R-Zatz-Cruel_Summer-(FX103)-WEB-2012-DEF
- Section
-
MP3/FLAC
- Group
- DEF
- Size
- 0 B
- Files
- 0
- Date
- 2012-03-08
NFO
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p r e s e n t s
R-Zatz - Cruel Summer (FX103)
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█▓ ██▓ ▀▀ ▀ ▀ ▀▀ ██▓ █▓
█▓ ██▓ ...artist : R-Zatz ██▓ █▓
█▓ ██▓ ....title : Cruel Summer (FX103) ██▓ █▓
█▓ ██▓ ....label : Jarring Effec ██▓ █▓
█▓ ██▓ ..cat.num : FX103 ██▓ █▓
█▓ ██▓ ....genre : Electronic ██▓ █▓
█▓ ██▓ .....year : 2012 ██▓ █▓
█▓ ██▓ .playtime : 46:25 min ██▓ █▓
█▓ ██▓ ......url : www.jarringeffects.net ██▓ █▓
█▓ ██▓ ██▓ █▓
█▓ ██▓ .rls.date : 06/03/2012 ██▓ █▓
█▓ ██▓ ...source WEB DA ██▓ █▓
█▓ ██▓ ..quality : 320kbps / Joint-Stereo ██▓ █▓
█▓ ██▓ ...tracks : 13 ██▓ █▓
█▓ ██▓ .....size : 106,5 MB ██▓ █▓
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█▓ █ 01 Take A Look In The Mirror 03:51 █ █▓
█▓ █ 02 U Got Me 03:04 █ █▓
█▓ █ 03 Cruel Summer 04:26 █ █▓
█▓ █ 04 Meadows Of The Soul 02:50 █ █▓
█▓ █ 05 Flower In The Heaven 04:09 █ █▓
█▓ █ 06 Cycles Stream 02:10 █ █▓
█▓ █ 07 Jaws 03:36 █ █▓
█▓ █ 08 Dark Brown Eyes Feat Black Sifichi 04:07 █ █▓
█▓ █ 09 Stormy 03:45 █ █▓
█▓ █ 10 Take A Pill 03:31 █ █▓
█▓ █ 11 I Cant Believe 03:07 █ █▓
█▓ █ 12 Ordinary Chronicle 03:54 █ █▓
█▓ █ 13 Bo Kyo 03:55 █ █▓
█▓ █ 46:25 min █ █▓
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▐█▓▌ █▓ http://cd1d.com/en/album/cruel-summer █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ or █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ http://www.jarringeffects.net/fr/catalogue █▓ ▐█▓▌
▐█▓▌ █▓ /fx103_cruel-summer █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
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▐█▓▌ █▓ From cd1d website: █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ Strengthened with two productions, █▓ ▐█▓▌
▐█▓▌ █▓ numerous featurings (K-the-I???, Ben █▓ ▐█▓▌
▐█▓▌ █▓ Sharpa, Bleubird), R;Zatz comes back █▓ ▐█▓▌
▐█▓▌ █▓ stronger than ever with her new release, █▓ ▐█▓▌
▐█▓▌ █▓ ôCruel Summerö. After ôWill We Cross The █▓ ▐█▓▌
▐█▓▌ █▓ Lineö and ôVagina Rushö, this new LP █▓ ▐█▓▌
▐█▓▌ █▓ matured in the minds of Takeshi (guitar), █▓ ▐█▓▌
▐█▓▌ █▓ Marilou (bass, vocals), Mathieu (drums) █▓ ▐█▓▌
▐█▓▌ █▓ and CΘline (keyboards, background vocals). █▓ ▐█▓▌
▐█▓▌ █▓ On ôCruel Summerö, few guests, but four █▓ ▐█▓▌
▐█▓▌ █▓ musicians in perfect harmony. █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ Far from the cold atmosphere of ½ Will We █▓ ▐█▓▌
▐█▓▌ █▓ Cross The Line ╗, this new record is █▓ ▐█▓▌
▐█▓▌ █▓ definitely more melodic, flirting with an █▓ ▐█▓▌
▐█▓▌ █▓ idea of simplicity sublimating each of its █▓ ▐█▓▌
▐█▓▌ █▓ protagonistÆs intervention. Trip-Hop and █▓ ▐█▓▌
▐█▓▌ █▓ Indie influences are undeniable, although █▓ ▐█▓▌
