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▓▒▒▒▒▓▓▓▓▓▓▓▓▓░:░ Release notes ░▒▓▓▓▓▓▒▒░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░▓▒░
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░░ Rel. date .: 04.23.2013 ░░
░░ ░░
░░ Artist ....: Porter Wagoner & Dolly Parton ░░
░░ Album .....: Porter & Dolly ░░
░░ Genre .....: Country ░░
░░ ░░
░░ Label .....: Sony/BMG ░░
░░ Catalog # .: A 716486 ░░
░░ Language ..: English ░░
░░ ░░
░░ Source ....: CDDA ░░
░░ Size ......: 45.97 MB ░░
░░ ░░
░░ http://en.wikipedia.org/wiki/Porter_%26_Dolly ░░
░░ ░░
░░ ----------------------------------------------------------------------- ░░
░░ ░░
░░ It's difficult to find a country performer who has moved from country ░░
░░ roots to international fame more successfully than Dolly Parton. Her ░░
░░ autobiographical single "Coat of Many Colors" shows the poverty of ░░
░░ growing up one of 12 children on a run-down farm in Locust Ridge, TN. At░░
░░ 12 years old she was appearing on Knoxville television; at 13 she was ░░
░░ recording on a small label and appearing on the Grand Ole Opry. Her 1967░░
░░ hit "Dumb Blonde" (which she's not) caught Porter Wagoner's ear, and he ░░
░░ hired Parton to appear on his television show, where their duet numbers ░░
░░ became famous. By the time her "Joshua" reached number one in 1970, ░░
░░ Parton's fame had overshadowed the boss', and she had struck out on her ░░
░░ own, though still recording duets with him. During the mid-'70s, she ░░
░░ established herself as a country superstar, crossing over into the pop ░░
░░ mainstream in the early '80s, when she smoothed out the rough edges in ░░
░░ her music and began singing pop as well as country. In the early '80s, ░░
░░ she also began appearing in movies, most notably the hit 9 to 5. Though ░░
░░ her savvy marketing, image manipulation -- her big, dumb blond stage ░░
░░ persona is an act -- extracurricular forays into film, and her ░░
░░ flirtations with country-pop have occasionally overshadowed her music, ░░
░░ at her core Parton is a country gal and a tremendously gifted ░░
░░ singer/songwriter. Among her classics are "Coat of Many Colors," ░░
░░ "Jolene," "Kentucky Gambler," "I Will Always Love You," "But You Know I ░░
░░ Love You," and "Tennessee Homesick Blues," and they give a hint to why ░░
░░ her contribution to bringing country music to a wide audience, not only ░░
░░ in America but throughout the world, cannot be underestimated. ░░
░░ ░░
░░ The fourth of 12 children, Parton was born and raised in Locust Ridge, ░░
░░ TN, just next to the Smoky Mountains National Forest. Parton's family ░░
░░ struggled to survive throughout her childhood, and often she was ░░
░░ ridiculed for her poverty, yet music soothed their worries. Though her ░░
░░ farming father did not play, her half-Cherokee mother played guitar and ░░
░░ her grandfather Reverend Jake Owens was a fiddler and songwriter (his ░░
░░ "Singing His Praise" was recorded by Kitty Wells). When she was seven, ░░
░░ her uncle Bill Owens gave her a guitar, and within three years she ░░
░░ became a regular on WIVK Knoxville's The Cas Walker Farm and Home Hour. ░░
░░ Over the next two years, her career steadily increased, and in 1959 she ░░
░░ made her debut on the Grand Ole Opry; the following year, she recorded ░░
░░ her first single, "Puppy Love," for Goldband. ░░
░░ ░░
░░ When she was 14 years old, Parton signed to Mercury Records, but her ░░
