Boris_Brejcha-Der_Mensch_Wird_Zur_Maschine-(HHD0768)-WEB-2012-WC2R

Section
MP3/FLAC
Group
WC2R
Size
0 B
Files
0
Date
2012-08-22

NFO

 +─ R E L E A S E   I N F O ────────────────────────────────────────────────────+

 Artist...: Boris Brejcha
 Title....: Der Mensch Wird Zur Maschine
 Label....: Harthouse Digital
 Cat.No...: HHD0768
 Format...: WEB (Digital Download)
 Genre....: Techno
 URL......: http://www.harthouse.de

 Tracks...: 4           Grabber..: N/A
 Size.....: 82.19MB     Encoder..: LAME
 Playtime.: 00:34:13    Quality..: avg. 320kbps / 44.1kHz / Full Stereo

 +─ P L A Y L I S T ────────────────────────────────────────────────────────────+

 1.  Der Mensch Wird Zur Maschine (Original Mix)                   9:03
 2.  Der Mensch Wird Zur Maschine (Theme)                          7:17
 3.  Distortion Is Nothing (Original Mix)                          9:32
 4.  Caloplaca (Original Mix)                                      8:21
                                                                  -----
                                                                  34:13  (min)

 +─ R E L E A S E   R E V I E W ────────────────────────────────────────────────+

 The label Harthouse was founded in 1992 in Frankfurt/Offenbach by Matthias
 Hoffmann, Heinz Roth and the well known Frankfurt DJ Sven Vaeth. Harthouse, in
 the early years from 1992 to 1997 a sublabel of Eye Q Records, was a plattform
 for young newcomer artists. It was designed for the more harder, more
 minimalistic sound, the sound that  didn't fit into the commercial line of Eye
 Q Records.
 Sven Vaeth commented on this:"We wanted to create a stage, a playground - even
 an experimental one - and I think we quite succeeded." In the beginning
 Harthouse defined a sound that today is well known as the "Sound Of Frankfurt",
 a harder but danceable version of "Trance" - "Hardhouse" or "Harthouse". The
 first release was produced by the Harthouse A&R himself, Sven Vaeth. His
 co-producer up to year 2000 was Ralf Hildenbeutel, known from todays
 "Schallbau". Sven Vaeth also had different projects on Harthouse together with
 the other "Schallbau"-members Steffen Britzke (alias B-Zet) and Matthias
 Hoffmann (alias AC Boutsen).

 From the very beginning Sven Vaeth decided on what was released on Harthouse
 and what was not. In the first years Harthouse releases were kept heavily
 limited, around 2000 copies each release. The labels promo-list was also kept
 small. In a very short time Harthouse became the "flag-ship" of German Techno.

 The label became well known and it's artists achieved world fame and success on
 international charts.
 Due to the limited copies and quality releases, demand rose rapidly. The real
 first big success was Hardfloor's first release "Hardtrance Acperience"
 (1992,HH-008). While hardly noticed in Germany, it moved into British charts
 (1992/93, No. 56) after having been re-released there half a year later. To
 oppose the trend to produce with constantly growing speed from track to track
 was a revolutionary idea in 1992. Up to today there is an international demand
 for remixes created by "Hardfloor" (Ramon Zenker & Oliver Bondzio). Examples
 are Mory Kante, The Shamen and Anne Clark. Then one hit followed the other:
 Arpeggiator's "Possible future of mankind" (HH-016), Hardfloor "Trancscript"
 (HH-019) (place 72 on Brit. Charts 1993) or Resistance D. "Human E.P" (HH-020).

 http://www.beatport.com





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