▐█▓▌ █▓ the atmospheres get warmer, bringing some █▓ ▐█▓▌
▐█▓▌ █▓ serenity. Have PJ Harvey, Shannon Wright █▓ ▐█▓▌
▐█▓▌ █▓ or NotwistÆs retro guitars owned the █▓ ▐█▓▌
▐█▓▌ █▓ bandÆs mind ? █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ No need to go further than the title track █▓ ▐█▓▌
▐█▓▌ █▓ to get a clear impression of the new path █▓ ▐█▓▌
▐█▓▌ █▓ opened up by the band. █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ Once we get a view of a pastel colored █▓ ▐█▓▌
▐█▓▌ █▓ landscape's organic beauty (Cruel Summer, █▓ ▐█▓▌
▐█▓▌ █▓ Dark Brown Eyes). Emotions are almost █▓ ▐█▓▌
▐█▓▌ █▓ touchable. Then haunting guitar riffs are █▓ ▐█▓▌
▐█▓▌ █▓ taking Marilou's voice higher, with █▓ ▐█▓▌
▐█▓▌ █▓ fragility and sensitivity (Stormy). █▓ ▐█▓▌
▐█▓▌ █▓ Synthetic layers, half-tainted xylophones, █▓ ▐█▓▌
▐█▓▌ █▓ electronic textures are drawing some █▓ ▐█▓▌
▐█▓▌ █▓ pictures burnt by a burning sun. From pale █▓ ▐█▓▌
▐█▓▌ █▓ summer morning, we are afterwards █▓ ▐█▓▌
▐█▓▌ █▓ travelling to pure black, and bloody red █▓ ▐█▓▌
▐█▓▌ █▓ (Flower in the Heaven). Resignation, █▓ ▐█▓▌
▐█▓▌ █▓ Nostalgia are overwhelmed by anger and █▓ ▐█▓▌
▐█▓▌ █▓ determination (U Got Me, Take a Look in █▓ ▐█▓▌
▐█▓▌ █▓ the Mirror..). Marilou's voice becomes █▓ ▐█▓▌
▐█▓▌ █▓ stronger, prevailing as if it was amok █▓ ▐█▓▌
▐█▓▌ █▓ guided (Ordinary Chronicle). █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ R;Zatz has things to say, and things to █▓ ▐█▓▌
▐█▓▌ █▓ square up. This album stands as a █▓ ▐█▓▌
▐█▓▌ █▓ manifesto. Along its epic story, the prey █▓ ▐█▓▌
▐█▓▌ █▓ turns into the hunter. Drums, sometimes █▓ ▐█▓▌
▐█▓▌ █▓ distantly bright, gets heavy and loud. █▓ ▐█▓▌
▐█▓▌ █▓ Round and omniscient bass carries our █▓ ▐█▓▌
▐█▓▌ █▓ singer's intervention as guitar and █▓ ▐█▓▌
▐█▓▌ █▓ keyboards fade evanescent. █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ Black Sifichi invites himself on "Dark █▓ ▐█▓▌
▐█▓▌ █▓ Brown Eyes" (also available on FX100), █▓ ▐█▓▌
▐█▓▌ █▓ starring as this cruel summer fantasised █▓ ▐█▓▌
▐█▓▌ █▓ icon. "Cycles Stream" takes us over to the █▓ ▐█▓▌
▐█▓▌ █▓ heart of the R;Zatz entity, for a better █▓ ▐█▓▌
▐█▓▌ █▓ understanding of its nature, reminding us █▓ ▐█▓▌
▐█▓▌ █▓ of Le∩la's disorientated universe, or the █▓ ▐█▓▌
▐█▓▌ █▓ excellent Juniper of Filastine y La Bamba. █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ Very harmonious, this record is hence a █▓ ▐█▓▌
▐█▓▌ █▓ subtle measurement between the crew's █▓ ▐█▓▌
▐█▓▌ █▓ individualities. As unexpected than tight, █▓ ▐█▓▌
▐█▓▌ █▓ R;Zatz is eager to display her new work on █▓ ▐█▓▌
▐█▓▌ █▓ stage for a tour in April/March 2012. █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ ------------------------------------------ █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ French verrsion: █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ Forte de deux productions, de █▓ ▐█▓▌