░░ 1962 debut for the label, "It's Sure Gonna Hurt," was a bomb, and the ░░
░░ label immediately dropped her. Over the next five years, she shopped for░░
░░ a new contract and did indeed record a number of songs, which were later░░
░░ reissued through budget-line records. She continued to attend high ░░
░░ school, playing snare drum in the marching band. After she graduated, ░░
░░ she moved to Nashville where she stayed with Bill Owens. Both ░░
░░ songwriters pitched songs across Nashville to no success, and Parton ░░
░░ began singing on demos. Early in 1965, both Parton and Owens finally ░░
░░ found work when Fred Foster signed them to his publishing house, Combine░░
░░ Music; Foster subsequently signed her to Monument Records. Parton's ░░
░░ first records for Monument were marketed to pop audiences, and her ░░
░░ second record, "Happy, Happy Birthday Baby," nearly made the charts. In ░░
░░ 1966, Bill Phillips took two of Parton's and Owens' songs -- "Put It Off░░
░░ Until Tomorrow" and "The Company You Keep" -- to the Top Ten, setting ░░
░░ the stage for Parton's breakthrough single, "Dumb Blonde." Released ░░
░░ early in 1967, the record climbed to number 24, followed shortly ░░
░░ afterward by the number 17 "Something Fishy." ░░
░░ ░░
░░ The two hit Monument singles attracted the attention of country star ░░
░░ Porter Wagoner, who was looking to hire a new female singer for his ░░
░░ syndicated television show. Parton accepted the offer and began ░░
░░ appearing on the show on September 5, 1967. Initially, Wagoner's ░░
░░ audience was reluctant to warm to Parton and chanted for Norma Jean, the░░
░░ singer she replaced, but with Wagoner's assistance, she was accepted. ░░
░░ Wagoner convinced his label, RCA, to also sign Parton. Since female ░░
░░ performers were not particularly popular in the late '60s, the label ░░
░░ decided to protect their investment by releasing her first single as a ░░
░░ duet with Wagoner. The duo's first single, "The Last Thing on My Mind," ░░
░░ reached the country Top Ten early in 1968, launching a six-year streak ░░
░░ of virtually uninterrupted Top Ten singles. Parton's first solo single, ░░
░░ "Just Because I'm a Woman," was released in the summer of 1968 and was a░░
░░ moderate hit, reaching number 17. For the remainder of the decade, none ░░
░░ of her solo efforts -- even "In the Good Old Days (When Times Were ░░
░░ Bad)," which would later become a standard -- were as successful as her ░░
░░ duets. The duo was named Vocal Group of the Year in 1968 by the Country ░░
░░ Music Association, but Parton's solo records were continually ignored. ░░
░░ Wagoner and Parton were both frustrated by her lack of solo success, ░░
░░ because he had a significant financial stake in her future -- as of ░░
░░ 1969, he was her co-producer and owned nearly half of the publishing ░░
░░ company Owepar. ░░
░░ ░░
░░ By 1970, both Parton and Wagoner had grown frustrated by her lack of ░░
░░ solo success, and Porter had her sing Jimmie Rodgers' "Mule Skinner ░░
░░ Blues (Blue Yodel No. 8)," a gimmick that worked. The record shot to ░░
░░ number three on the charts, followed closely by her first number one ░░
░░ single, "Joshua." For the next two years, she had a number of solo hits ░░
░░ -- including her signature song "Coat of Many Colors" (number four, ░░
░░ 1971) -- in addition to her duets. Though she had successful singles, ░░
