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▓ Anatomy Workshop Volume 1 ▓
▒░ ▄▄ ▀ The Gnomon Workshop ▀ ▄▄ ░▒
└─::─┐ ┌─::─┘
▓▓ ░ Date: 2013-03-19 Disks: xx/71 ░ ▓▓
┌─::─┘ └─::─┐
▓▓ ░ In this first lecture of a series focusing on human anatomy ░ ▓▓
▓▓ ░ as it relates to figurative art, figure painter and ░ ▓▓
▓▓ ░ instructor Charles Hu discusses key skeletal and muscular ░ ▓▓
▓▓ ░ landmarks along with methods for maintaining the correct ░ ▓▓
▓▓ ░ proportional relationships between the various structures ░ ▓▓
▓▓ ░ of the human body. Throughout the lecture, Charles refers ░ ▓▓
▓▓ ░ to skeletal reference to illustrate how skeletal elements ░ ▓▓
▓▓ ░ not only connect, but more importantly, how these ░ ▓▓
▓▓ ░ structures move in relation to one another, providing a ░ ▓▓
▓▓ ░ clear roadmap for maintaining correct proportional ░ ▓▓
▓▓ ░ relationships in your figure drawings. Charles begins with ░ ▓▓
▓▓ ░ an initial "mechanical" representation of the human form ░ ▓▓
▓▓ ░ from the front view. He first discusses the basic ░ ▓▓
▓▓ ░ proportions and structures of the human head. As the human ░ ▓▓
▓▓ ░ head is often used as the base unit of measurement in ░ ▓▓
▓▓ ░ figure drawing, the important landmarks and relationships ░ ▓▓
▓▓ ░ between the brow region, eye sockets, cheek bones, nose, ░ ▓▓
▓▓ ░ mouth and chin will be explored in great detail. After ░ ▓▓
▓▓ ░ blocking in the head, the neck and shoulder area is ░ ▓▓
▓▓ ░ discussed before moving down to the chest, stomach and ░ ▓▓
▓▓ ░ pelvis regions. Again, key structural landmarks are ░ ▓▓
▓▓ ░ discussed in order to understand the anatomical, ░ ▓▓
▓▓ ░ structural, and proportional importance of each. Charles ░ ▓▓
▓▓ ░ then moves on to discuss arms and legs, along with correct ░ ▓▓
▓▓ ░ proportional guides for laying in key elements like elbows, ░ ▓▓
▓▓ ░ wrists, knees and ankles. Once completed with the ░ ▓▓
▓▓ ░ anatomical sketch from the front view, he moves onto the ░ ▓▓
▓▓ ░ drawings from both the back and side views, providing a ░ ▓▓
▓▓ ░ clear and comprehensive study of the base human form. ░ ▓▓
▓▓ ░ Suitable for all artists developing their understanding of ░ ▓▓
▓▓ ░ the figure and its complex anatomical relationships, this ░ ▓▓
▓▓ ░ lecture and demonstration is an immersive and critical ░ ▓▓
▓▓ ░ foundation. ░ ▓▓
▓▒ ░ ░ ▒▓
▒░ ▄▄ ▀ I - Unpack this collection of knowledge. ▀ ▄▄ ░▒
▄▓▓▀▓ II - Mount or burn to access the wast information. ▓▀▓▓▄
▐▓▓▌ ▒░▄▄ III - Watch, read, learn and become all you can be. ▄▄░▒ ▐▓▓▌
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█▒ iNKiSO, QUASAR, JGTiSO, AG, HELL ▒█
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░█▓▀▓▄▄▄▄ Plato (423 BC - 347 BC) was a Classical Greek ▄▄▄▄▓▀▓█░
█▒ ▄▓▀ philosopher, mathematician, student of Socrates ▀▓▄ ▒█
▓░ ▐▓▌ writer of philosophical dialogues, and founder of ▐▓▌ ░▓
▒░ ▀▓▄░ the first institution of higher learning. ░▄▓▀ ░▒
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░ ▒░█ ░░▀▀█▓▄▄░ team.plato@inbox.lv ░▄▄█▓▀▀░░ █░▓ ░
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░ ▒ ▓░ ░ ░▒ ▐▓▓▌ 423 BC - 347 BC ▐▓▓▌ ▒░ ░ ░▓ ░
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