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artist · seelenluft
release · the way we go
year · 2004
genre · electronic
label · klein records
catalogue · klcd058lx
website · www.seelenluft.com
date · 04-jun-2004
quality · 199kbps/44,1khz
source · compact disc
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cd 1:
01 pleasure boy 3:40
02 you come along 4:10
03 i can see clearly now 5:16
04 mes amis 4:35
05 sleepwalking horsemen 4:14
06 wonderwheel 3:58
07 baby baby 3:59
08 gloom 4:02
09 strings of silvercity 4:21
10 still dreaming 3:09
11 desert song 3:51
cd 2:
01 manila (ewan pearson mix) 5:12
02 manila (headman mix) 5:14
03 manila (zongamin mix) 3:57
04 manila (waldorf mix) 3:45
05 manila (cicada mix) 6:47
06 manila (manitoba mix) 6:02
playtime · 01h 16m 12s
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beat solΦr is seelenluft. the swiss entrepreneur from zⁿrich and
innovator of modern, interesting and danceable music has felt
closely linked to a continuing reinvention of electronic sounds
for more than a decade. "the way we go" is his fourth album so
far- an opus consisting of dance, melody, reduction and addition,
amazing details and straight forward beats. after excursions into
the world of soundtrack- music, dance performances and
experimental sounds beat solΦr returns to his roots of electronic
music: to the club. still, he is far away from a simple
four-to-the-floor-aesthetic: there is pop in it! eclecticism.
intelligence. stylistic openess. plus a comprehension of music
which goes far beyond the professional fusion of danceable
rhythms.
ever since his last album "out of the woods (kl036)", seelenluft
is known beyond all known stylistic and geographic borders as a
dj, composer and producer who transcends all existing principles,
who knows no limit. he is somebody who fills the idea of
electronic music with new contents. in the summer of 2002, "manila
(kl039)", the most successful single of the album, had a bomb-
like impact on dancefloors all over the world: the track was
featured on more than 60 compilations, was found in top ranks in
almost any stylespecific milleniumcharts and thus was only one
more proof for the unique approach of beat solΦr. the unique voice
of the tune is that of michael smith, a 12- year- old boy at the
time from south central who he had met during a 3 month- stay in
l.a. he then visited the boy at his home with his laptop to record
the lyrics of the track. no doubt, this is not conventional. at
the same time, it is yet another proof for seelenluft╣s conception
of art, which does not know any limits.
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