░░ none of them were blockbusters until "Jolene" reached number one in ░░
░░ early 1974. Parton stopped traveling with Wagoner after its release, yet░░
░░ she continued to appear on television and sing duets with him until ░░
░░ 1976. ░░
░░ ░░
░░ Once she left Wagoner, Parton's records became more eclectic and ░░
░░ diverse, ranging from the ballad "I Will Always Love You" (number one, ░░
░░ 1974) and the racy "The Bargain Store" (number one, 1975) to the ░░
░░ crossover pop of "Here You Come Again" (number one, 1977) and the disco ░░
░░ experiments of "Baby I'm Burning" (number 25 pop, 1978). From 1974 to ░░
░░ 1980, she consistently charted in the country Top Ten, with no less than░░
░░ eight singles reaching number one. Parton had her own syndicated ░░
░░ television show, Dolly, in 1976 and by the next year had gained the ░░
░░ right to produce her own albums, which immediately resulted in diverse ░░
░░ efforts like 1977's New Harvest...First Gathering. In addition to her ░░
░░ own hits during the late '70s, many artists, from Rose Maddox and Kitty ░░
░░ Wells to Olivia Newton-John, Emmylou Harris, and Linda Ronstadt, covered░░
░░ her songs, and her siblings Randy and Stella received recording ░░
░░ contracts of their own. ░░
░░ ░░
░░ Though she was quite popular, Parton became a genuine superstar in 1977,░░
░░ when the Barry Mann/Cynthia Weil song "Here You Come Again" became a ░░
░░ huge crossover hit, reaching number three on the pop charts, spending ░░
░░ five weeks at the top of the country charts, and going gold. Its ░░
░░ accompanying album went platinum and the follow-up, Heartbreaker, went ░░
░░ gold. Soon, she was on the cover of country and mainstream publications ░░
░░ alike. With the new financial windfall, a lawsuit against Wagoner -- who░░
░░ had received a significant portion of her royalties -- ensued. By the ░░
░░ time it was settled, she regained her copyrights while Wagoner was given░░
░░ a nominal fee and the studio the duo shared. In the wake of the lawsuit,░░
░░ a delayed duet album, Making Plans, appeared in 1980; its title track ░░
░░ hit number two on the country charts. ░░
░░ ░░
░░ Parton's commercial success continued to grow during 1980, as she had ░░
░░ three number one hits in a row: the Donna Summer-written "Starting Over ░░
░░ Again," "Old Flames (Can't Hold a Candle to You)," and "9 to 5." The ░░
░░ latter was the theme song to Parton's acting debut, 9 to 5. Also ░░
░░ starring Jane Fonda and Lily Tomlin, the movie became a huge success, ░░
░░ establishing Parton as a movie star. The song became her first number ░░
░░ one pop single, as well. 9 to 5 gave Parton's career momentum that ░░
░░ lasted throughout the early '80s. She began appearing in more films, ░░
░░ including the Burt Reynolds musical The Best Little Whorehouse in Texas ░░
░░ (1982) and the Sylvester Stallone comedy Rhinestone (1984). Parton's ░░
░░ singles continued to appear consistently in the country Top Ten: between░░
░░ 1981 and 1985, she had 12 Top Ten hits and half of those were number one░░
░░ singles. Parton continued to make inroads on the pop charts as well with░░
░░ a re-recorded version of "I Will Always Love You" from The Best Little ░░
░░ Whorehouse in Texas scraping the Top 50 and her Kenny Rogers duet ░░
░░ "Islands in the Stream" (which was written by the Bee Gees and produced ░░
░░ by Barry Gibb) spending two weeks at number one. ░░
