Pride_of_Lions_-_Pride_of_Lions_(Jap._Ed.)-2003-MCA_int

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2012-12-27

NFO

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│                      METAL CLASSICS ARCHIVE                       │
│                                                                   │
│                                                                   │
│                                                                   │
│                         P R E S E N T S                           │
│                                                                   │
│                                                                   │
│ +          Pride Of Lions - Pride Of Lions (Jap. Ed.)          +  │
│                                                                   │
│                                                                   │
│╔═════════════════════╗                                            │
│║ Release Information ║                                            │
│╠═════════════════════╩══════════════════════════════════════════╗ │
│║                                                                ║ │
│║  Release Date.Dec-23-2012    Encoder......L3.97 -V2 --vbr-new  ║ │
│║  Genre........Hard Rock      Graber.......EAC                  ║ │
│║  Year.........2003           Khz/Bitrate..44,1/ Br             ║ │
│║                                                                ║ │
│║  Ripper.......anthem         Songs........15                   ║ │
│║  Covers.......Yes            Url... www.aprideoflions.com      ║ │
│║                                                                ║ │
│╚════════════════════════════════════════════════════════════════╝ │
│                                                                   │
│                                                                   │
│                                                                   │
│╔═════════════════════╗                                            │
│║    Release Notes    ║                                            │
│╠═════════════════════╩══════════════════════════════════════════╗ │
│║                                                                ║ │
│║ Artist : Pride Of Lions                Rating : You Decide!    ║ │
│║ Album  : Pride Of Lions (Jap. Ed.)     Label  : Frontiers      ║ │
│║                                                                ║ │
│║                                                                ║ │
│╠════════════════════════════════════════════════════════════════╣ │
│║                                                                ║ │
│║      Description :                                             ║ │
│║                                                                ║ │
│║        For those that have been living under a rock,           ║ │
│║        Pride Of Lions is the new Jim Peterik melodic           ║ │
│║        rock vehicle that features Jim alongside new            ║ │
│║        discovery, vocalist Toby Hitchcock. Toby's just         ║ │
│║        25, but is happy to jump aboard Jim's first             ║ │
│║        foray into traditional straight ahead melodic           ║ │
│║        rock and AOR since Survivor. Yes, it has been           ║ │
│║        that long!                                              ║ │
│║        Jim has of course been as busy as he ever was,          ║ │
│║        writing and producing with many artists û               ║ │
│║        including Kelly Keagy, Lynyrd Skynyrd, 38               ║ │
│║        Special and of course the monster debut Mecca           ║ │
│║        album.                                                  ║ │
│║        But this is the first time he has performed and         ║ │
│║        released his own AOR project since the late             ║ │
│║        80's.                                                   ║ │
│║        Since his departure from Survivor, Jim has              ║ │
│║        toured and recorded with the reformed Ides Of           ║ │
│║        March and released a debut album for his classic        ║ │
│║        rock styled World Stage project.                        ║ │
│║        In 2001 Jim hooked up with Joe Vana to co-write         ║ │
│║        and produce the awesome Mecca album, which also         ║ │
│║        featured Toto's Fergie Frederiksen.                     ║ │
│║        That helped build a fresh desire to return to           ║ │
│║        where Jim's heart lays û traditional 80's style         ║ │
│║        melodic music.                                          ║ │
│║        Pride Of Lions is a real mixture of influences.         ║ │
│║        It's a combination of everything Jim has done in        ║ │
│║        the past, with a couple of other 80's influences        ║ │
│║        included.                                               ║ │
│║        The primary musical influence is clearly that of        ║ │
│║        Survivor. This could almost be the follow up to         ║ │
│║        Too Hot For Sleep, while elsewhere there are            ║ │
│║        touches of Vital Signs and When Seconds Count.          ║ │
│║        Then there's the World Stage factor. Jim has a          ║ │
