Klaus_Suonsaari_And_Frank_Carlberg-Offering-2003-SER

Section
MP3/FLAC
Group
SER
Size
71,31 MB
Files
11
Date
2004-05-11

NFO

         ...........
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         \______   /       SER STRiKES BACK WiTH ANOTHER NEW RELEASE
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         : /   /   /   \//_____\ /____/____/    /________\_______//_______\
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         /_____  / :
         :  /____\ :   >>> Klaus Suonsaari & Frank Carlberg: Offering  <<<
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 :..:... Supplier: SER 2004          Release Date: 05/12/2004         ...:..:
    :  :   Ripper: SER 2004           Street Date: 00/00/2003         :..:...
 ...:..:    Genre: Jazz                     Label: Focus Records         :  :
 :  :      Tracks: 11 Tracks              Quality: VBR/APS/44,1kHz    ...:..:
 :  :        Year: 2003                  Channels: Joint Stereo       :  :
 :..:...   Source: CD                        Size: 71,3 MB            :..:...
    :  : Language: English                 Rating: 75% of 100%           :  :
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 _ _\/\\ /_//-//__((_))__\\  X/  DESCRiPTiON   \X  //__((_))__\\-\\_\ //\/_ _
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    "Usually when we talk about a new drummer we talk about his "style" or
    his "sound", but when the drummer  is someone with the range of  Klaus
    Suonsaari we  have to  talk about  his "composer's  voice" as well. As
    drummer and composer Klaus Suonsaari is a new "voice" we are going  to
    be hearing from." - Ira Gitler

    Today, there is a continuing internationalization of the music as more
    tangibly  advanced  by  musicians  from  all  over  the  world getting
    together to solidify and  advance the jazz tradition.  KLAUS SUONSAARI
    learned from  that tradition  and eventually  crossed the  Atlantic to
    first study, and then become an  active contributor to the music as  a
    sideman and, now as a leader-composer-arranger. His story  illustrates
    the power of jazz  to reach out and  capture one's heart and  mind, no
    matter where the music is heard. Born in Helsinki, Finland on November
    7, 1959,  Klaus found  himself part  of a  musical family.  "My mother
    played  piano,  my father  sang  in the  choir  and my  sister  was an
    excellent  classical pianist  and church  organist, but  none of  them
    pursued music as a profession," is the way he describes it.

    Klaus began classical  piano lessons at  age 6, switching  to his main
    instrument  at 14.  "There was  always a  lot of  music at  home,"  he
    remembers.  "My parents  had Sarah  Vaughan, Billie  Holiday and  Ella
    Fitzgerald records and  I learned a  lot of standards  by listening to
    them."  In  the summer  of  1974, he  attented  the Helsinki  Pop/Jazz
    Conservatory summer program and received his first formal lessons.  He
    was also exposed to  earlier drum masters such  as Baby Dodds and  Big
    Sid Catlett. "The  summer program was  a great inspiration  to me", he
    relates. "I  started checking  out Kenny  Clarke, Papa  Jo Jones,  Max
    Roach, Philly Joe Jones and Art Blakey in order to learn my instrument
    and tradition."

    Today  he  still includes  these  artists as  main  influences: "Kenny
    Clarke for  his sound  and conception;  Max Roach  for melody  and for
    always playing the right thing at the right time; Philly Joe Jones for
    melody and hard swing: Art Blakey for feeling and conception."

    In the fall of 1974,  Suonsaari began studies in classical  percussion
    at Lahti  Conservatory and  later at  the Eastman  School of  Music in
    Rochester, New  York. He  found studying  tympani extremely beneficial
    for developing touch and sound on the drum set. "I feel that the  tone
    on the  drums is  even more  important than  technigue in establishing
    stylistic  identity."  At age  16,  he found  himself  working with  a
    quintet  called  "Blue  Train"  and  gained  a  lot  of  solid playing

    experience with this group at the Pori International Jazz Festival and
    touring Finland. In 1978, "Blue Train" was named Finland's Number  One
    Jazz Group.

    After graduating from high school  in 1979, Suonsaari enrolled at  the
    prestigious  Berklee  College  of  Music  in  Boston  and,  he studied
    privately with Joe Hunt and  Alan Dawson, and immersed himself  in the
    school's  arranging and  composing program.  "Composing and  arranging
    helped  me  to  be  more  musical  and  think  about  the  drums  more
    compositionally." His  talents were  recognized when  he received  The
    Buddy Rich and The Quincy Jones Masters Awards.

    Suonsaari,  who  has written  music  since 1982,  likes  to write  for
    different size  groups from  small combos  to symphony  orchestras. In
    1984, in memory  of pianist Bill  Evans, Klaus wrote  "Suite for Bill"
    for 27-piece  orchestra featuring  Niels Lan  Doky. He  feels his "own
    compositions have  a distinctive  character and  express a  variety of
    moods." This is graphically illustrated  by his writing for his  debut
    album Reflecting Times on the Storyville Records label.

    In 1992, The Artist Of The Year Award for excellence presented at  the
    Pori International Jazz Festival, was given to drummer-composer  Klaus
    Suonsaari who has  made an international  career on the  New York jazz
    scene. He has toured  the United States, Canada,  France, Switzerland,
    Norway, Denmark, Finland, England and Scotland. Performances in  these
    countries have included numerous radio and television appearances  and
    major   jazz   festivals   such   as   Montreux,   Copenhagen,   Pori,
    Montreux/Detroit, Lugano, Greenwich Village Jazz Festival, as well  as
    some of  the top  jazz clubs  in the  world: Sweet  Basil, Blue  Note,
    Village Vanguard, Birdland, Village Gate and the Montmartre.

    Klaus has numerous recordings to his credit and the list of  musicians
    he has played with is long and impressive. To mention a few: Bob Berg,
    Horace  Parlan,  Joe  Lovano,  Slide  Hampton,  Jerry  Bergonzi, Niels
    -Henning 0rsted Pedersen, Junior  Cook, Tom Harrell, Ray  Drummond and
    Muhal Richard Abrams.

   http://www.klaussuonsaari.com/

    Tracks:

    01. Suker (5:19)
    02. Whack! (3:53)
    03. Broadway (6:39)
    04. Tea For Two (3:36)
    05. Tivoli (3:44)
    06. Offering (5:04)
    07. Arcane (3:45)
    08. Motion (5:13)
    09. The Slip (8:13)
    10. Frantic (3:00)
    11. The Bedroom Suite Of Gauguin And Madame Hussein (4:10)

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Files

PathSize
01-suker-ser.mp37,41 MB
02-whack-ser.mp35,80 MB
03-broadway-ser.mp38,83 MB
04-tea_for_two-ser.mp34,72 MB
05-tivoli-ser.mp34,98 MB
06-offering-ser.mp36,94 MB
07-arcane-ser.mp35,19 MB
08-motion-ser.mp36,81 MB
09-the_slip-ser.mp311,33 MB
10-frantic-ser.mp33,72 MB
11-the_bedroom_suite_of_gauguin_and_madame_hussein-ser.mp35,58 MB