AGF_-_Language_is_the_Most-2004-BCC

Section
MP3/FLAC
Group
BCC
Size
59,63 MB
Files
10
Date
2004-05-16

NFO

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   ░█▀ █▓                                                              █ ██░
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   ░█  ▄█▄         ▓▓▓▓▒▒▒░▓░░░░░ ░  notes ░ ░░░░░▓░▒▒▒▓▓▓▓            ▓▄ █░
   ░█ █▄         ▀██████████████████████████████████████████▀          +█ █░
   ░█ █░                                                               ░█ █░
   ░█ █+                 AGF - Language is the Most                ▄   +█ █░
   ░█ █▓                                                               ▓█ █░
   ░█ ▓█                                                             ▄▀▀ ▄█░
   ░█ +█               Title : Language is the Most                ▀▀▀▄▄ ▀█░
   ░█ ░█              Artist : AGF                                   ▀ ▓█ █░
   ░█▄ █               Genre : Electronic                              ░█ █░
   ░██ █                Year : 2004                                    █ ▄█░
   ░██ █        BCC Rel Date : 05-16-2004                              █ ██░
   ░██ █       Audio Bitrate : 192 kbps / Full Stereo                  █ ██░
   ░█ ▄▀         Sample Rate : 44,1 kHz Stereo                         █ ▀█░
   ░█ █▓ ▀           Encoder : Lame                                    █░ █░
   ░█▄ ▀▀▄▄▄          Tracks : 09                                      █+ █░
   ░█▀ ▄▄▀             Label : QUECK 006                               █▓ █░
   ░█ █▓           Ripped By : BCC Team                                ▓█ █░
   ░█ █+              Source : CDDA                                    +█ █░
   ░█ █░              Length : 43:22 min                               ░█ █░
   ░█ █+                Size : 59,6 MB                                 ▄█ █░
   ░█ █▓                                                             ▄█▄  █░
   ░█▄ █                                                               ▄▀ █░
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   ░█▀ █▓        ▀██████████████████████████████████████████▀          █ ██░
   ░█ █▄           ▓▓▓▓▒▒▒░▓░░░░░ ░ tracks ░ ░░░░░▓░▒▒▒▓▓▓▓            █ ▄█░
   ░█  ▄█▄       ▀██████████████████████████████████████████▀          ▓█ █░
   ░█ █▄                                                               +█ █░
   ░█ █░                                                               ░█ █░
   ░█ █░       01.Loading - Code in the Noodle Soup     [05:37]        ░█ █░
   ░█ █░       02.Reduced Trust                         [06:57]        ░█ █░
   ░█ █░       03.White Flip Flops                      [05:08]        ░█ █░
   ░█ █░       04.Salmiakki Pattern                     [07:44]        ░█ █░
   ░█ █░       05.Delusion                              [02:27]        ░█ █░
   ░█ █░       06.Arriving                              [02:47]        ░█ █░
   ░█ █░       07.Schlauchtraumstimmen - Leerzeile      [05:26]        ░█ █░
   ░█ █░       08.Burning Fraquencies                   [02:31]        ░█ █░
   ░█ █░       09.Un-De-Buged                           [04:45]        ░█ █░
   ░█ █░                                                -------        ░█ █░
   ░█ █░                                                 43:22 min     ░█ █░
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   ░█▄ █                                                               ░█ █░
   ░██ █      INFO:                                                    █  █░
   ░██ █                                                               █ ██░
   ░██ █       How code made its way into my music. As a               █ ██░
   ░██ █       singer and producer, I rely primarily on content,       █ ██░
   ░██ █       and that can get to be a real encumbrance. After        █ ██░
   ░██ █       many years of creating music, I feel that I'm being     █ ██░
   ░██ █       confronted over and over again with the fact that       █ ██░
   ░██ █       listeners -- and especially when it comes to            █ ██░
   ░██ █       Germans dealing with the German language --             █ ██░
   ░██ █       have problems getting to the music. Content             █ ██░
   ░██ █       always comes first -- the message, the brain. In        █ ██░
   ░██ █       cutting the tracks for my album Head Slash Bauch        █ ██░
