Mac_DeMarco-Rock_And_Roll_Night_Club-(CT140)-CD-2012-iPC

Section
MP3/FLAC
Group
iPC
Size
0 B
Files
0
Date
2012-06-26

NFO

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    ███▓▓█▓▀                                                    ▀▀▓█▓ ▀  ▄
     ██▓██                                                        ▀█▓▄  ▀▀█
    ▓█▓▓█      Artist.....[ Mac DeMarco                            ▀████▄█▓
     ██▓▀      Album......[ Rock And Roll Night Club                  ▀▓██
   ▄ █▓█  █    Label......[ Captured Tracks                         █  █▓█ ▄
   █▒█▓█▄▀     Catalog #..[ CT140                                    ▀▄█▓█▒█
    ▀█▓█  ░░                                                       ░░  █▓█▀
     ░█▓█ ░░                                                       ░░ █▓█░
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   ▓█████▓▓█                                                       █▓▓█████▓
  ▓█▀  ▀▀█▓█▒  Source.....[ CD                                    ▒█▓█▀▀  ▀█▓
  ▓█▄ ▀▄  ██▓  Genre......[ Indie                                 ▓██  ▄▀ ▄█▓
   ▓▓█▓▀   ██  Language...[ English                               ██   ▀▓█▓▓
     ▀  ▄████  Store Date.[ 2012-03-20                            ████▄  ▀
     ▄  ▀ ▓█▓  Rip Tool...[ EAC                                   ▓█▓ ▀  ▄
    █▀▀  ▄▓█▀  Encoder....[ LAME 3.98.4 -V0                       ▀█▓▄  ▀▀█
    ▓█▄████▀   Quality....[ 209 kbps AVG VBR 44.1/Joint Stereo     ▀████▄█▓
     ▀█▓▀      Url........[ http://www.capturedtracks.com             ▀▓█▀
   ▄ █▓█▄▓█▓                                                       ▓█▓▄█▓█ ▄
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  ▓█▀  █▀█▓█▒                                                     ▒█▓█▀█  ▀█▓
   ▀▀     ██▓                                                     ▓██     ▀▀
           █▓  01 Rock And Roll Night Club                  3:10  ▓█
           █▓  02 (96.7 The Pipe)                           0:34  ▓█
           █▓  03 Baby's Wearing Blue Jeans                 3:33  ▓█
           █▓  04 One More Tear To Cry                      4:04  ▓█
           █▓  05 European Vegas                            3:17  ▓█
           █▓  06 (106.2 Breeze FM)                         1:00  ▓█
           █▓  07 She's Really All I Need                   3:03  ▓█
           █▓  08 Moving Like Mike                          2:57  ▓█
           █▓  09 Me And Jon, Hanging On                    2:41  ▓█
           █▓  10 I'm A Man                                 2:32  ▓█
           █▓  11 Only You                                  2:58  ▓█
           █▓  12 Me & Mine                                 2:04  ▓█
           █▓                                              -----  ▓█
           █▓                                              31:53  ▓█
        ▄███▓                                                     ▓███▄
     ▄  ▀ ▓█▓                                                     ▓█▓ ▀  ▄
    █▀▀  ▄▓█▀                                                     ▀█▓▄  ▀▀█
    ▓█▄████▀                                                       ▀████▄█▓
     ▀█▓▀                                                             ▀▓█▀
   ▄ █▓█▄▓█▓                                                       ▓█▓▄█▓█ ▄
   █▒██▓█▀ ▀█                                                     █▀ ▀█▓██▒█
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  ▀▄  █▓█ ▄                                                         ▄ █▓█  ▄▀
      █▒██                                                           ██▒█
      █░█▒      Edmonton-raised Montreal-based Mac DeMarco made the  ▒█░█
      █░█▒      pages of many a blog buzz with his debut tape û and  ▒█░█
      █░█▒      by this we mean actual cassette, retro fans û under  ▒█░█
      █░█▒      the none-more-contrivedly-cool name Makeout          ▒█░█
      █░█▒      Videotape. He went on to cause something of an       ▒█░█
      █░█▒      alcohol-sodden splash on tour with fellow            ▒█░█
      █░█▒      Canadians, two-piece firebrands Japandroids, along   ▒█░█
      █░█▒      the way terming his own music ôjizz-jazzö and most   ▒█░█
      █░█▒      recently reverting to his given name and causing a   ▒█░█
      █░█▒      smile to rise across the hipstersÆ collective        ▒█░█
      █░█▒      roll-up-stained teeth with the drugged out madness   ▒█░█
      █░█▒      of the video for his 7ö æOnly YouÆ.                  ▒█░█
      █░█▒                                                           ▒█░█
      █░█▒      ItÆs not a new thing to see definitively             ▒█░█
      █░█▒      underground artists use the trappings of pop to      ▒█░█
      █░█▒      subvert both the alternative and the mainstream û    ▒█░█
      █░█▒      think Peaches and maybe Patrick Wolf to an extent.   ▒█░█
      █░█▒      DeMarco has, over these 11 tracks, done it with      ▒█░█
      █░█▒      considerably more aplomb, humour and entertainment   ▒█░█
      █░█▒      value than one has a right to expect from what are   ▒█░█
      █░█▒      so often cerebral exercises in audience              ▒█░█
