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| // // 423 BC - 347 BC \\ \\ |
_:_ _ _ _ |//__//__ _ _ _ _ __\\__\\| _ _ _ _:_
| |
| FXPHD: SpeedGrade CS6 Fundamentals |
:_ _ _ _ _ ...__..__ _ _ _ _ __..__... _ _ _ _ _:
| |
| Date [ 2012-09-12 ] Disks [ xx/52 ] |
:_ _ _ _ _ ...__..__ _ _ _ _ __..__... _ _ _ _ _:
| |
| SpeedGrade CS6 Fundamentals will quickly get you up to speed on |
| how to more effectively use the new grading software from Adobe. |
| Taught by Joost van der Hoeven, this all-new course contains over |
| three and a half hours of training covering the fundamentals you |
| need to know to get most out of this new release. It also contains |
| almost 1GB of source material used in the classes so you can |
| follow along with the instruction. |
| |
| This course is intended for users who are new to SpeedGrade or |
| even a dedicated color grading program in general. While it is |
| targeted towards editors and effects artists using the Production |
| Premium bundle, the course will help get anyone quickly up to |
| speed. |
| |
| It begins by covering of setting up the software correctly, |
| including key preferences. It then goes through the workflow of |
| a practical project, sending a Canon DSLR edit from Premiere Pro, |
| working the color grade in SpeedGrade and then getting the project |
| back into the editing app. |
| |
| In addition to that, the course touches on the following and more: |
| |
| - Alternative workflow techniques and working with EDLs |
| - Grading using both the primary and secondary grading tools |
| - Masks and how they open up a lot of possibilities in color |
| grading |
| - How SpeedGrade handles looks and LUTs |
| - Basic Stereoscopic 3D workflow |
:_ _ _ _ _ ...__..__ _ _ _ _ __..__... _ _ _ _ _:
| |
| I - Unwrap the book. |
| II - Mount the book to access it's contents. |
| III - Watch, learn and expand your mind. |
|_._ _ _ _ . . _ _ _ _._|
: _ / . team.plato@inbox.lv . \ _ :
\/|___:__ __:___|\/
_ _ | / G R E E T I N G S \ | _ _
\\ |/ \| //
\\ / - - * - - \ //
.\\/| |\//.
| | iNKiSO, QUASAR, JGTiSO, AG, HELL | |
. | | .
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