   ░██ █       (head slash gut), I wanted to free myself from this     █ ██░
   ░██ █       coercive pressure to have to say something              █ ██░
   ░██ █       understandable. On my way to becoming an                █ ██░
   ░██ █       independent producer, I geeked my way through           █ ██░
   ░██ █       the process of self-education in matters of             █ ██░
   ░██ █       hardware, software, user's manuals and all the          █ ██░
   ░██ █       other stuff that goes with it. And that's how the       █ ██░
   ░██ █       computer/laptop came to exert an extremely              █ ██░
   ░██ █       positive -- except for the chronic back pain --         █ ██░
   ░██ █       influence on my working and lifestyle options, my       █ ██░
   ░██ █       communication and production possibilities, and         █ ██░
   ░██ █       makes possible more and more flexibility, speed         █ ██░
   ░██ █       and personal control. So that's how I discovered        █ ██░
   ░██ █       the poetry and beauty of this technically practical     █ ██░
   ░██ █       programming language. Since then I've been              █ ██░
   ░██ █       experimenting with this tension between technical       █ ██░
   ░██ █       coolness and rhythm and melody in connection            █ ██░
   ░██ █       with reality, feeling, vision. For the opening of the   █ ██░
   ░██ █       Ars Electronica Klangpark 2003, I presented a live      █ ██░
   ░██ █       performance featuring some of this work and my          █ ██░
   ░██ █       recent album Westernization Completed and               █ ██░
   ░██ █       integrated into it a composition especially based       █ ██░
   ░██ █       on the dictionary entry for 'code'.                     █ ██░
   ░█ █▓ ▀                                                             █░ █░
   ░█▄ ▀▀▄▄▄                                                           █+ █░
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   ░█ ▓█                                                             ▄▀▀ ▄█░
   ░█ +█              CONTACT..........:                           ▀▀▀▄▄ ▀█░
   ░█ ░█                                                             ▀ ▓█ █░
   ░█▄ █              [.WWW.....] none                                 ░█ █░
   ░██ █              [.E-MAiL..] bcc_pl@hotmail.com                   █ ▄█░
   ░██ █              [.iRC_NET.] none                                 █ ██░
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   ░█▄ ▀▀▄▄▄       ▓▓▓▓▒▒▒░▓░░░░░ ░ greets ░ ░░░░░▓░▒▒▒▓▓▓▓            █+ █░
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   ░█ █▓                                                               ▓█ █░
   ░█ █+                                                               +█ █░
   ░█ █░                                                               ░█ █░
   ░█ █+              GREETS...........:                               ▄█ █░
   ░█ █▓                                                             ▄█▄  █░
   ░█▄ █            AMOK BEX CMG DPS  FWYH HiT2000 JUST kW              █ █░
   ░██ █                                                               ▄▀ █░
   ░██ █+           MYCEL NUHS PsyCZ radial RFL sb UBE UPE            ▓█ ██░
   ░█▀ █▓                                                             +█ ██░
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   ░█  ▄█▄                                                             █ ▄█░
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   ░█ ░█                                                            ▀▀▄▄ ▀█░
   ░█▄ █       SUPPORT SMALL RECORD LABELS AND BUY ORIGINAL CD !     ▀ ▓█ █░
   ░██ █                                                               ░█ █░
   ░██ █                                                                █ █░
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Files

PathSize
00-agf_-_language_is_the_most-2004-bcc.jpg40,89 KB
01-agf_-_loading_-_code_in_the_noodle_soup-bcc.mp37,72 MB
02-agf_-_reduced_trust-bcc.mp39,55 MB
03-agf_-_white_flip_flops-bcc.mp37,05 MB
04-agf_-_salmiakki_pattern-bcc.mp310,62 MB
05-agf_-_delusion-bcc.mp33,37 MB
06-agf_-_arriving-bcc.mp33,82 MB
07-agf_-_schlauchtraumstimmen_-_leerzeile-bcc.mp37,46 MB
08-agf_-_burning_fraquencies-bcc.mp33,46 MB
09-agf_-_un-de-buged-bcc.mp36,54 MB