Perfume_Genius-Put_Your_Back_N_2_It-(OLE964)-WEB-2012-k4

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MP3/FLAC
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k4
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Date
2012-04-06

NFO

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                                                                        ::k4:

         a r t i s t :: Perfume Genius
           t i t l e :: Put Your Back N 2 It
             d a t e :: 2012-02-21
           l a b e l :: Matador
           g e n r e :: Indie
         s o u r c e :: WEB
       b i t r a t e :: 320 kbps avg
      e n c o d e r  :: LAME
         t r a c k s :: 12
     p l a y t i m e :: 32:23
             s i z e :: 79.76MB


        tracklist

  1   AWOL Marine                             2:47
  2   Normal Song                             3:13
  3   No Tear                                 1:49
  4   17                                      2:30
  5   Take Me Home                            2:40
  6   Dirge                                   3:16
  7   Dark Parts                              3:09
  8   All Waters                              2:10
  9   Hood                                    2:00
  10  Put Your Back N2 It                     3:09
  11  Floating Spit                           3:14
  12  Sister Song                             2:26



        releasenotes

    How do we deal with personal trauma? After it's over, what comes next? These
  are some of the Big Questions Seattle singer/songwriter Mike Hadreas addresses
  on his second album as Perfume Genius. Put Your Back N 2 It follows Hadreas'
  overlooked 2010 debut, Learning, and it feels like a proper sequel to that
  album's suite of dysfunction and devastation. On his first album, Hadreas
  tackled subjects such as molestation, substance abuse, suicide, the
  complications of inappropriate sexual relationships, and the struggle for
  acceptance from those you love. The morose subject matter and melodic
  simplicity of Learning's piano-based songs drew comparisons to indie-pop
  artists like Stephin Merritt and Casiotone for the Painfully Alone's Owen
  Ashworth. But Hadreas' ability to set a scene and convey detail, which brought
  to mind Sufjan Stevens circa Seven Swans, lent the songs extra force. There
  were moments of impressionistic, synth-smeared beauty on that first record,
  but the overriding sense of despair and hopelessness could be overwhelming. On
  Put Your Back N 2 It, there's a crack of light coming through the darkness.

  Hadreas is still exploring the more harrowing corners of human behavior. "Dark
  Parts" details the abuse his mother suffered at the hands of her grandfather;
  opener "AWOL Marine" takes inspiration from a tape of homemade pornography
  that Hadreas viewed, in which one of the participants admits, camera still
  rolling, that he's just trying to get medication for his wife. "Floating Spit"
  also deals with drug addiction, "Take Me Home" explores prostitution in the
  context of the need to be loved, while "17" uses a metaphor of a body stuffed
  into a violin, covered in semen, and hung up on a fence to shine a light on
  corrosive self-loathing. So don't let the whimsical album title fool you: If
  you're looking for something low-key to vibe out to, you've come to the wrong
  place.

  The "light" the album allows has to do with how Hadreas approaches the
  material. He has a brilliant feel for poetic imagery ("The hands of God were
  bigger than grandpa's eyes/ But still he broke the elastic on your waist,"
  from "Dark Parts", is particularly haunting), but he's mostly moved away from
  storytelling to explore emotional themes at their most fundamental. Put Your
  Back N 2 It is an album about love-- what happens when we feel sheltered by
  it, how we fail to love ourselves and the people around us-- but amidst the
  heartache and bruised tenderness, there's hope, too. Hadreas sums it all up in
  the hollowed-out torch song "No Tear": "I will carry on with grace."

  For all its violence, Back radiates warmth. Much of the beauty is due to the
  expanded instrumentation, from the swooning, countryish guitar bends of "Take
  Me Home" to the interspersed snare rolls on "No Tear". The brutal low fidelity
  of Learning is gone, replaced with clarity and sonic intimacy that, when
  paired with these rich songs, raises every hair on the back of your neck. The
  more expansive sound gives room for experimentation, from the submerged
  electronic percussion on "Floating Spit" (contributed by UK producer David
  Edwards, aka Minotaur Shock) to the robust and surprising full-band blast of
  "Hood". The latter, with its bloom-and-burst structure, is the perfect example
  of Hadreas' growth as a melodic songwriter, having moved well beyond the the
  functional melodies that marked Learning.

  Many of these songs-- "Hood", "All Waters", "Take Me Home", "17"-- forego
  resolution and basically build tension and drop everything, in silence.
  Hadreas likes to steer clear of cathartic release, since in this world, there
  is no easy way out. On "All Waters", he begins singing in a low register and
  ends in his highest falsetto, as the song dissolves in wordless cries and
  frissons of far-away distortion. The song is a wish for a world where he and
  his boyfriend, Alan Wyffels (who also serves as his main musical
  collaborator), can hold hands in public without fear, and the lyrics ("When
  all waters still/ And flowers cover the earth") suggest that it's not going to
  happen any time soon.

  Mike Hadreas is gay, and many of the songs here focus on the issues that young
  gay men face in their lives (he referred to "17" in a press release as "a gay
  suicide letter"), even as Back's sustained exploration of love and hate has
  resonance for anyone. There is a lot of him in this music, the minutiae
  obviously pulled from a single person's life and experiences. But the album is
  less about confession as a form of release and more about trying to bring
  something positive into the world. "I don't want it to seem like I've been
  through more than other people...", he says in promotional materials for the
  album. "Staying healthy can be more depressing and confusing than being fucked
  up. But I want to make music that's honest and hopeful."

  With so much recent conversation about marriage equality and gay teen suicide,
  and with the predictable election-year demonization of homosexuality, Mike
  Hadreas' work is not only satisfying on a purely musical level, it also feels
  of-the-moment and above all necessary (it's so topical, he found himself in
  the middle of a standards-of-decency "family values" battle earlier this year
  between his label, Matador, and internet-media titans Google and YouTube).
  Independent music has woefully few artists dealing with these issues and
  asking difficult questions, and doing so in a context that never forgets about
  the importance of songwriting. That's a disappointment, but at least a handful
  of people like Hadreas are doing something about it.

  Artist-Url: www.matadorrecords.com/perfume_genius
  Shop-Url: http://tinyurl.com/6vv8ec4



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Perfume_Genius-Put_Your_Back_N_2_It-(OLE964)-WEB-2012-k4

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