│║        naturally earthy feel to his songs, and that            ║ │
│║        shone through with the Midwestern style of the          ║ │
│║        straight ahead classic rock of World Stage. That        ║ │
│║        continues here, as does the dual vocal approach         ║ │
│║        on that album.                                          ║ │
│║        Jim can be heard here trading lines and verses          ║ │
│║        with Toby on several tracks and it works                ║ │
│║        perfectly. The rough bluesy vocal of the master         ║ │
│║        over the sweet harmonies of the young                   ║ │
│║        apprentice.                                             ║ │
│║        There is also the Mecca factor. Just as that            ║ │
│║        album included two lead singers, it had a track         ║ │
│║        pattern of rocker/ballad/rocker/ballad. To some         ║ │
│║        extent, that is also a feature here. It works           ║ │
│║        well, as the songs are all perfectly crafted,           ║ │
│║        but I do think there is one occasion where it           ║ │
│║        hurt the momentum of the album.                         ║ │
│║        And just to prove he's the master at just about         ║ │
│║        everything, Jim's written a couple of tracks            ║ │
│║        that sound like they could have been included on        ║ │
│║        Toto IV.                                                ║ │
│║        I would be remiss not to talk of the new boy            ║ │
│║        here û Toby Hitchcock. This is Toby's first             ║ │
│║        assignment as a vocalist and he passes it with          ║ │
│║        flying colors. His voice is youthful, yet               ║ │
│║        powerful and suits the music included here              ║ │
│║        wonderfully. His voice can be compared favorably        ║ │
│║        to that of Toto's Bobby Kimball and Survivor's          ║ │
│║        Jimi Jamison, not to mention a little of                ║ │
│║        Starship's Mickey Thomas. But one of the biggest        ║ │
│║        vocal comparisons when Toby isn't flying into           ║ │
│║        the high notes is to that of Mecca's Joe Vana.          ║ │
│║        Yes, the two sound like brothers. Toby's debut          ║ │
│║        is impressive, but as a young vocalist, he still        ║ │
│║        has some developing to do. Which is scary               ║ │
│║        really, as you can tell he's fresh, but his             ║ │
│║        range and his tone is already fantastic. The            ║ │
│║        only thing that will come with experience and           ║ │
│║        with age is further warmth to his voice.                ║ │
│║        Another important note about the album is the           ║ │
│║        amount of guitar featured. On several tracks the        ║ │
│║        guitar riffs come flying thick and fast. It             ║ │
│║        features some of the most fired-up Peterik              ║ │
│║        guitar parts sinceà.well, ever!                         ║ │
│║        Track By Track:                                         ║ │
│║        The album opens with the perfect mood setting           ║ │
│║        intro, which bursts into the guitar driven It's         ║ │
│║        Criminal. Toby's opening lines are commanding           ║ │
│║        and authorative and set the album up perfectly.         ║ │
│║        The song is pure Survivor û a melodic verse and         ║ │
│║        then a chorus that comes from nowhere, all the          ║ │
│║        time building the intensity of the album.               ║ │
│║        Although it's a fairly simple track, everything         ║ │
│║        about it oozes class and for no other reason            ║ │
│║        than it's perfectly crafted, the song is                ║ │
│║        instantly planted in your head. Brilliant.              ║ │
│║        Gone gives the impression it might be a ballad,         ║ │
│║        especially with the piano intro. But the track          ║ │
│║        fires up into a moody mid-tempo pop/rocker. Jim         ║ │
│║        takes lead for the first verse, with Toby               ║ │
│║        joining in for the bridge and then taking over          ║ │
│║        completely for the massive chorus, which is             ║ │
│║        another instantly catchy hook.                          ║ │
│║        There is no mistaking Interrupted Melody for            ║ │
│║        anything other than a big ballad. The soft piano        ║ │
│║        intro, the orchestral musical accompaniment and         ║ │
│║        yes, strings. Like many Peterik songs, this one         ║ │
│║        has another strong verse-bridge-chorus                  ║ │
│║        arrangement and as each chorus comes around, the        ║ │
│║        intensity of the song builds. Perfect melodic           ║ │
│║        rock, with some fine harmony vocals throughout.         ║ │
│║        It's tracks like Sound Of Home which make life          ║ │
│║        worthwhile. This is a textbook AOR anthem, with         ║ │
│║        every ingredient included for fans of the old-          ║ │
│║        school sound to get excited about. There's the          ║ │
