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▀█████▓▌ MTD Proudly Presents ▐▓█████▀
[Info]
Artist : Rhyton
Album : Rhyton
Label : Thrill Jockey
Genre : Psychedelic Rock
Street Date : 2012-00-00
Quality : 166 kbps / 44.1kHz / Joint Stereo
Encoder : Lame 3.98.4 -V0
Lineageáááááá:áMusic Hall USB-1 / USB
Size : 51.09 MB
Time : 41:05 min
Url : http://www.thrilljockey.com
[Tracks]
1. Stone Colored 7:12
2. Pontian Grave 11:52
3. TekΘ 9:56
4. Dale Odalφski 4:23
5. Shank Raids 7:42
[Notes]
Rhyton pours out a sonic libation unto the liberated world. Waveforms ring
out, alternately frozen and blazing, wrenched from an improvisational
method. They seek to loosen the gaze so as to widen focus, taking the unity
in hand, not grabbing for the micro-constituent. Using the dynamic levels of
rock, Rhyton carve out an edifice of sound on their debut LP that centers
upon repetition and modal excursion. Recorded and mixed by Jason Meagher at
his Black Dirt Studio, this self-titled release is culled from a highly
fruitful three day recording session. Seeking to capture the cutting
intensity level of their live performances, the band takes the ethos of full
engagement. The multiple amp setup at hand in the studio helps imbue the ear
with "second hearing". The split stereo, dual amped electric leads utilized
throughout the record are best experienced on tracks like "Pontian Grave"
and "Teke" where phase and tremolo patterns bounce and surge from ear to
ear, warping senses of both time and space. These two distinct sound sources
are a manifestation of dual perspectives derived from a single emanation:
this is not the fracturing of a voice, but rather its multiplying into a
unified but complimentary chorale as different delay lengths and distortion
levels cohere into an ensemble greater than its parts. On "Dale Odaliski"
the rock trio trappings are stripped away as a booming tom tom, oscillators
and delay loops evoke a kind technological primitivism that seems akin to a
message from a shattered, distant future. Extreme attention to auditory
detail is apparent throughout the album, as blasts of varied gain stages
writhe within fields of phased cymbals and bass throbs. Taken from repose to
ekstasis - as mental impulse reigns above, so the body below records.
Rhyton is a band with an organic genesis, born from late night rap sessions
at a local Brooklyn watering hole. Heads of certain vibe gathered together
to tap into the underlying flux form of transportational music. Dave Shuford
(D. Charles Speer, No Neck Blues Band) had been knee deep in research and
practice in the realm of middle eastern musics during the recording of his
solo LP Arghiledes. From that album, the track "The Heavy Heart of
Ando-Yeap" was used as a leaping off point for the gestation of Rhyton.
Shuford brought his personal selection of varied string instruments to the
table, seeking to create a heavier electric syntax for mandolin, saz and
baritone guitar. Jimy SeiTang (Psychic Ills) emerged as a sonic surgeon,
creating wave patterns with his bass and pulses of tape delay tales. Spencer
Herbst (Messages, Matta Llama) injected his flowing, highly energetic style
of percussion and brought in visual conundrums by way of videocassette. An
instant near-telepathic bond was established, making improvisations seem
like composed forays even to the closest confidants. With variants and heads
situated as a point of departure, Rhyton explores the inner workings of the
ear and seeks the latent brain bulge within the listener.