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▀█████▓▌ MTD Proudly Presents ▐▓█████▀
[Info]
Artist : Barry Adamson
Album : I Will Set You Free
Label : Central Control Records
Genre : Rock
Street Date : 2012-02-14
Quality : 252 kbps / 44.1kHz / Joint Stereo
Encoder : Lame 3.98.4 -V0
Size : 81.37 MB
Time : 42:50 min
Url : http://www.amazon.com/I-Will-Set-You-Free/dp/B006BKGMVY/
[Tracks]
1. Get Your Mind Right 4:47
2. Black Holes In My Brain 3:57
3. Turnaround 3:52
4. The Power Of Suggestion 3:16
5. Destination 4:33
6. The Trigger City Blues 4:51
7. Looking To Love Somebody 4:11
8. The Sun And The Sea 3:48
9. If You Lover Her 4:29
10. Stand In 5:06
[Notes]
In the four years since Barry Adamson issued the tour de force that was Back
to the Cat, he's participated in at least one Magazine reunion tour. He was
an original member before leaving to join the first version of Nick Cave &
the Bad Seeds. Adamson's influence is clearly felt on their first three
albums and singles. I Will Set You Free purposely evokes the swaggering,
sleazy rock & roll of the Bad Seeds and the restrained menace of Magazine's
post-punk moodiness -- as well as other stops along his idiosyncratic
musical journey. Though he doesn't emphasize the imaginary soundtrack moves
of his early records, it doesn't mean they aren't here -- check "The Trigger
City Blues," with its spooky organ and sound effects (breaking glass,
ringing telephones, etc.). Adamson kicks off the ten-song set with "Get Your
Mind Right," fueled by a throbbing, rumbling, distorted bassline that
recalls the early Bad Seeds. He also cops part of the Rolling Stones'
"Street Fightin' Man" lyrically and melodically at the end of each line in
the refrain. "Black Holes in My Brain" is a fingerpopping shuffler that
evokes Adamson's trademark lounge lizard persona as well as his deep love of
swinging, bluesy jazz, though he undergirds it all with his thoroughly
funk-drenched bassline for admirable contrast. 'Turnaround" uses the
melodic, alienated menace of post-punk, though Adamson turns the tables by
using it in a straight-up love song. "Destination" is pure sonic attack,
directly referencing the Stooges "Penetration." On the refrain, however,
Adamson throws a change-up: he slips an irresistible pop hook into the
refrain and bridge without losing stride. "Looking to Love Somebody" is a
shimmering, soulful, 21st century funk driven by harpsichord, rubbery
bassline, wah-wah guitars and breaks. "The Sun and the Sea" features layers
of guitars but actively suggests Magazine's "Secondhand Daylight." Adamson's
Howard Devoto-esque alienated prophet contradicts the song's bright tempo;
highlighting the influence further are keyboards in the instrumental
interlude. "If You Love Her" unabashedly references Scott Walker's
passionate, theatrical croon from Scott 4 with Piero Piccioni-esque
production. (Adamson has the vocal chops to pull it off.) The set closes
with an even stranger homage: to David Bowie's Ziggy Stardust if it had been
produced by David Axelrod. Even with the pop music encyclopedia at his
disposal, his songs reflect his signature iconoclasm. With their wildly
various, crowded musical architectures, his songs' lyrics address desire and
death, and celebrate the spiritual impossibility of living "purely." In
Adamson's subjective universe, the standalone "I" may occasionally wish to
enter the collective "We" but accepts that it cannot. I Will Set You Free is
the sound of Adamson's liberation as a songwriter, producer, and arranger.
He feels comfortable in his skin on this wonderfully sequenced collection of
songs that makes no attempt to hide his past; if anything, he celebrates it
as he moves ever forward.