│║        driven guitar riff, plenty of keyboards, a              ║ │
│║        melodic verse, building bridge and then a chorus        ║ │
│║        that just goes right over the top! Jim sings the        ║ │
│║        verse, with Toby coming in to take the chorus           ║ │
│║        into overdrive. Magic stuff and one of the top          ║ │
│║        contenders for song of the year.                        ║ │
│║        It's at this point in the album I would have            ║ │
│║        liked another uptempo number. Prideland is a            ║ │
│║        first rate slow to mid-tempo rock song, but the         ║ │
│║        tempo was really on a roll after Sound Of Home.         ║ │
│║        Despite that observation, Prideland is still            ║ │
│║        very cool. It's a stripped back, reflective and         ║ │
│║        somewhat soulful track that would have been at          ║ │
│║        home on World Stage. Jim and Toby share vocals,         ║ │
│║        and sound right at home together. The song              ║ │
│║        features some fine soft guitar playing, as it           ║ │
│║        builds throughout.                                      ║ │
│║        Unbreakable is a straight ahead rocker, with            ║ │
│║        plenty of guitar going in all directions. Toby's        ║ │
│║        vocals are again commanding, while Jim's guitar         ║ │
│║        playing is fabulous. Lots of little riffs and           ║ │
│║        rhythms throughout. The tone of the track is            ║ │
│║        quite dark and just that little bit aggressive.         ║ │
│║        But the end of the track is what does it for me         ║ │
│║        û this is pure shred-fest stuff, with guitars           ║ │
│║        and vocals all over the place. A great rocker           ║ │
│║        and nice aggressive number!                             ║ │
│║        Reverting back to a more laid back feel, First          ║ │
│║        Time Around The Sun is something a little               ║ │
│║        different. The tempo is slow to mid-tempo, but          ║ │
│║        the track is no ballad. Rather it is a pomp-ish,        ║ │
│║        jazzy pop number that could have come from any          ║ │
│║        early Toto album. Toby is dead on for Bobby             ║ │
│║        Kimball, while Jim does his best David Paich.           ║ │
│║        And to add to all that û the song is as catchy          ║ │
│║        as hell!                                                ║ │
│║        Keeping the pace of the album flowing well is           ║ │
│║        Turn To Me. This is another example of perfect          ║ │
│║        straight ahead melodic rock/AOR with a major            ║ │
│║        80's keyboard slant, but a nice guitar riff for         ║ │
│║        texture. Another pure Survivor track, this one          ║ │
│║        features Jim and Toby trading verses and winds          ║ │
│║        up with some great solo guitar work.                    ║ │
│║        Madness of Love is a mid-tempo and moody rock           ║ │
│║        track that features more strong lead guitar             ║ │
│║        riffs and another duel vocal performance. The           ║ │
│║        verse is soft, the chorus is far more intense.          ║ │
│║        Hard to compare this track û another World Stage        ║ │
│║        style track, but more melodic and definitely            ║ │
│║        Survivor-ish.                                           ║ │
│║        Love Is On The Rocks is another classic piece of        ║ │
│║        keyboard driven 80's rock a la early Survivor           ║ │
│║        and Toto. The verse remains fairly stripped             ║ │
│║        back, then there's a bridge that builds to a            ║ │
│║        slightly more powerful chorus. Pure 80's pop            ║ │
│║        here.                                                   ║ │
│║        Last Safe Place is a classic ballad. Classy all         ║ │
│║        the way and if the world was fair would find            ║ │
│║        itself on the biggest movie soundtrack of the           ║ │
│║        year and would be a #1 hit. This is a fabulous          ║ │
│║        lighters-in-the-air romantic ballad that                ║ │
│║        features a big vocal from Toby and a chorus             ║ │
│║        that's an instant hit from the start. Another           ║ │
│║        album highlight!                                        ║ │
│║        Music And Me closes the album in the same manner        ║ │
│║        that Rick Springfield has done on a few                 ║ │
│║        occasions û with a storyteller track û and an           ║ │
│║        autobiographical one at that. The song basically        ║ │
│║        describes where Jim's heart lies and what his           ║ │
│║        music means to him. And for that reason, many           ║ │
│║        will relate easily to this.                             ║ │
│║        The song itself features Jim upfront initially,         ║ │
│║        with Toby joining in. This is a powerful track          ║ │
│║        that is mid-tempo throughout, but builds                ║ │
│║        dramatically through the mid-section guitar-            ║ │
