Dexys--One_Day_Im_Going_To_Soar-WEB-2012-OMA
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MP3/FLAC
- Group
- OMA
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- Date
- 2012-06-21
NFO
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████ · ▄▓███▓ OPEN MUSiC ASSOCiATiON ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ .···. P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ Dexys - One Day I'm Going to Soar ▀█████
████▀ ▀████
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█▓▓▓▓ ARTiST..[ Dexys ▓▓▓▓█
█▓▓▓▓ TiTLE...[ One Day I'm Going to Soar ▓▓▓▓█
████ GENRE...[ Rock GRABBER.[ --- ████
████ LABEL...[ Buback ENCODER.[ Lame 3.99 ████
████ YEAR....[ 2012 QUALiTY.[ 320kbps ████
████ SOURCE..[ WEB MODE....[ Full Stereo ████
████ PLAYTIME[ 57:03 min REL.DATE[ 06.18.2012 ████
████ TRACKS..[ 11 RiPPER..[ TEAM OMA ████
████ SiZE....[ 130,8 MB SUPPLiER[ TEAM OMA ████
████ ████
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████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
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███▀ NR. TRACK. TiME. ▀███
█▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█
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████ 01 Now 06:49 ████
████ 02 Lost 03:02 ████
████ 03 Me 04:18 ████
████ 04 She Got a Wiggle 04:29 ████
████ 05 You 03:33 ████
████ 06 I'm Thinking of You 07:03 ████
████ 07 I'm Always Going to Love You 05:39 ████
████ 08 Incapable of Love 05:31 ████
████ 09 Nowhere Is Home 04:59 ████
████ 10 Free 03:45 ████
████ 11 It's O.K. John Joe 07:55 ████
████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████
████ TOTAL: 57:03 ████
████ ████
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████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
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████ www.7digital.de ████
████ ████
████ BBC Review ████
████ A quarter-century on from the last Dexys ████
████ Midnight Runners album DonÆt Stand Me Down ████
████ (mocked upon release, now recognised as a work ████
████ of genius), Dexys (so named because, says ████
████ Kevin Rowland, ôItÆs the same, but also not ████
████ the sameö) return. Recent live shows induced ████
████ collective rapture in audiences. Can the ████
████ æcomebackÆ album possibly live up to ████
████ expectations? It can. It certainly can. ████
████ ████
████ Mention the unlikely 80s chart-toppers and ████
████ some may recall the soul stylings of Geno, ████
████ many more the violins and dungarees of Come On ████
████ Eileen. True believers know it went a lot ████
████ deeper, further, darker and brighter than ████
████ that. Rowland sought a level of purity and ████
████ intensity in the music that, while a triumph ████
████ to those who embraced it, scared the herd ████
████ mentality of the music press. He lost his path ████
████ and confidence for a while. Now, more relaxed, ████
████ showing the sense of humour that was always ████
████ there but was oft-misunderstood, heÆs created ████
████ an album thatÆs equal parts confessional soul ████
████ and theatrical music hall, and wholly sincere ████
████ and spectacular. ████
████ ████
████ ████
████ ThereÆs a narrative, autobiographical thread ████
████ throughout the songs which traces a manÆs ████
████ maturing from doubt and over-analysis (Now, ████
████ Lost) through relationship traumas (Incapable ████
████ of Love) to epiphanies of individuality and ████
████ self-acceptance (Free; the beautiful monologue ████
████ ItÆs OK, John Joe). Along the varied, ████
████ verve-fuelled ride, there are moments of wry, ████
████ poignant insight (RowlandÆs he-said-she-said ████
████ dialogue with Madeleine Hyland is both candid ████
████ and comedic), rousing refrains (ôattack, ████
████ attack!ö chant the band) and romantic uplift. ████
████ Elsewhere, She Got a Wiggle is as sexy and ████
████ yearning as the Al Green shuffles it emulates. ████
████ ████
████ ████
████ The musicians, from Mick Talbot to on-off ████
████ Dexys lifers like Pete Williams and trombonist ████
████ Big Jim Paterson make every switch resonate, ████
████ from airy Roxy swoons to earthy folksy stomps, ████
████ while RowlandÆs voice is more dauntingly ████
████ expressive and piercingly heartfelt than ever. ████
████ Nobody since Chairmen of the BoardÆs General ████
████ Johnson has made interjections like ôHuh! ████
████ Huh!ö sting so. ████
████ ████
████ ████
████ There is so much personality, poetry, ████
████ vulnerability and resilience here that most ████
████ other records sound like dry runs by ████
████ comparison. Dexys are back with wisdom and ████
████ wings. Some of us never doubted. ████
████ ████
████ --Martin Longley ████
████ ████
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████ URL: n/a ████
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████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ MAiL: oma@never-ever.com ▓ │▀▀▀█▓▄▄ █████
█▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█
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████▀ The only thing that really matters is music!!! ▀████
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.▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀
. ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ .
▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀
▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀
▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .
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