Desolate--Celestial_Light_Beings-(FAUXPASLP002)-WEB-2012-SiBERiA
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- 2012-05-20
NFO
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███ Artist ...... Desolate ███
███ Title ....... Celestial Light Beings ███
███ Type ........ Album ███
███ Label ....... Fauxpas Musik ███
███ Cat.Number .. FAUXPASLP002 ███
███ Genre ....... Electronic ███
███ Style ....... IDM, Downtempo, Ambient ███
███ Street date . 30-03-2012 ███
███ Rip date .... 19-05-2012 ███
███ Source ...... WEB ███
███ Url ......... http://www.whatpeopleplay.com ███
███ Encoder ..... Lame 3.98r ███
███ Ripper ...... dedmoroz ███
███ Quality ..... 320kbps / 44.1 kHz / Joint Stereo ███
███ Tracks ...... 10 ███
███ Size ........ 116.54Mb ███
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01 ... Ambrosia 6:08
02 ... Desolation 3:18
03 ... Teariness Of Lemnia 6:55
04 ... Farewell #3 2:31
05 ... Risen 4:13
06 ... Synaesthetic 5:44
07 ... Se7en 3:19
08 ... Florescence 5:12
09 ... Farewell #4 1:41
10 ... Exclusion Of Light 4:16
---------------
Total:... 43:17
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The Burial comparison comes built into Sven
Weisemann's Desolate project. Weissmann's foray into
ambient garage resulted in last year's excellent The
Invisible Insurrection, which was both shameless and
tasteful in marrying the UK bass auteur's permeable
atmosphere of soggy isolation, halting 2-step, and
cut-and-paste, vocal-driven sound designs with
Weisemann's subtler more ambient and techno minded
aesthetic, more eclectic and purposeful
instrumentation, and, arguably, more complex
arrangements. The comparisons were as specific as
their shared love of bullet shells clattering to the
floor and snippets of ambiguous film dialog wafting,
half-remembered through the stereo field, yet Desolate
never lacked for an identity. The Invisible
Insurrection still had more in common with Weisemann's
own Xine than Untrue.
While Celestial Light Beings continues with a similar
tonal hue as The Invisible Insurrection, it recedes
further into Weisemann's own sensibilities, sharpening
its creeky instrumental impulses and back-alley sample
pallet while most signs of found-sound 2-step and
rubbery dubstep synths have been pushed out of the
foreground. It's arranged less like a dubby bass
record, letting its textures breathe and flourish
instead of cutting them into propulsive slabs to
simply echo inward. Celestial can often feel like a
weightless Shackleton with its focus on flickering,
candle-lit world music samples and it draws further on
Weisemann's experience as a pianist and his brushes
with modern classical, often pulling the record into
the realm of ambient piano-and-strings guys like
Murcof and Jacaszek. Elements present on The Invisible
Insurrection have simply been massaged and milked into
more immediate fixtures on Celestial Light Beings,
yet, despite a half-retreat from garage back into
something closer to downtempo, the results still feel
like an incremental step from one record to the next.
Those discarded bullet casings and cinematic
flourishes still get good deal of face time.
There's a lot to be said regarding the intricate
textural brushstrokes found on any given track of
Celestial Light Beings, but the record's appeal is
still in its inherent introverted, grandiose beauty.
The dripping, liquidated stretches of piano
reverberation coupled with the bodiless, black-Crayola
strings give the record a constant atmosphere of
brimming and ebbing emotion without getting brash or
upper-atmosphere about it. The tracks retain a
specific downbeat loneliness that isn't necessarily
unfamiliar, but on a track like "Desolate" with its
single echoing snare clunk smacking wearily between
solitary piano notes fit for a drizzled stroll through
deserted, low-key cobblestone streets, it's hard not
to feel like Weisemann is treading something personal
and real here.
Opener "Ambrosa" is more indicative of the LP's
majority, opening with some filmic mutters about
vampires and sociopaths before coalescing with
dribbling noirish piano, shuttering, debris-rattling
percussion, ghostly Mid Eastern-tinged samples, and a
whispered falsetto vocal. Elsewhere, "Synaesthetic"
settles around a hesitant 4/4 and dreary vocal wail,
its percussion raining down in vertical, tin-roof
patters while little vocal and brass exultations crop
up. Saved for last is "Exclusion of Light," which
seems to finally fully give in to its reeling string
melodies while a whispered drum æn' bass loop barely
registers like another track playing in the next room,
only its sub-octaves registering. Deolate hasn't
completely disconnected from bass music's mutations,
but on Celestial Light Being they appear in faint
whispers rather than in driving overtones, instead
shrouded by Weisemann's more assured and identifiable
grasp.
TEAM SiBERiA greets all friends, all sops who support
us, all fans, all pure sceners and the following teams:
WiTF - dh - HQEM - sb - BCC - DPS - CBR - 1REAL - 320
iHF - DRUM - MK2 - MPX - {Scratch} - 1way - WHOA - mbs
and other groups whose stuff we like.
Also we greet all ppl who love good music and musicians
who do it for our ears.
Remember: mp3 is not the best quality. Therefore support
artists - order Vinyls, CDs and T-shirts, go to parties.
At least you should never ever spread our rlses to
public and sell them!
▓▄▄ 23:08pm.15.May.2009 ▄▄▓
██▓ ░ dedmoroz. ░ ▓██
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