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████. ▄ ░░░░▒██▒████████████ ███▒▒░░ ░▒█ █▓▓▒ ▀▓▀ ▄ ■ ████
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████. ░██░░▒███░░░░░█ ░░░░░ ▄ ▀ ■ ▀▓▀ ▀▀█▄ ■████
████ ▄▀▀███▓▄ ▀▀▀▀▀▀▀▀▀▀░░▄░ ■ . ■ . ▄▓███▀▀▄ ■ ████
████ ■ ███▓█ █▓███ ■ ████
████ · ▄▓███▓ OPEN MUSiC ASSOCiATiON ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ .···. P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ VA - Fabric 67: Zip ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ARTiST..[ VA ▓▓▓▓█
█▓▓▓▓ TiTLE...[ Fabric 67: Zip CAT#....[ FABRIC133D ████
████ LABEL...[ Fabric Worldwide ENCODER.[ LAme 3.98.4 ████
████ YEAR....[ 2012 QUALiTY.[ 320kbps ████
████ SOURCE..[ WEB MODE....[ Joint-Stereo ████
████ PLAYTIME[ 72:52 min REL.DATE[ 12.04.2012 ████
████ TRACKS..[ 17 RiPPER..[ TEAM OMA ████
████ SiZE....[ 167,2 MB SUPPLiER[ TEAM OMA ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ NR. TRACK. TiME. ▀███
█▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ 01 Vedomir - Dreams 04:00 ████
████ 02 San Proper & Steven De Peven - Pam Pam 05:48 ████
████ 03 Nail - Till The Feelings Gone 03:21 ████
████ 04 Melchior Productions Ltd - She Like 03:13 ████
████ 05 Pluto - Point Blank 02:31 ████
████ 06 G. Marcell - Excites Me 05:06 ████
████ 07 Jovonn - Satisfied (Moodyfied Mix) 04:23 ████
████ 08 Twin TM - The Fall Of The House Of Shadows 03:29 ████
████ 09 Soul Capsule - Seekers 02:50 ████
████ 10 Dan Curtin - Convergence 05:25 ████
████ 11 Sakro - Jazz In The Forest 05:41 ████
████ 12 DJ QU - Everybody's Dark 04:50 ████
████ 13 Scott Grooves feat. Roy Ayers - Expansions 03:44 ████
████ (Pyramid Bonus Beats) ████
████ 14 Terrence Dixon - Return Of The Speaker People 05:02 ████
████ (KaustoÆs Sudden Aphasia Mix) ████
████ 15 Kenny Larkin - Drone 03:52 ████
████ 16 Armando & Steve Pointdexter - Blackholes 05:22 ████
████ (The Sun Of God Remix) ████
████ 17 IsolΘe - Music 04:15 ████
████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████
████ TOTAL: 72:52 ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
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████▀ ▀████
███▀ ▀███
█▓▓▓▓ ▓▓▓▓█
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████ www.7digital.de ████
████ ████
████ ItÆs hard to believe that when Thomas ████
████ Franzmann, the man we now know a little better ████
████ as Zip, was born in Germany in the seventies ████
████ that things were so drastically different; but ████
████ they were. It was a time when mp3s/WAVs and ████
████ the digital music format as we now know it ████
████ simply didnÆt exist. As a result, by the age ████
████ of eight, Franzmann had already bought and ████
████ digested his first vinyl. From there he grew ████
████ up listening to a diverse reel of music taking ████
████ in everything from progressive to rock via ████
████ punk and beyond until the work of Depeche Mode ████
████ really shocked him into fandom. Pushing the ████
████ envelope of his music knowledge even at a ████
████ tender age, his record collectionÆs variation ████
████ is reflected in the course of the three decade ████
████ long journey through music that followed. ████
████ ████
████ First travelling his way as the lead singer in ████
████ synth pop band, Second Voice, Franzmann ████
████ released numerous EPs and two albums on ████
████ Hyperium Records, an outfit run by renowned ████
████ producer ex-Yello member Carlos Per≤n, before ████
████ joining the Frankfurt-based EBM project, Bigod ████
████ 20, again as a singer, in 1992. Then sharing a ████
████ label, Sire Records, with people like Talking ████
████ Heads and Madonna, the band received some ████
████ critical acclaim and still retain an ample ████
████ fanbase today, 7 years since the split, but it ████
████ was during his time after the band finished ████
████ that Franzmann and his old bandmate, Markus ████
████ Nikolai, began to pioneer a more club ready ████
████ project called Loraine Comfort, that would ████