      █░█▒      manipulation.                                        ▒█░█
      █░█▒                                                           ▒█░█
      █░█▒      Sitting comfortably as the newest addition to the    ▒█░█
      █░█▒      roster of  Captured Tracks, home to many the         ▒█░█
      █░█▒      revivalist act, DeMarco marks himself out from the   ▒█░█
      █░█▒      pack by celebrating what can only be described as    ▒█░█
      █░█▒      an imagined, half-dreamed style of the æ80s via the  ▒█░█
      █░█▒      æ50s that he himself has created.                    ▒█░█
      █░█▒                                                           ▒█░█
      █░█▒      Take æBabyÆs Wearing Blue JeansÆ , the tale of ôA    ▒█░█
      █░█▒      fine lookinÆ woman/In a pair of jeansö thatÆs as     ▒█░█
      █░█▒      amusing as it is lascivious and shares, along with   ▒█░█
      █░█▒      nearly all the tracks here, a repetitive,            ▒█░█
      █░█▒      high-toned rockabilly guitar line that somehow       ▒█░█
      █░█▒      makes it as addictive as crack and candy. A          ▒█░█
      █░█▒      catchy-as-hell bit of snarl-lipped sexuality, with   ▒█░█
      █░█▒      the past revered unrealistically: ôStay with me      ▒█░█
      █░█▒      forever/DonÆt take off those jeansö he warbles. It   ▒█░█
      █░█▒      lands firmly between the actual sounds of Sun        ▒█░█
      █░█▒      Studios and the way those sounds were ruined on the  ▒█░█
      █░█▒      soundtracks of so many teen movies.                  ▒█░█
      █░█▒                                                           ▒█░█
      █░█▒      æIÆm A ManÆ pushes the overstatement further, a      ▒█░█
      █░█▒      Velvet Underground-gone-macho ode to                 ▒█░█
      █░█▒      heterosexuality with a collapsing disco beat and     ▒█░█
      █░█▒      the album microcosm lyric ôCreeping around up and    ▒█░█
      █░█▒      down town/Got the late night shift, rollinÆ up like  ▒█░█
      █░█▒      thisö. ThereÆs an unmistakable whiff of The Cramps   ▒█░█
      █░█▒      (themselves crazed on sentimentalism and debauchery  ▒█░█
      █░█▒      in equal measure) here, and itÆs a welcome scent.    ▒█░█
      █░█▒                                                           ▒█░█
      █░█▒      For the most part though weÆre dealing with great    ▒█░█
      █░█▒      tunes like the title track, boasting a very basic    ▒█░█
      █░█▒      electro-acoustic riff while that high geetar rings   ▒█░█
      █░█▒      and DeMarco sleazes out an invitation to join him    ▒█░█
      █░█▒      at the titular den of iniquity û itÆs an             ▒█░█
      █░█▒      atmospheric 1980s Robbie Robertson song with the     ▒█░█
      █░█▒      early rock ænÆ roll embellishments of pulsing        ▒█░█
      █░█▒      hi-hats and simplistic, primal instrumentation.      ▒█░█
      █░█▒                                                           ▒█░█
      █░█▒      Strangely, in the second and weaker half of the      ▒█░█
      █░█▒      album you could be forgiven for thinking that any    ▒█░█
      █░█▒      number of Flying Nun bands had suddenly taken an     ▒█░█
      █░█▒      interest in filthy sex and pelted out half-DIY       ▒█░█
      █░█▒      indie, half Jerry Lee Lewis numbers like the warped  ▒█░█
      █░█▒      æSheÆs Really All I NeedÆ and the parallel-universe  ▒█░█
      █░█▒      novelty hit æMove Like MikeÆ û perhaps the           ▒█░█
      █░█▒      silliest, cheekiest tune on the record.              ▒█░█
      █░█▒                                                           ▒█░█
      █░█▒      There are a couple of duff notes hit û when he goes  ▒█░█
      █░█▒      for sincerity, as on æOne More Tear to CryÆ, itÆs    ▒█░█
      █░█▒      hard to buy into for obvious reasons and closer æMe  ▒█░█
      █░█▒      and MineÆ, like its title, sounds like a Macca       ▒█░█
      █░█▒      outtake (shudder). The radio station idents, too,    ▒█░█
      █░█▒      while adding a little Parisian/Hollywood Tarantino   ▒█░█
      █░█▒      cool are an indulgence at best.                      ▒█░█
      █░█▒                                                           ▒█░█
      █░█▒      Yet this is a really cool, engaging record. The      ▒█░█
      █░█▒      enduring image is perhaps that conjured by           ▒█░█
      █░█▒      æEuropean VegasÆ û heÆs some kinda transsexual       ▒█░█
      █░█▒      Ferris Bueller, taking a night instead of a day      ▒█░█
      █░█▒      off, and in place of singing æTwist and ShoutÆ at a  ▒█░█
      █░█▒      parade heÆs screaming an old Roxy Music song at      ▒█░█
      █░█▒      some filthy little no-name club, a ferocious,        ▒█░█
      █░█▒      knowing grin on his make-up smeared face. Winner.    ▒█░█
      █░█▒                                                           ▒█░█
      █░█▒      http://www.capturedtracks.com                        ▒█░█
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