│║        fest, then switches tempo û up another notch            ║ │
│║        during a bridge section - before switching back         ║ │
│║        to how it started. A rollercoaster ride if you          ║ │
│║        will, much like most of this album!                     ║ │
│║        The Bottom Line                                         ║ │
│║        For fans of Survivor, Jim Peterik, Mecca, Toto          ║ │
│║        and classic 80's style melodic rock and AOR -           ║ │
│║        this is an album that has it all. It's just             ║ │
│║        fabulous and is without question, the best pure         ║ │
│║        traditional melodic rock album of 2003.                 ║ │
│║        It's also a long albumàthe 12 tracks run just           ║ │
│║        over an hour and the songs themselves aren't            ║ │
│║        short. They all run 4 to 6 minutes.                     ║ │
│║        The great strength of the album is the diversity        ║ │
│║        of the music. There are big ballads, moody mid-         ║ │
│║        tempo tracks, soaring AOR anthems and guitar            ║ │
│║        driven rockers. Something for everyone that             ║ │
│║        loves old-school melodic music.                         ║ │
│║        Jim Peterik's songs once again come out as the          ║ │
│║        winners in all this, but let's not forget the           ║ │
│║        fabulous vocal talents of Toby Hitchcock, who is        ║ │
│║        seriously only going to get better and better.          ║ │
│║        To sum up û this is really the stuff. This is           ║ │
│║        the kind of album I live for. This is why I do          ║ │
│║        this website - so I can pass on the good word           ║ │
│║        about classic melodic rock and AOR albums like          ║ │
│║        this. And this is classic. The debut Pride Of           ║ │
│║        Lions album is everything we hoped for and              ║ │
│║        expected of, the great Jim Peterik. Just about          ║ │
│║        perfect, but certainly 100% classic!                    ║ │
│║                                                                ║ │
│║                                                                ║ │
│║                                                                ║ │
│╚════════════════════════════════════════════════════════════════╝ │
│                                                                   │
│                                                                   │
│                                                                   │
│╔═════════════════════╗                                            │
│║  Release Tracklist  ║                                            │
│╚═════════════════════╩══════════════════════════════════════════  │
│                                                                   │
│     01 - It┤s Criminal                              [04:56]       │
│     02 - Gone                                       [04:37]       │
│     03 - Interrupted Melody                         [04:09]       │
│     04 - Sound Of Home                              [04:31]       │
│     05 - Prideland                                  [06:17]       │
│     06 - Unbreakable                                [05:04]       │
│     07 - First Time Around The Sun                  [05:10]       │
│     08 - Turn To Me                                 [04:49]       │
│     09 - Madness Of Love                            [06:20]       │
│     10 - Love Is On The Rocks                       [04:28]       │
│     11 - Last Safe Place                            [04:40]       │
│     12 - Music And Me                               [05:22]       │
│     13 - Surrender To The Night (Bonus Track)       [04:07]       │
│     14 - Stand By You (Bonus Track)                 [06:08]       │
│     15 - So Deadly                                  [04:21]       │
│                                                                   │
│                                      Total Length : [74:59 minn   │
│                                                                   │
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│                                                                   │
│                                                                   │
│                                                                   │
│                   ╔═════════════════════╗                         │
│                   ║    Greetings To:    ║                         │
│                   ╚═════════════════════╝                         │
│                                                                   │
│          Too all people who contributes to make this              │
│          archive of good music in a exceptional conditions        │
│                                                                   │
│                                                                   │
│                                                                   │
│■                                                                 ■│
└───────────────────────────────────────────────────────────────────┘

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