Big_Bud-Blue_And_Green-FILMCD006-2012-sour
NFO
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: : release no ( 10929 ) \ rating |
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: : artist (Big Bud ) | .---. |
: : title (Blue And Green ) | 0 | | |
: : record label (Soundtrax (FILMCD006) ) | 9 | | |
: : genre (Drum & Bass ) | 8 |%%%| |
: : release date (2012/12/01) | 7 |%%%| |
: : street date (2012/11/??) | 6 |%%%| |
: : | 5 |%%%| |
: : media type vinyl ( ) tape ( ) cd (x) radio ( ) | 4 |%%%| |
: : cover sfv m3u cover ( ) sfv (x) m3u (x) cue ( ) | 3 |%%%| |
: : | 2 |%%%| |
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: : :.: (12 tracks) (1:10:27 h) (117,5 mb) | `---' |
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nr times track titles
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| 01 6:17 Big Bud - Angel |
| 02 6:17 Big Bud - Thirty3 |
| 03 6:08 Big Bud - Uvek Blizu |
| 04 5:55 Zoot - Running (Bigbud Remix) |
| 05 5:55 Big Bud - Caveman Boogie |
| 06 6:01 Big Bud - Rubadub |
| 07 5:08 Big Bud - Wobbegong |
| 08 6:13 Big Bud - Blue Velvet |
| 09 5:00 Big Bud - Boogaloo |
| 10 4:25 Big Bud - Foreign Dub |
| 11 5:05 Big Bud - Meditation Dub |
| 12 8:03 Big Bud - Laku Noc |
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| | | |
| | Big Bud returns once again with another | |
| | album. His fifth on Soundtrax and eighth | |
| | album overall. No big name guests on this | |
| | project, just a few talented musicians that | |
| | Bud has met on his travels. | |
| | | |
| | Kicking off proceedings with his trademark, | |
| | atmospheric style, the album quickly moves on | |
| | into dubwise riddims then a couple of | |
| | stripped down, minimal pieces. Dropping a | |
| | soulful, house groove and then the album | |
| | winds down with a couple of dub workouts and | |
| | ends on an 8 minute piece of ambient music, a | |
| | song written as a lullaby for his baby | |
| | daughter, little Bud no.3 "again, much like | |
| | my last album, thereÆs no overall concept to | |
| | this project. ItÆs really just a collection | |
| | of music and influences that IÆm into right | |
| | nowà" | |
| | | |
| | "On my last tour of Australia I spent a lot | |
| | of time with the Foreign Dub crew, from | |
| | Sydney, a talented bunch of musicians, | |
| | artistes and DJsà So I managed to get a | |
| | couple of recording sessions in with a horn | |
| | section and on another project I recorded an | |
| | amazing Sitar player." Big Bud has been | |
| | travelling the world constantly and testing | |
| | out the new material. From big festivals in | |
| | Australia, Bosnia, Sardinia, to small clubs | |
| | in Kosovo, the reactions have been goodà For | |
| | someone who has a chronic fear of flying, he | |
| | certainly clocks up the airmiles. | |
| | | |
| | "Yea, had some amazing experiences since the | |
| | last album. Played quite a few big festivals | |
| | which are always special but i still think | |
| | you canÆt beat a smaller, dark club with the | |
| | crowd right in your face and a room full of | |
| | energy. Altho I think when it comes to vibe | |
| | and atmosphere, you canÆt beat the Sun'n'Bass | |
| | festival in Sardinia. I was lucky enough to | |
| | play the closing party again this year." | |
| | | |
| | The album will be released on his own label, | |
| | Soundtrax, which is celbrating itÆs 10th | |
| | anniversary this year. Coming up to itÆs 50th | |
| | release, the label has established a | |
| | reputation of introducing new talent to the | |
| | scene. "I only realised recently that the | |
| | label is 10 years old. I was looking for an | |
| | old release and noticed on Discogs that it | |
| | came out in 2002! So, yea, 10 long years, but | |
| | theyÆve flown by. I know itÆs not one of the | |
| | biggest labels on the scene but it has itÆs | |
| | place as a label who loves to find promising | |
| | new talent from around the World and give | |
| | them a chance to get heard. If you look back | |
| | thru the back cat, youÆll see a lot of names | |
| | who are doing pretty well for themselves now. | |
| | Obvioulsy Im not saying itÆs because of | |
| | Soundtrax but it definitely helped them on | |
| | their way. And thatÆs something IÆm very | |
| | proud of. It feels good to contribute to the | |
| | scene in this way." | |
| | | |
| | There is an album launch party planned in | |
| | London on Nov.1st which will also be streamed | |
| | live on Bassdrive radio, the biggest online | |
| | DNB station... | |
| | | |
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| |
| This release may contain copyrighted material, however SOUR guarantees |
| that this material was at least available to one person "on the street" |
| and that the possession of this material is in no way privileged. |
| |
| SOUR has been releasing good quality drum'n'bass, jungle & oldskool rips to |
| the internet drum'n'bass public since summer 1999. Originally a small |
| operation, we have now reached levels of international acclaim. |
| |
| SOUR is dedicated to both the availability and promotion of music to the |
| public, and our rips are intended to reflect these ideals. Specifically: |
| |
| . SOUR is dedicated to the promotion of new music that is currently |
| available to buy. If you like something you hear, you are obliged to |
| attempt to purchase an original copy. |
| |
| . SOUR is dedicated to the promotion of old music that may no longer be |
| available to buy. |
| |
| . SOUR is dedicated to the expansion and infiltration of drum'n'bass |
| worldwide! We provide a service where none is available, specifically in |
| many remote countries where traditional distributors can not afford to |
| target. Also, the availability of drum'n'bass in an easily accessible |
| form expands the potential for real world sales to people who may not |
| otherwise have considered buying drum'n'bass. |
| |
| . SOUR is dedicated to the expansion of the online and offline real world |
| scenes. With more listeners enjoying what they hear, clubs and venues can |
| only expect MORE people to attend events; DJ's can only expect MORE |
| people to pay to see THEM. |
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| By accident of today's current real world distribution arrangements, many |
| artists will find that SOUR releases IMPROVE their real world sales; |
| especially for items only on vinyl. This is the basis upon which SOUR |
| operates. |
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[ sour productions(c) 1999-2012 ]
Files
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