░░ ░░
░░ However, by 1985 many old-time fans had felt that Parton was spending ░░
░░ too much time courting the mainstream. Most of her albums were dominated░░
░░ by the adult contemporary pop of songs like "Islands in the Stream," and░░
░░ it had been years since she had sung straightforward country. She also ░░
░░ continued to explore new business and entertainment ventures such as her░░
░░ Dollywood theme park, which opened in 1985. Despite these misgivings, ░░
░░ she had continued to chart well until 1986, when none of her singles ░░
░░ reached the Top Ten. RCA Records didn't renew her contract after it ░░
░░ expired that year, and she signed with Columbia in 1987. ░░
░░ ░░
░░ Before she released her Columbia debut, Parton joined forces with Linda ░░
░░ Ronstadt and Emmylou Harris to record the rootsy Trio album. Trio became░░
░░ a huge hit, earning both critical and popular acclaim, selling over a ░░
░░ million copies, and peaking at number six on the pop charts; it also ░░
░░ spawned three Top Ten country singles: "To Know Him Is to Love Him," ░░
░░ "Telling Me Lies," and "Those Memories of You." Following the success of░░
░░ the album, she had a weekly variety television show, Dolly, on ABC that ░░
░░ lasted only one season. Trio also provided a perfect launching pad for ░░
░░ her first Columbia album, 1989's White Limozeen, which produced two ░░
░░ number one hits in "Why'd You Come in Here Lookin' Like That" and ░░
░░ "Yellow Roses." ░░
░░ ░░
░░ Though it looked like Parton's career had been revived, it was actually ░░
░░ just a brief revival before contemporary country came along in the early░░
░░ '90s and pushed all veteran artists out of the charts. Parton had a ░░
░░ number one duet with Ricky Van Shelton, "Rockin' Years," in 1991, but ░░
░░ after that single, she slowly crept out of the Top Ten and later the Top░░
░░ 40. Parton was one of the most outspoken critics of radio's treatment of░░
░░ older stars. While her sales had declined, she didn't disappear. Despite░░
░░ her lack of sales, Parton remained an iconic figure in country music, ░░
░░ appearing in films (the 1991 TV-movie Wild Texas Wind, 1992's Straight ░░
░░ Talk), selling out concerts, and releasing a series of acclaimed albums ░░
░░ -- including 1993's Honky Tonk Angels, a collaboration with Tammy ░░
░░ Wynette and Loretta Lynn -- that all sold respectably. Furthermore, "I ░░
░░ Will Always Love You" was covered in 1992 by Whitney Houston, who took ░░
░░ it to number one on the pop charts; the single spent 14 weeks at number ░░
░░ one, becoming the biggest pop hit of the rock & roll era (it was ░░
░░ unseated four years later by Mariah Carey and Boyz II Men's "One Sweet ░░
░░ Day"). ░░
░░ ░░
░░ In 1994, Parton published her autobiography, My Life and Other ░░
░░ Unfinished Business. Treasures, her 1996 album, was a praised collection░░
░░ of unusual covers, ranging from Merle Haggard to Neil Young. Hungry ░░
░░ Again followed in 1998, and early the following year she reunited with ░░
░░ Ronstadt and Harris for a second Trio collection in addition to ░░
░░ releasing the solo The Grass Is Blue. A rootsy effort, it was well ░░
░░ received and prompted the release of more recordings like it on Little ░░
░░ Sparrow from 2001 and Halos & Horns from 2002. The patriotic For God and░░
░░ Country appeared in 2003 and was followed by the CD and DVD Live and ░░