████ eventually lead on to the founding of his ████
████ widely respected modern underground recording ████
████ outlet, Perlon. ████
████ ████
████ But even with one of the most forward thinking ████
████ electronic music labels, FranzmannÆs never ████
████ been one to over promote and with minimal ████
████ publicity heÆs largely credited with bringing ████
████ the influence of some of the finest electronic ████
████ musicians from across the world to the ears of ████
████ multiple generations of listeners. Letting the ████
████ music speak for itself by branching out into a ████
████ totally unique world of sound design, the ████
████ label has housed work from Baby Ford, San ████
████ Proper, STL, Shackleton, Sammy Dee ████
████ (FranzmannÆs regular production partner in ████
████ Pantytec), Margaret Dygas and regularly ████
████ showcases the ubiquitous meticulousness of ████
████ Ricardo Villalobos. ████
████ ████
████ When it comes to the dancefloor, the Perlon ████
████ curated experience is all about the natural ████
████ human dynamic thatÆs conceived simply to make ████
████ people dance. The legendary Get Perlonized ████
████ showcases, which began in 2001 and are still ████
████ going strong at Panorama Bar in Berlin, feed ████
████ off the individuality of the label roster, ████
████ exhibiting longer sets and renovating a less ████
████ structured concept into normalcy and on his ████
████ fabric 67 mix, Zip really manages to keep the ████
████ afterhours vibe alive. ████
████ "I did the mix with two record players, two CD ████
████ players and my favourite mixer. I was alone in ████
████ my studio and it felt just like it did when I ████
████ was doing a mixtape ages ago. Only this one ████
████ comes with slightly more pressure..." ████
████ Zip ████
████ ████
████ With all the verve and blissful energy of his ████
████ DJ sets Franzmann builds his own musical ████
████ universe across the mix, unmasking his ████
████ mysticism at first with the revealing reverbed ████
████ chants and analogue stabs of VedomirÆs ████
████ æDreamsÆ before veering off into the awkwardly ████
████ sinewy melodic structure of San Proper and ████
████ Steven De PevenÆs collaboration, æPam PamÆ. ████
████ The poise of the way VedomirÆs ethereal opener ████
████ runs into the clipped drums of æPam PamÆ sets ████
████ Zip up for further of these intelligent ████
████ arrangements. Using these kinds of morphing ████
████ vocals as a key tool, Zip draws for them on ████
████ more than one occasion on the first half of ████
████ fabric 67, using them to slice through the ████
████ mix, creating these weirdly beautiful moments ████
████ that serve to mesmerize the listener. ████
████ ████
████ HeÆs not shy of using proven dancefloor ████
████ wrecking tools either, using NailÆs æTill The ████
████ Feelings GoneÆ very early on and ████
████ unapologetically hinging the mix on the ████
████ æMoodyfied MixÆ of JovonnÆs rare 1995 groove, ████
████ æSatisfiedÆ. But as much as heÆs able to let ████
████ these little moments of release fly out there ████
████ wantonly, he shows that rare ability of being ████
████ able to dovetail his more stomping moments ████
████ with the sparse, disjointed technicality of DJ ████
████ QUÆs æEverybody DarkÆ, the irk of the ████
████ distorted lead line on The Sun of God remix of ████
████ Armando & Steve PoindexterÆs æBlackholesÆ or ████
████ the direct drive of Kenny LarkinÆs æDroneÆ. ████
████ ████
████ ████
████ URL: n/a ████
████ ████
████ ████
████ ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████
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█████ ▄▄▓█▀▀▀│ ▓ MAiL: oma@never-ever.com ▓ │▀▀▀█▓▄▄ █████
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████▀ The only thing that really matters is music!!! ▀████
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▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀
▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀
▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .