Machine_Head_-_The_More_Things_Change_(Jap.Ed.)-1997-MCA-int

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2012-05-14

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│                      METAL CLASSICS ARCHIVE                       │
│                                                                   │
│                                                                   │
│                                                                   │
│                         P R E S E N T S                           │
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│                                                                   │
│ +            Machine Head - The More Things Change             +  │
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│╔═════════════════════╗                                            │
│║ Release Information ║                                            │
│╠═════════════════════╩══════════════════════════════════════════╗ │
│║                                                                ║ │
│║  Release Date.May-12-2012    Encoder......L3.97 -V2 --vbr-new  ║ │
│║  Genre........Metal          Graber.......EAC                  ║ │
│║  Year.........1997           Khz/Bitrate..44.1/ Br             ║ │
│║                                                                ║ │
│║  Ripper.......The_Patriarch  Songs........13                   ║ │
│║  Covers.......Yes            Url... machinehead1.com           ║ │
│║                                                                ║ │
│╚════════════════════════════════════════════════════════════════╝ │
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│╔═════════════════════╗                                            │
│║    Release Notes    ║                                            │
│╠═════════════════════╩══════════════════════════════════════════╗ │
│║                                                                ║ │
│║ Artist : Machine Head                  Rating : You Decide!    ║ │
│║ Album  : The More Things Change        Label  : RoadRunner     ║ │
│║                                                                ║ │
│║                                                                ║ │
│╠════════════════════════════════════════════════════════════════╣ │
│║                                                                ║ │
│║      Description :                                             ║ │
│║                                                                ║ │
│║        When one listens to the lines "The more things          ║ │
│║        change, the more they stay the same" on the song        ║ │
│║        "Struck a Nerve", a feeling of irony comes to           ║ │
│║        mind. After all, Machine Head kept changing and         ║ │
│║        changing through all of their career while still        ║ │
│║        retaining their identity, and this album in no          ║ │
│║        exception at all.                                       ║ │
│║                                                                ║ │
│║        The More Things Change... is the only album             ║ │
│║        between their glorious masterpiece Burn My Eyes         ║ │
│║        and the highly nⁿ-metallish The Burning Red. As         ║ │
│║        such, opinions are expectantly polarized in two         ║ │
│║        groups: the ones who say that this album was            ║ │
│║        their last album as the enraged groove thrash           ║ │
│║        band that gave us "Davidian" and the ones who           ║ │
│║        say that this was the beginning of their nⁿ-            ║ │
│║        metallish era that would tragically culminate           ║ │
│║        with 2001's full-fledged disaster Supercharger.         ║ │
│║        From my personal point of view, however, nothing        ║ │
│║        like that happens. This album is positively             ║ │
│║        unrelated to the one that preceded it and to the        ║ │
│║        one that succeeded it. Truth is, the material in        ║ │
│║        question sounds like it was made by a band              ║ │
│║        younger than the Machine Head of 1994. While I          ║ │
│║        would never classify it as nⁿ-metal, there's a          ║ │
│║        sense of youth close to many alternative metal          ║ │
│║        and grunge bands of the same era. And yes, this         ║ │
│║        album stands below Burn My Eyes. Fault? The fact        ║ │
│║        that Chris Kontos left the band, replaced by            ║ │
│║        Dave McClain (ex-Sacred Reich). While I admire          ║ │
│║        McClain's talent as a drummer, he is undeniably         ║ │
│║        slower and less technical than Kontos.                  ║ │
│║                                                                ║ │
│║        As a direct consequence of McClain's entry, much        ║ │
│║        of the technicality that marked Burn My Eyes is         ║ │
│║        lost, replaced by fast hardcore-like moments of         ║ │
│║        speed and angry grooves. While this album is            ║ │
│║        almost as brutal as its predecessor, a major            ║ │
│║        difference can be felt; if 1994's Burn My Eyes          ║ │
│║        is an expression of rage against social                 ║ │
│║        disorder, then 1997's The More Things Change...         ║ │
│║        is still an expression of rage, but a different         ║ │
│║        one that's less social and more political. The          ║ │
│║        lyrical themes now center around inner rage and         ║ │
│║        struggle, devoid of any sociopolitical concerns,        ║ │
│║        and the music becomes somehow more                      ║ │
│║        accessible...without, however, becoming weaker          ║ │
│║        by any terms.                                           ║ │
│║                                                                ║ │
│║        Musicianship is, as I said before, less                 ║ │
│║        technical than in 1994, starting with the drums.        ║ │
│║        The opening track "Ten Ton Hammer" shows such           ║ │
│║        changes from the beginning; the sense of                ║ │
│║        precision is somewhat lost. Even in the ⁿber-           ║ │
│║        fast "Struck a Nerve" or in the slow anger of           ║ │
│║        "The Frontlines", the listener gets the feeling         ║ │
