, smoky interpretations that ████
████ smolder with artful intensity. ████
████ ████
████ "My Foolish Heart", another classic, this time ████
████ from the late 1950s, maintains the tranquil ████
████ approach, with no notes wasted, no needless ████
████ chatter coming exclusively from the fingers ████
████ rather than the head or heart. ████
████ ████
████ "How High The Moon", a 1940s classic, perhaps ████
████ most famously performed by Ella Fitzgerald is ████
████ given sensitive handling by Bugge, again ████
████ creating a sense of importance for every space ████
████ between notes as much as the notes themselves. ████
████ ████
████ From one piece inspired by the moon to ████
████ another, "Moon River", an immediately ████
████ recognizable piece from the 1960s by Henry ████
████ Mancini. Bugge's meditative style captures ████
████ qualities hidden within it often overlooked by ████
████ arrangers and interpreters, giving a beautiful ████
████ performance that manages to give the ████
████ inevitable feeling of familiarity new layers ████
████ of surprise, and is done so without any ████
████ compromising of the song's integrity. ████
████ ████
████ "Chicken Feathers", a 70s classic by Steve ████
████ Kuhn, takes on a new sensibility in Bugge's ████
████ hands, with sparkling soloing and deft melodic ████
████ variations. ████
████ ████
████ "Lament", the J.J. Johnson piece, and a ████
████ standard since the 1950s, has a suitable ████
████ serenity about it, once more demonstrating ████
████ that Bugge's understanding of music economy is ████
████ not just an enviable thing, but capable of ████
████ presenting a familiar piece in a whole new ████
████ light, somewhat like noticing a beautiful ████
████ garden you have walked past for years without ████
████ really looking at it. ████
████ ████
████ "We'll Be Together Again", a 40s piece that ████
████ has generally been perceived as a vocalist's ████
████ song (covered by the likes of Billie Holiday, ████
████ Frank Sinatra and Louis Armstrong) is treated ████
████ with a rich arrangement, with little ████
████ unexpected turns of phrase and accentuation ████
████ that a vocal arrangement can never capture. ████
████ ████
████ "Like someone in love", another 40s standard, ████
████ is here given a radical, almost minimalist ████
████ spin - but minimal in the sense that it is ████
████ spare, almost desolate in places, lending a ████
████ new interpretive angle for the song as a ████
████ whole. To be "like someone in love" is not ████
████ always as joyful as it might appear, nor, ████
████ equally, as tragic: Bugge's interpretation ████
████ suggests a weaving path between the two ████
████ extremes. ████
████ ████
████ "Giant Steps", the John Coltrane masterpiece ████
████ from 1960, rounds off proceedings, taking a ████
████ journey through one of the most influential ████
████ pieces of music from the 20th century (not ████
████ just in jazz). The "giant steps" of the ████
████ chordal roots are present, but not the main ████
████ focus, instead playing the part of support to ████
████ some playing by Bugge that manages to be both ████
████ adventurous and placid at the same time. ████
████ ████
████ With "Songs" Bugge Wesseltoft has reminded us ████
████ that although we know him as an innovator in ████
████ the crossfertilization of musical genres, he ████
████ is first and foremost a pianist who can take a ████
████ piece of music and make it his own. The album ████
████ reinvigorates the notion that a lone figure ████
████ seated at a piano still has a lot to say in ████
████ our techno-gadgetry world. ████
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████ URL: n/a ████
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████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ MAiL: oma@never-ever.com ▓ │▀▀▀█▓▄▄ █████
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████▀ The only thing that really matters is music!!! ▀████
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.▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀
. ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ .
▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀
▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀
▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .