▄▄ [ INFORMATION ] ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄
█ █
█ ARTIST: Anthony Pateras █
█ TITLE: Errors of the Human Body OST █
█ LABEL: Editions Mego █
█ GENRE: Soundtrack █
█ BITRATE: 232kbps avg █
█ PLAYTIME: 1h 02min total █
█ RELEASE DATE: 2012-00-00 █
█ RIP DATE: 2012-03-09 █
█ URL: █
█ █
█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█
▄▄ [ TRACKLIST ] ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄
█ █
█ 01. Cellular Cloud 0:56 █
█ 02. Burton 3:09 █
█ 03. Easter Gene 2:48 █
█ 04. Research From Unexpected Places 2:19 █
█ 05. Automatic 1 2:06 █
█ 06. Infectious 3:02 █
█ 07. River Elbe 3:32 █
█ 08. Personal Delivery 1:54 █
█ 09. Mouse House 3:12 █
█ 10. XIJ 6:09 █
█ 11. Automatic 2 3:14 █
█ 12. Burton's Lullaby 4:40 █
█ 13. Milk & Mice 3:23 █
█ 14. Cellular Cloud 2:50 █
█ 15. Sorry About Your Tail 1:59 █
█ 16. Automatic 3 2:35 █
█ 17. At Least I Knew Who I Was Fucking 3:00 █
█ 18. Fahrschein Bitte 3:01 █
█ 19. Burton's Syndrome 3:54 █
█ 20. Automatic 4 3:07 █
█ 21. Humans & Mice 1:58 █
█ █
█ █
█ █
█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█
▄▄ [ NOTES ] ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄
█ █
█ From Boomkat: █
█ Original score by Anthony Pateras for Eron Sheean's Errors Of The Human █
█ Being, a curious sci-fi movie shot at the Max Planck Institute for █
█ Molecular Cell Biology and Genetics in Dresden, Germany (it's the new █
█ Hollywood apparently) and starring, among others, Rik Mayall of Bottom █
█ fame! Bottom and Editions Mego: two worlds we never thought would █
█ collide. Melbourne-based Pateras, a regular collaborator with Robin Fox, █
█ soundtracked Sheean's previous too films, and it's fair to say that █
█ composer and filmmaker are both on the same elevated wavelength, the █
█ former demonstrating a deep understanding of the latter's needs while █
█ supplying something extra, something ineffable, that lifts the whole █
█ thing into the sublime. Pateras works with a palette of strings, wind, █
█ brass and percussion performed by Melbourne's Speak Percussion, creating █
█ a rich acoustic tapestry, but its his own keyboards and opalescent █
█ electronics that give the work its unique character. All kinds of moods █
█ and modes are explored, from splenetic noise to lush ambience, and █
█ there's even a club-primed track, fashioned out of tape-delayed string █
█ orchestra, contrabassoon and cowbell. It's a wonderfully lively and █
█ rangy soundtrack, one which works marvellously as a stand-alone █
█ listening experience, and also serves as an antidote to some of the more █
█ pedestrian, risk-free neo-classical/post-rock soundtracks du jour. █
█ █
█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█