│║        that the drums are lower in standard than what          ║ │
│║        Kontos used to do.                                      ║ │
│║                                                                ║ │
│║        The very same feeling continues to an extent in         ║ │
│║        terms of guitar to the point in which the               ║ │
│║        precise grooves of past are replaced by a               ║ │
│║        (successful) attempt at sludge metal ("Blood of         ║ │
│║        the Zodiac"). The good point here is that the           ║ │
│║        less technical style actually works to a great          ║ │
│║        extent because Mader and Flynn did not waste the        ║ │
│║        aggression of old ("The Frontlines" at 0:40),           ║ │
│║        combining it wisely with the new, grunge-               ║ │
│║        inspired sludges. It's a formula that pretty            ║ │
│║        much works, in fact. Here I admit that some link        ║ │
│║        between their older style and their later style         ║ │
│║        can be felt, however I would not call it                ║ │
│║        important enough. Adam Duce's peculiar (and             ║ │
│║        brutal) bass lines continue to be nearly the            ║ │
│║        same as they were in Burn My Eyes, helping to           ║ │
│║        bring up the decibels (e.g. "Take My Scars")            ║ │
│║        when and where they are needed.                         ║ │
│║                                                                ║ │
│║        Robb Flynn's vocals give the final touch to this        ║ │
│║        album. Ironically, his voice sounds younger in          ║ │
│║        1997 than it was in 1994, probably because now          ║ │
│║        he uses a more melodic vocal style ("Ten Ton            ║ │
│║        Hammer", "Take My Scars"), which is still               ║ │
│║        combined with his 1994-ish aggressive thrash            ║ │
│║        metallish yelling as well as his more moderate          ║ │
│║        vocals such as in the verses of "Spine". If I           ║ │
│║        had to pick up one of his vocal passages                ║ │
│║        throughout the whole album and elect it as his          ║ │
│║        triumph, I'd definitely pick "Blood of the              ║ │
│║        Zodiac", more specifically his last minute of           ║ │
│║        incredible melodious shouting. It may as well be        ║ │
│║        one of his best performances ever.                      ║ │
│║                                                                ║ │
│║        A lot of controversy will always surround               ║ │
│║        Machine Head, especially since 1999. The                ║ │
│║        constant evolution of their musical style is the        ║ │
│║        main reason, and many of their fans will argue          ║ │
│║        that their first 2 albums were their finest             ║ │
│║        hour, including me to be honest. Other people           ║ │
│║        will say that this album was the beginning of           ║ │
│║        their failure. I must disagree. All they did was        ║ │
│║        pick their groove thrash style and make it more         ║ │
│║        accessible and not necessarily worse. In fact,          ║ │
│║        it features a lot more variety than Burn My             ║ │
│║        Eyes. Machine Head would only fail after this,          ║ │
│║        especially four years after, under the period in        ║ │
│║        which they had Ahrue Luster on guitar. I highly         ║ │
│║        recommend this album to fans of '90s                    ║ │
│║        metal/groove thrash and especially to people who        ║ │
│║        are starting to get into metal. It's no Burn My         ║ │
│║        Eyes, but it is still an excellent album.               ║ │
│║                                                                ║ │
│║                                                                ║ │
│║                                                                ║ │
│╚════════════════════════════════════════════════════════════════╝ │
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│╔═════════════════════╗                                            │
│║  Release Tracklist  ║                                            │
│╚═════════════════════╩══════════════════════════════════════════  │
│                                                                   │
│     01 - Ten Ton Hammer                             [04:14]       │
│     02 - Take My Scars                              [04:20]       │
│     03 - Struck A Nerve                             [03:30]       │
│     04 - Down to None                               [05:28]       │
│     05 - The Frontlines                             [05:51]       │
│     06 - Spine                                      [06:36]       │
│     07 - Bay of Pigs                                [03:46]       │
│     08 - Violate                                    [07:20]       │
│     09 - Blistering                                 [04:58]       │
│     10 - Blood of the Zodiac                        [06:38]       │
│     11 - The Possibillity of Life's Destruction [bo [01:31]       │
│     12 - My Misery [bonus Track]                    [04:42]       │
│     13 - Colors [bonus Track]                       [04:41]       │
│                                                                   │
│                                      Total Length : [63:35 minn   │
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│                   ╔═════════════════════╗                         │
│                   ║    Greetings To:    ║                         │
│                   ╚═════════════════════╝                         │
│                                                                   │
│          Too all people who contributes to make this              │
│          archive of good music in a exceptional conditions        │
│                                                                   │
│                                                                   │
│                                                                   │
│■                                                                 ■│
└───────────────────────────────────────────────────────────────────┘

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