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████ · ▄▓███▓ OPEN MUSiC ASSOCiATiON ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ .···. P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████
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█████▀ DJ Vadim - Don't be Scared ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ARTiST..[ DJ Vadim ▓▓▓▓█
█▓▓▓▓ TiTLE...[ Don't Be Scared ▓▓▓▓█
████ GENRE...[ Hip-Hop CAT#....[ BBE225ADG ████
████ LABEL...[ BBE ENCODER.[ Lame 3.98.4 ████
████ YEAR....[ 2012 QUALiTY.[ 320kbps ████
████ SOURCE..[ WEB MODE....[ Joint-Stereo ████
████ PLAYTIME[ 60:50 min REL.DATE[ 10.30.2012 ████
████ TRACKS..[ 12 RiPPER..[ TEAM OMA ████
████ SiZE....[ 139,4 MB SUPPLiER[ TEAM OMA ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
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████▀ ▀████
███▀ NR. TRACK. TiME. ▀███
█▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█
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████ 01 Hide N' Seek 04:12 ████
████ 02 Lemon Haze 06:57 ████
████ 03 I'm Feeling U feat. Gregory Blackman 04:16 ████
████ 04 Lost My Love feat. Jazz Bailey 06:01 ████
████ 05 This DJ feat. J-Man 05:16 ████
████ 06 Set Them Free feat. Sabida Jade 03:47 ████
████ 07 Bally Umar 04:38 ████
████ 08 Akura Uprock feat. Gregory Blackman 05:13 ████
████ 09 Leader feat. Yarah Bravo 05:22 ████
████ 10 Vah Vaow feat. Heidi Vogel 05:19 ████
████ 11 Take My Time feat. Jazz Bailey 04:18 ████
████ 12 Closed Eyes feat. Yarah Bravo, Pugs Atmoz & Jazz 05:31 ████
████ Bailey ████
████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████
████ TOTAL: 60:50 ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
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████ www.7digital.de ████
████ ████
████ All changes, even the most longed for, have ████
████ their melancholy; for what we leave behind us ████
████ is a part of ourselves; we must die to one ████
████ life before we can enter another. (Anatole ████
████ France). ████
████ Mr eclectic electric, Mr internationalist (69 ████
████ countries to date), part time Fat FreddyÆs ████
████ Drop collaborator/remixer and DJ (Electric ████
████ Freddy), the John Coltrane of electronic ████
████ music, Grammy nominated (2002), multi award ████
████ winning DJ and producer, Daddy Vad returns ████
████ with his 6th solo album entitled æDon't Be ████
████ ScaredÆ. ████
████ ████
████ Everything you thought you knew is wrong. The ████
████ year is 2012, a year of occupy movements, ████
████ global dissatisfaction and protest at the ████
████ status quo. No facet of our lives has been ████
████ unaffected. No industry has remained ████
████ unaffected. In just a few short years the ████
████ music scene has mutated many countless times, ████
████ bringing with it the rise and fall of ████
████ countless genres, styles and its stars. Living ████
████ through troubled times of huge social and ████
████ political upheaval, our fear holds us back and ████
████ urges us to re-tread old paths. ████
████ ████
████ Welcome to æDonÆt Be ScaredÆ by DJ Vadim - one ████
████ of the founding fathers of beat culture, who ████
████ presents his 10th studio album. Is it possible ████
████ to create something entirely new? What does ████
████ one of the fathers of the new beat scene do in ████
████ a time of such huge tectonic plate movements? ████
████ æDonÆt Be ScaredÆ is an album about change, ████
████ about progress, about moulting the old, ████
████ cutting the dead wood away and bringing in the ████
████ new. Rediscovering old paths, themes and ████
████ patterns and melding them with one eye on the ████
████ future. Part hip hop in mind-set, part ████
████ electronic in sound, and part soulful in ████
████ spirit with undertones of tribalism and some ████
████ very ethnic and hypnotic elements, this album ████
████ is rooted to bass culture, connecting dots ████
████ along the way. Abstract dark sounds from ████
████ previous albums such as USSR Repertoire (96) ████
████ get rediscovered. Twisted dancehall crunked ████
████ bass lines meet traditional African rhythms in ████
████ a Bollywood cinema, whilst lush strings and ████
████ grand pianos sit next to haunting morphed ████
████ keyboards; afro beat licks and smoked out ████
████ grooves. ████
████ ████
████ This album focuses on the instrumental and ████
████ brings the beat to the foreground, but look ████
████ forward to vocals from long-time collaborator ████
████ and fellow æOneselferÆ Yarah Bravo, Sabira ████
████ Jade (The Electric) gets political, and new ████
████ sounds resonate from upcoming singers ████
████ DÆAngeloÆesque Jazz Bailey, Hawaiian ████
████ soulstress Karen Be and gruff funkman Greg ████
████ Blackman. More pensive than recent albums, ████
████ melancholy meets tropical vibes meets a ████
████ strange BBC reporter high on eboga root. Even ████
████ Jamie Fox makes a guest appearance talking ████
████ dance moves. ████
████ ████
████ The seeds of this album were set in November ████
████ 2010 in Auckland (NZ) where the first tracks ████
████ were created from many jam sessions with some ████
████ of NZÆs leading musicians (Fat FreddyÆs Drop, ████
████ Trinity Roots, Coral, Julien Dyne, Isacc ████
████ Aseli, Lewis McCallum). Fast forward to ████
████ Germany where Vadim meets with BerlinÆs finest ████
████ beat maker Flako, and then back to the UK ████
████ where he meets with members of 2012Æs BBC ████
████ artist of the year Michael KiwanakaÆs band, ████
████ then retreats to Maui (Hawaii), Mexico City, ████
████ Kuala Lumpur (Malaysia) before being finished ████
████ in London and mixed in Tokyo. But what do we ████
████ expect from an artist who has toured to 69 ████
████ countries and performed more than 2500 times? ████
████ This is global music, peng bass. What genre is ████
████ this? Not sure, but one thingÆs for sure; ████
████ there is no one else who makes music quite ████
████ like Vadim. One look at the discography and ████
████ Vadim was there before people coined phrases ████
████ for genres... making dubby druggy step music ████
████ years before people even had heard of croydon ████
████ musically. Creating future beats before people ████
████ called it trip hop or headz, distorting ████
████ basslines and drums before Glitch or Diplo. ████
████ This album is perhaps the danciest we have ████
████ witnessed from Vadim and this is something ████
████ that for those who have seen him live in the ████
████ last few years will have felt. Its a tropical ████
████ bass extravaganza with no limits, no ████
████ boundaries, no boxes. A nod to your mind, body ████
████ and soul. ████
████ ████
████ Turn up the volume and bang it out ya truck! ████
████ ████
████ He who rejects change is the architect of ████
████ decay. The only human institution which ████
████ rejects progress is the cemetery. ~Harold ████
████ Wilson ████
████ ████
████ ████
████ URL: n/a ████
████ ████
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████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ MAiL: oma@never-ever.com ▓ │▀▀▀█▓▄▄ █████
█▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█
██▄██▀ ▀██▄██
████▀ The only thing that really matters is music!!! ▀████
▀██▓ ▓██▀
▀██▓▄ ▄▓██▀
.▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀
. ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ .
▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀
▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀
▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .