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▀█████▓▌ MTD Proudly Presents ▐▓█████▀
[Info]
Artist : Ray Stinnett
Album : A Fire Somewhere
Label : Light In The Attic
Genre : Rock
Street Date : 2012-00-00
Lineageáááááá:áMusic Hall USB-1
Quality : 243 kbps / 44.1kHz / Joint Stereo
Encoder : Lame 3.98.4 -V0
Size : 97.00 MB
Time : 52:46 min
Url : http://lightintheattic.net
[Tracks]
a1. Salty Haze 2:43
a2. You Make Me - Feel 3:53
a3. Silky Path 5:03
a4. Wheel Of Time 2:36
b1. Stop 3:32
b2. Long Rivers Flow 2:47
b3. America 4:21
b4. You & I 4:18
c1. Honey Suckle Song 2:59
c2. Liberty Train 3:40
c3. Naturally High 3:11
d1. Loves In The Answer 2:46
d2. A Fire Somewhere 5:30
d3. The Rain 5:27
[Notes]
LITA088
A hippie-fied, soul-rock, folk-rock, psych-rock gem lost in the vaults for
four decades, A Fire Somewhere by Ray Stinnett (best known as a member of
æ60s outfit Sam The Sham & The Pharaohs) sounds as fresh as the day it was
cut, and comes with extensive liner-notes detailing the fascinating life of
a little-documented æ60s rock voyager.
Born in Memphis in 1944, Ray Stinnett got his first guitar, aged 12, from
Nathan NovakÆs pawn shop, where Elvis got his first guitar. Heading back
down Beale Street afterwards, the family stopped at a light and a huge pink
Cadillac pulled up beside them. ôAnd oh my god û it was Elvis!ö recalls Ray,
ôSo I held up my guitar and shouted, æHey Elvis!Æ and he looks over and
says, ôHey cat.ö Ray told his father he was going to work hard and make a
gold recordà just like Elvis.
Before long, he was putting the plan into action, first in teen group Johnny
and the Electros, then as a duo with drummer Jerry Patterson, playing
nightly at honkytonks, roadhouses, beer joints, nightclubs and the many
Memphis recording studios. He achieved his promise with Sam The Sham & The
Pharaohs û Wooly Bully was the number one selling record of 1965. At 21,
Stinnett was living a life of world tours and screaming fans û the whole
mania. The wheels fell off a year later, amid managerial disputes. The four
Pharaohs (including Ray) parted ways with Sam, wrote two stinging rebukes
(ôThe Hangingö and ôYou Sure Have Changedö) and released them as The
Violations. Ray became more and more of a prolific writer.
By 1967, the summer of love, Ray left for Haight Ashbury in San Francisco
with his wife and young son, taking up residence at the legendary Morning
Star Ranch, where Ray focused on finding his true voice. Returning to
Memphis a year later, Ray formed a working friendship with Booker T Jones,
who produced RayÆs unreleased Sun Tree at Pepper West album. Eventually,
when Jones moved to Malibu and took a contract with A&M, he lined up a deal
for his old friend.
Still working in Memphis with (old) friends Jerry Paterson and Mike Plunk on
bass, along with Booker T. and co-mixer/engineer Richard Rosebrough (Chris
Bell, Big Star), Ray channelled his experiences in the pop machine, at
Morningstar and beyond into the songs that would become A Fire Somewhere. It
funnelled the vast experiences of this pop star, cosmic traveller and
grounded, loving father.
The songs contained the fried country twang and boogie-woogie grooves of his
hometown and of his youth, but were also threaded through with the new
psychedelia û shreds of distorted guitar, looping experimental jams and
acoustic renditions. ôArt is a reflection of life,ö says Ray of the making
of A Fire Somewhere, ôand my life was full of reflection at this time.ö And
itÆs perhaps exactly that fact which kept this incredible record unreleased
for all these years.
By summer, the album was ready for release. By winter, it remained on the
shelf. A&M reassured Ray that they were going to make him a superstar. Ray
had already done that; he just wanted the songs released. Soon, they hit an
impasse. Ray took his tapes and songs and went on with his life. In the end,
A&MÆs loss û is our gain. Listen, and enjoy, this message from another time,
and from an old head on young shoulders. ôItÆs a torch thatÆs been carried
forty years through the desert, waiting for this moment to arrive,ö says
Ray.