▐█▓▌ █▓ collaborations et dÆexpΘriences scΘniques █▓ ▐█▓▌
▐█▓▌ █▓ nombreuses et variΘes, R;Zatz revient en █▓ ▐█▓▌
▐█▓▌ █▓ force en cette fin dÆannΘe avec son █▓ ▐█▓▌
▐█▓▌ █▓ nouveau projet, ½ Cruel Summer ╗. AprΦs █▓ ▐█▓▌
▐█▓▌ █▓ ½Will we cross the line ? ╗ (2008) et ½ █▓ ▐█▓▌
▐█▓▌ █▓ Vagina Rush ╗ (2010), le projet dÆun █▓ ▐█▓▌
▐█▓▌ █▓ nouvel album m√rit donc dans les esprits █▓ ▐█▓▌
▐█▓▌ █▓ de Takeshi (Guitare), Marilou (chant / █▓ ▐█▓▌
▐█▓▌ █▓ basse - Mensch), Mathieu (batterie / Kaly █▓ ▐█▓▌
▐█▓▌ █▓ Live Dub) et CΘline (claviers / choeurs). █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ Sur ½Cruel Summer╗, peu dÆinvitΘs, mais 4 █▓ ▐█▓▌
▐█▓▌ █▓ musiciens en accord parfait. Loin de la █▓ ▐█▓▌
▐█▓▌ █▓ froideur de ½Will we cross the line ?╗, ce █▓ ▐█▓▌
▐█▓▌ █▓ nouvel album est dΘfinitivement plus █▓ ▐█▓▌
▐█▓▌ █▓ mΘlodique, flirtant avec une certaine █▓ ▐█▓▌
▐█▓▌ █▓ simplicitΘ qui sublime chaque intervention █▓ ▐█▓▌
▐█▓▌ █▓ de ses protagonistes. Si les influences █▓ ▐█▓▌
▐█▓▌ █▓ trip-hop, indie sont indΘniables, une █▓ ▐█▓▌
▐█▓▌ █▓ certaine sΘrΘnitΘ se dΘgage. Il fait chaud █▓ ▐█▓▌
▐█▓▌ █▓ cette fois. Pj Harvey, Shannon Wright ou █▓ ▐█▓▌
▐█▓▌ █▓ les guitares rΘtro de The Notwist auraient █▓ ▐█▓▌
▐█▓▌ █▓ elles eu raison du groupe ? █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ Il suffit de poser lÆoreille sur le titre █▓ ▐█▓▌
▐█▓▌ █▓ Θponyme, qui ouvre lÆalbum pour █▓ ▐█▓▌
▐█▓▌ █▓ apprΘhender les contours du nouveau chemin █▓ ▐█▓▌
▐█▓▌ █▓ tracΘ par la formation. On imagine la █▓ ▐█▓▌
▐█▓▌ █▓ beautΘ charnelle dÆun paysage aux couleurs █▓ ▐█▓▌
▐█▓▌ █▓ pastel (Cruel Summer, Dark Brown Eyes). █▓ ▐█▓▌
▐█▓▌ █▓ LÆΘmotion est palpable. Les riffs de █▓ ▐█▓▌
▐█▓▌ █▓ guitares, lancinants, relΦvent █▓ ▐█▓▌
▐█▓▌ █▓ parfaitement la voix de Marilou, sensible, █▓ ▐█▓▌
▐█▓▌ █▓ fragile (Stormy). Les nappes synthΘtiques, █▓ ▐█▓▌
▐█▓▌ █▓ les xylophones en demie-teinte, les █▓ ▐█▓▌
▐█▓▌ █▓ textures Θlectroniques rΘapparaissent █▓ ▐█▓▌
▐█▓▌ █▓ comme autant de clichΘs usΘs par un soleil █▓ ▐█▓▌
▐█▓▌ █▓ br√lant. Puis la pΓleur de ce matin █▓ ▐█▓▌
▐█▓▌ █▓ estival laisse place au noir, au rouge █▓ ▐█▓▌
▐█▓▌ █▓ sang (Flower in the Heaven), la █▓ ▐█▓▌
▐█▓▌ █▓ rΘsignation, la nostalgie sÆestompent face █▓ ▐█▓▌
▐█▓▌ █▓ α la dΘtermination, la colΦre (U Got Me, █▓ ▐█▓▌
▐█▓▌ █▓ Take a Look in the Mirror...). La voix de █▓ ▐█▓▌
▐█▓▌ █▓ Marilou devient puissante, prΘgnante, █▓ ▐█▓▌
▐█▓▌ █▓ comme possΘdΘe (Ordinary Chronicle). █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ R;Zatz a des choses α dire, des comptes α █▓ ▐█▓▌
▐█▓▌ █▓ rΘgler. Cet album en est le manifeste. Au █▓ ▐█▓▌
▐█▓▌ █▓ fil de cette histoire Θpique, la proie █▓ ▐█▓▌
▐█▓▌ █▓ devient prΘdatrice. La batterie, tant⌠t █▓ ▐█▓▌
