Ice_Cube-Kill_At_Will-EP-1990-GCP_INT

Section
MP3/FLAC
Group
GCP_INT
Size
0 B
Files
0
Date
2012-11-10

NFO

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       .            ▀▀                              :..
            p r o u d l y   p r e s e n t s ..::


  ░         Artist   | Ice Cube
            Title    | Kill At Will

            Genre    | Rap
            Source   | CDDA
            Format   | EP
            Label    | Priority Records
            Catalog  | CDS 7230
            Released | 1990
            Ripped   | 2012
                                                                       ▄▄
            Quality  | 231 kbps avg at 44.1 kHz                    ▄▄███▀▀
            Encoder  | Lame 3.98.4 V0                             ▄▄██▀▀   ░
            Size     | 38.86 MB                                 ▄▄█████▀ ░░░
            Playtime | 21min 53s                ▄███▄▄▄▄▄    ▄█▀    ▓█▄ ░░
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  ░         R E L E A S E   I N F O R M A T I O N

            Ice Cube was the first member of the seminal California
            rap group N.W.A. to leave, and he quickly established
            himself as one of hip-hop's best and most controversial
            artists. From the outset of his career, he courted
            controversy, since his rhymes were profane and political.
            As a solo artist, his politics and social commentary
            sharpened substantially, and his first two records,
            "AmeriKKKa's Most Wanted" and "Death Certificate",
            were equally praised and reviled for their lyrical stance,
            which happened to be considerably more articulate than
            many of his gangsta peers. As his career progressed,
            Cube's influence began to decline, particularly as he
            tried to incorporate elements of contemporary groups
            like Cypress Hill into his sound, but his stature never
            diminished, and he remained one of the biggest rap
            stars throughout the 90s.

            For such a revolutionary figure, Cube (born O'Shea
            Jackson) came from a surprisingly straight background.
            Raised in South Central Los Angeles, where both of his
            parents had jobs at UCLA, Cube didn't become involved
            with b-boy culture until his late teens. He began writing
            raps while in high school, including "Boyz-n-the Hood".
            With his partner Sir Jinx, Cube began rapping in a duo
            called CIA at parties hosted by Dr. Dre, and he
            eventually met Eazy-E, then leading a group called HBO,
            through Dre. Eazy asked Cube to write a rap, and he
            presented them with "Boyz-n-the Hood", which was
            rejected. Eazy decided to leave CIA, and he, Cube, and
            Dre formed the first incarnation of N.W.A. Cube left to
            study architectural drafting at Phoenix, AZ, in 1987,
            returning the following year after he obtained a one-year
            degree. He arrived just in time for N.W.A.'s breakthrough
            album, "Straight Outta Compton". Released late in 1988,
            "Straight Outta Compton" became an underground hit
            over the course of 1989, and its extreme lyrical content -
            which was over-the-top both lyrically and politically -
            attracted criticism, most notably from the FBI.

            N.W.A. may have been rivaling Public Enemy as the
            most notorious group in hip-hop, but Cube was having
            deep conflicts with their management, resulting in him
            leaving the band in late 1989. He went to New York with
            his new posse, da Lench Mob, and recorded his first solo
            album with Public Enemy's production team, the Bomb
            Squad. Released in the spring of 1990, his debut
            "AmeriKKKa's Most Wanted" was an instant hit, going
            gold within its first two weeks of release. While the
            record's production and Cube's rhythmic skills were
            praised, his often violent, homophobic, and misogynist
            lyrics were criticized, particularly by the rock press and
            moral watchdogs. Even amid such controversy, the album
            was hailed as a groundbreaking classic within hip-hop,
            and it established Cube as an individual force. He began
            his own corporation, which was run by a woman, and he
            produced the debut album from his female protegee,
            Yo-Yo. At the end of 1990, he released the EP "Kill At Will",
            which was followed in the spring by Yo-Yo's debut, "Make
            Way for the Motherlode". That summer, his acting debut in
            John Singleton's acclaimed urban drama Boyz 'n the Hood
            was widely praised.

            Ice Cube's riveting debut album, "AmeriKKKa's Most
            Wanted", was still burning up the charts when Priority
            Records released the "Kill At Will" EP, which lacks that
            album's overall excellence but has its moments. With
            "Kill At Will", Cube unveiled his engaging "The Product"
            and "Dead Homiez", a poignant lament for the victims of
            black-on-black crime that is among the best songs he's
            ever written. Enjoyable but not essential are remixes of
            "Endangered Species (Tales From the Darkside)" and
            the outrageous "Get Off My Dick and Tell Yo Bitch to
            Come Here." Clearly, "Kill At Will" was intended for
            hardcore fans rather than casual listeners.
     ░
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  ▄██████████▄▄ ░░▀█▀▀▄░                        ░░▀▀█▄▄ ████▀▀▀▀▀ ░ ░░░░▄██▄▀▀
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  ▄████████████▄█▀███▄█▀██████████▄▄▄██▄▄▀▀░░      ▄▄▄▄  ▄  ▄▄██████▄▀   ░
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 ░░░     ▀▀████████▄█████▄▄▀▀█████████ ░     ▄▓████████████▀
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..    ░░░░░      ▀███████████████▄▄█▀▀██████████████▀▀    ░░░░░
 ::.      ░░░░      ▀▀██████████████████████▀██████▀    ░░░░
 ooh ye..       ░       ▀██████████████▄░▀███████▀
                           ▀▀████████████▄▄▄▄ ▀
 ::t r a c k  l i s t  :::     ▀██████▀▀
                         ::: .    ▀▀

 ------------------------------------------------------------------------------
  01. Endangered Spieces (Tales From The Darkside) (Feat. Chuck D)        4:10
  02. Jackin' For Beats                                                   2:57
  03. Get Off My Dick And Tell Yo Bitch To Come Here (Remix)              3:39
  04. The Product                                                         3:35
  05. Dead Homiez                                                         3:55
  06. JD's Gaffilin' (Part 2)                                             0:32
  07. I Gotta Say What Up!!!                                              3:05

                                                                         -----

                                                                         21:53

 ------------------------------------------------------------------------------

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