░░ Well a year later. Those Were the Days from 2005 found Parton covering ░░
░░ her favorite pop songs from the '60s and '70s. 2008 saw the release of ░░
░░ Parton's first mainstream country album in nearly 20 years, Backwoods ░░
░░ Barbie, on her own Dolly Records imprint. Live from London followed in ░░
░░ 2009. ░░
░░ ░░
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░▓▓▄▓ Track ░ list ░▒▄▓▓▓█▓▓▒░░░ ░ ▀▀▀▀▄████▀ ░░░░▒░▒▒▓▒▒░░░ ░░░ ░░ ░
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░░ THIS IS *NOT* A SUBSTITUTE OF THE ORIGINAL. ░░░
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░░ NB TRACKNAMES: LENGHT: ░░░
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░░ 01. Making Plans 02:13 ░░░
░░ 02. If You Go, I'll Follow You 02:43 ░░░
░░ 03. Hide Me Away 03:09 ░░░
░░ 04. Someone Just Like You 03:12 ░░░
░░ 05. Little David's Harp 03:09 ░░░
░░ 06. Beneath The Sweet Magnolia Tree 02:27 ░░░
░░ 07. Touching Memories 02:30 ░░░
░░ 08. Daddy Did His Best 02:48 ░░░
░░ 09. If You Say I Can 02:26 ░░░
░░ 10. Singing On The Mountain 02:24 ░░░
░░ 27:01 ░░░
░░ --------------------------------------------------------------------- ░░░
░░ TO THE INVOLVED ARTIST(S), CONSIDER THIS AS A FREE WORLDWIDE PROMO ░░░
░░ CAMPAIGN. TO THE END (L)USERS, SUPPORT HE ARTIST(S) OR DEL! ░░░
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▓██▀ "Oi" to: ░▒▒░ ░ ▓▓▒▒░░ ▀▓▓▒▒▒░░░ ▀▀▓██▓▒▒░░
▓█▌ ░▒▒░░ ▀▓▓▓▒▒▒░░ ▀▀▓▓▓▓▒▒▒▒░░ ░▓█▓▒░
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▒▓ ░ ▀▀▓▓▄░▀▓▓░░
░▓ ▀▓▓░░▓░░
░▓ ADDiCTED TO MUSiC, AGAiNST THE REST, █▓░▓░░
░▒ CiTADEL CREW MP3 DiViSiON, █▓▓░░
░▒ DECiBEL COURiERS, dissident, █▓░░
░▒ EViGHET, ▓░░
░▒ iMAGiNE, iNTERNET MUSiC PiRATE GUiLD, ▒░░
░░ LOGOS, ▒░░
░░ MEN iN PiNK, MiNDSCAPE, MiNDSCAPE_JAZZ, ▒░░
░░ NEW WORLD ORDER MP3, ░░
░░ OTAKU, ░░
░░ PROViDERS OF SOUND, ░░
░░ SUPERiOR ART CREATiONS, SYNTHESiS MEDiA, ░░
░░ WALL OF SOUND, WE LOVE WAREZ MP3, ░░
░░ ░░
░░ #OpPayBack & ALL OF OUR FRIENDS AND FAMILY HERE AND GONE. ░░
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░░ ---------------------------------------------------------------------- ░░
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░░ "Those who do not remember the past are condemned to repeat it." ░░
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░░ George Santayana ░░
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░░ ---------------------------------------------------------------------- ░░
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░░ ▄▄█▓▀ ▄▄ - IF YOU DON'T LIKE THIS RELEASE THEN ░░
░░ ▄▄▓███▓▓▓░░███▓▓▓▄▄▄ WHO CARES?? ░░
░░ ▄▓████▀░░▒▒▒▒▒▓▓▒▒▒▒▒▒▓█▄▄ ░░
░ ▄▀▀▄░░░▒▒▒▓▓▓▓▓▓▓▓▓▓▓▓▒▒▓▓██▄ - WE SHIT ON *ALL* SCENE-IDIOTS: ░░
░ ▄░░▒▒▓▓▓▓█▀▀▀▀▀▓▓██▀▓▓▓▓▓▒▒▓█ "H8ERS", NUKERS, PUBBERS AND MAYBE ON ░░
░ █▓▓▓▀██▓▀▀▀▄▓▒░░▄██▌░░ ▓▀▓▓▓▓█ YOU TOO?!? ░░
█▓▓▀▄▓█▓▓░░░░█████▓█▓▄▄▄█▓ ▀▓▀▓▓ ░░
█▀ █▓▀▓███▄▄▄███▓▓▓█████▓█▀▄▐▌ █ - WE ONLY BELIEVE THAT TUESDAY STORE ░░
█ ▐█████▀ ████▓▓█▌▀██▓▓ ▐▓ PICKUPS IS TEH BEST MUSIC EVAAAAAAR! ░░
░ ███▀ ▐████▓█▓ ▐▓▀ ▀ ░░
░░ ▓ ███▓███▓ ▀ - WE CONSTANTLY LOOKING FOR ANY 10+GB/S, ░░
░░ ▐███▓▓██▌ 50+TBS W/ 0SEC ATTITUDE THAT CAN BARELY ACHIEVE ░░
░░ ██▓▓▓▓█▌ 6 MONTHS OF UPTIME. WHQ SPOT AVAILABLE!! ░░
░ ▓█▓▒▒▓█ ░░
░░ ██▒▒▒▓█▌ ░░
░░ ▐█▌░▒▒▓██ YOUR **TRUE** PSEUDO-FRiENDS. ░░
░░ ▐█▌░░▒▓█▌ ░░
░░░ ██▒░▒▓█▌ ▓ ▄■ WASHED UP SCENESTERS ░░
░▒░ ▐█▌▓▀▓█▌ ▓▄▓ · '13 ░░
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THIS IS NOT PIRACY.
RLS-Crc: 42