▐█▓▌ █▓ claire et lointaine prend toute sa place, █▓ ▐█▓▌
▐█▓▌ █▓ le beat devient lourd. La basse que lÆon █▓ ▐█▓▌
▐█▓▌ █▓ connaissait ronde et omnisciente devient █▓ ▐█▓▌
▐█▓▌ █▓ entremetteuse des interventions de notre █▓ ▐█▓▌
▐█▓▌ █▓ chanteuse. La guitare, les claviers se █▓ ▐█▓▌
▐█▓▌ █▓ font evanescents. Black Sifichi sÆinvite █▓ ▐█▓▌
▐█▓▌ █▓ sur ½Dark Brown Eyes╗ (morceau Θgalement █▓ ▐█▓▌
▐█▓▌ █▓ disponible sur FX100), devenant ainsi █▓ ▐█▓▌
▐█▓▌ █▓ lÆic⌠ne fantasmΘe de cet ΘtΘ cruel. █▓ ▐█▓▌
▐█▓▌ █▓ ½Cycles stream╗, (invitant Takeshi au █▓ ▐█▓▌
▐█▓▌ █▓ chant) nous emporte au coeur de lÆentitΘ █▓ ▐█▓▌
▐█▓▌ █▓ R;Zatz, comme pour mieux en comprendre █▓ ▐█▓▌
▐█▓▌ █▓ lÆessence, rappelant avec justesse █▓ ▐█▓▌
▐█▓▌ █▓ lÆunivers dΘcalΘ de Le∩la, o∙ lÆexcellent █▓ ▐█▓▌
▐█▓▌ █▓ Juniper de Filastine y La Bamba. █▓ ▐█▓▌
▐█▓▌ █▓ █▓ ▐█▓▌
▐█▓▌ █▓ TrΦs homogΦne, cet album est donc un █▓ ▐█▓▌
▐█▓▌ █▓ subtil dosage des individualitΘs du █▓ ▐█▓▌
▐█▓▌ █▓ collectif. Aussi tendue quÆinattendue, █▓ ▐█▓▌
▐█▓▌ █▓ R;zatz sera prΩte α dΘfendre cette █▓ ▐█▓▌
▐█▓▌ █▓ nouvelle oeuvre sur scΦne pour une tournΘe █▓ ▐█▓▌
▐█▓▌ █▓ en mars/avril 2012 █▓ ▐█▓▌
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▄▓▀ ▄█▀█▄▄▀▀▀ ▐ ▒ g r o u p n o t e s ▒ ▌ ▀▀▀▄▄█▀█▄ ▀▓▄
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█▓ █▓ We are a small group of rather friendly █▓ █▓
█▓ █▓ people (with few exceptions!) who'd prefer █▓ █▓
█▓ █▓ wasting their time releasing scatporn █▓ █▓
█▓ █▓ instead of ripping those crappy (mostly) █▓ █▓
█▓ █▓ electronic releases nobody even cares about. █▓ █▓
█▓ █▓ █▓ █▓
█▓ █▓ Of course we release all what we hate █▓ █▓
█▓ █▓ because hate is a much stronger feeling than █▓ █▓
█▓ █▓ love and when you think about it, there is █▓ █▓
█▓ █▓ no point wasting money on loved ones. █▓ █▓
█▓ █▓ █▓ █▓
█▓ █▓ Finally if you ever like one of our releases █▓ █▓
█▓ █▓ (and not only ours...), go fuck a goat, sell █▓ █▓
█▓ █▓ the video and buy the damn vinyl/cd/dvd ... █▓ █▓
█▓ █▓ ... that's double pleasure ! █▓ █▓
█▓ █▓ █▓ █▓
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█▓ █▓ We would like to share a goat with the █▓ █▓
█▓ █▓ followings for their work and/or friendship, █▓ █▓
█▓ █▓ of course in -almost- no particular order: █▓ █▓
█▓ █▓ █▓ █▓
█▓ █▓ TrT - DPS - MAEM - mbs - bASS - kiNky - soup █▓ █▓
█▓ █▓ sour - XTC - FWYH - D2H - BCC - BOSS - FMR █▓ █▓
█▓ █▓ ETHNiC - CT - i8 - 1way - hM - SQ - HQEM █▓ █▓
█▓ █▓ hUSHhUSH - SiCKO - AEROHOLICS - BERC █▓ █▓
█▓ █▓ FNT - dL - SexSh0p - JustDifferent █▓ █▓
█▓▄ ▐▓▌ ▐▓▌ ▄█▓
▀█▓▄▄▀▀▄ ▄▀▀▄▄█▓▀
▌▀▀█▓▄█▀▄▄ defacing music since ▄▄▀█▄█▓▀▀▐
▄ ▄▓▄ ▀▀█▓▄█▀▀▄▄▄ 2004 ▄▄▄▀▀█▄█▓▀▀ ▄▓▄ ▄
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▀▀ ▀▓█████▌ ▀█▓ fU^rPC ▓█▀ ▐█████▓▀ ▀▀
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