Wild Cub - Youth
Label.........................: Big Light
Genre.........................: Indie
StoreDate.....................: Aug-14-2012
Source........................: CDDA
Grabber.......................: Exact Audio Copy (Secure Mode)
Encoding Scheme...............: Lame 3.98.4 V0 VBR Joint-Stereo
Size..........................: 95.70 MB
Total Playing Time............: 51:29
Release Notes:
For better or worse - and it's mostly better - Wild Cub coats songwriter
Keegan DeWitt's tunes in a gleaming electro-pop veneer
With his longstanding tenure as a singer-songwriter and scorer of films,
Keegan DeWitt has always had a propensity for soothing, pleasant melody
and bighearted subject matter. Via his latest project Wild Cub and their
brand-new full-length "Youth," DeWitt wraps the kinds of songs we're
accustomed to hearing from him - and some of these tracks are indeed
revamped versions of solo DeWitt songs - in a hip, danceable,
electro-pop aesthetic.
DeWitt's 2009 release, "Islands," was grounded - rooted in the past with
string arrangements, dry tones and acoustic instrumentation. "Youth" is
plugged in and pulsing, its sights certainly not set on the past. Had
you not heard any of DeWitt's transitional output in the time between
Islands and Youth, you wouldn't be inclined to think these songs have
anything to do with one another - save the passing similarity in vocals,
perhaps.
But does that make Wild Cub's aesthetic pure artifice? Because DeWitt
didn't start out here, is he not permitted to go here?
Where the contemporary electro-pop outfits that Wild Cub so resembles -
Empire of the Sun, Junior Boys, Phoenix, Miike Snow or even fellow
locals Jensen Sportag - might count among their influences, say, New
Order or Depeche Mode, you could say that DeWitt & Co. are mostly
influenced by those contemporary acts themselves. Youth is sparkling and
tuneful and full of rich and complex rhythms, all swirling and plinking
and jangling along in the background, and from the synth horns of album
opener "Shapeless" to the distant, gauzy sounds of "Windows" and "Drive"
- both of which you could most certainly call "chillwave," if that's a
word you're comfortable using - it's a modern record in every sense.
Living up to its title, the record sounds young. It sounds new. And
intentionally so.
But that isn't to say Youth never reaches back to harvest its own
pre-Y2K influences. "Summer Fires / Hidden Spells" quite clearly recalls
Thriller, all its epic rhythmic splendor a tribute to the darkest and
smartest of late 20th century American pop. And in its most grounded
moments - the post-punky "Colour," for instance - Youth even brings to
mind the vital, disco beat-backed, effects-laden, pop-minded New Wave of
U2's The Unforgettable Fire or The Joshua Tree.
So is Wild Cub merely paying a shallow nod to the guys we grew up with,
content to get by on style over substance? As much as the tremendously
infectious "Thunder Clatter" and "Wild Light" might fit in amid a
pop-skewing Pitchfork "Artists to Watch" playlist, I say no. Or at
least, not necessarily. And most importantly, who cares? They're pop
songs, yes, and they certainly sound like they were made in the 21st
century. I posit that had multi-instrumentalist Jeremy Bullock simply
strummed out all these progressions on an acoustic guitar, and had
DeWitt's vocals gone untouched by studio effects, these songs would
remain pleasant little earworms. Strip away this smoke and these mirrors
- enjoyable though they may be - and you're still left with a pop
record. A pretty good pop record, as a matter of fact.
Tracklisting
01. Shapeless 3:46
02. Colour 4:00
03. Thunder Clatter 4:31
04. Straight No Turns 4:54
05. Wishing Well 4:08
06. The Water 3:27
07. Drive 4:08
08. Hidden In The Night 3:36
09. Jonti 3:45
10. Wild Light 2:51
11. Summer Fires/Hidden Spells 4:52
12. Streetlights 4:01
13. Windows 3:30
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