Lil_Ed_And_The_Blues_Imperials-Jump_Start-2012-MTD
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- 2012-08-29
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▀█████▓▌ MTD Proudly Presents ▐▓█████▀
[Info]
Artist : Lil' Ed & The Blues Imperials
Album : Jump Start
Label : Alligator Records
Genre : Blues
Street Date : 2012-06-05
Quality : 247 kbps / 44.1kHz / Joint Stereo
Encoder : Lame 3.98.4 -V0
Size : 96.51 MB
Time : 51:51 min
Url : http://www.amazon.com/Jump-Start-Lil-Blues-Imperials/dp/B007T
8HC7A/
[Tracks]
1. If You Were Mine 2:44
2. Musical Mechanical Electrical Man 3:26
3. Kick Me To The Curb 3:04
4. You Burnt Me 3:47
5. House Of Cards 3:56
6. Born Loser 2:44
7. Jump Right In 3:05
8. Life Is A Journey 5:36
9. World Of Love 4:00
10. Weatherman 3:48
11. If You Change Your Mind 4:31
12. No Fast Food 2:42
13. My Chains Are Gone 4:29
14. Moratorium On Hate 3:59
[Notes]
Lil' Ed and his band have been kicking butt since the group solidified in
1987, and while Jump Start still doesn't capture the crazed energy of the
band's on-stage antics, it comes pretty close. Ed's slashing slide guitar
work is always incendiary and his vocals channel hints of every great
bluesman from Muddy to B.B., but the thing that's most evident here is that
Lil' Ed & the Blues Imperials are a band. They produce a powerful, uplifting
blues-rock sound full of high spirits and solid musicianship that's greater
than the sum of its parts. The album is programmed like a live late-night
set with each tune morphing into the next without a pause to keep things
rocking and rolling along. Things kick off with the sarcastic love song "If
You Were Mine," driven by Ed's stinging guitar and Kelly Litteton's powerful
four-on-the-floor drumming. "Musical Mechanical Electrical Man" keeps up the
frenetic pace with its jumping, jiving backbeat and Ed's smirking vocal.
There's a Latin tinge to the syncopated backbeat of "Born Looser." "Jump
Right In" rides Pookie Young's propulsive bassline while Ed delivers a
winking lyric crammed with sly double entendres. "No Fast Food" follows suit
with a cunning lesson in gustatory satisfaction that asks, "Why go out for
burgers, when at home I can eat prime steak?" The band has a serious moment
near the end of the album with "Moratorium on Hate," a plea for peace on the
streets that features solid piano work by guest artist Marty Sammon. But
most of this album is made for house parties, smoky bars, and three-day
weekends, guaranteed to kick any gathering of fun-loving friends into
overdrive. Play it loud and rock out!
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