Edward_Ka-Spel-Pieces_of_8-2004-DPS

Section
MP3/FLAC
Group
DPS
Size
75,58 MB
Files
6
Date
2004-06-28

NFO

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 ______________________________________________________________________________.

  Edward Ka-Spel
  Pieces of 8
 ______________________________________________________________________________.

  .date        Jun-26-2004
  .style       Electronic
  .label       Beta Lactam Ring
  .cat.no.     mt082a
  .source      CDDA
  .type        Album
  .quality     VBRkbps 44.1hz Joint-Stereo
  .size        75,6 MB
 ______________________________________________________________________________.

   Pieces of 8 is the latest bookend to the long shelf filled with China
   Dolls too numerous to count, the holy books of Illumina, Lilith and
   Tanith, the Heartbreak, the Needles and the colors: Blue Room, Red
   Letters and Graye Skreeens. A vague continuation of the nautical, "soul
   set adrift at sea" themes explored on 2001's rambling, unfocused O'er a
   Shalabast'r Tyde Strolt Ay, the new album is ù true to its title ù an
   embarrassment of riches, a sunken treasure chest of pirate's booty.
   Pieces of 8 is an amazingly well-crafted concept album of remarkable
   strength and focus from an artist who would have every right to be well
   past his artistic prime. Over the years, we've learned how to listen to
   Edward Ka-Spel's solo albums: the well-worn sonic palette, the familiar
   arsenal of metaphors and lyrical themes. Ka-Spel's career as a solo
   artists is virtually predicated on its unfaltering uniformity,
   constantly retracing its own lines, deepening the grooves of an etching
   long since completed. Those who love Ka-Spel's music know to listen for
   those tiny nuances, the changes in perspective, the recycling and
   re-contextualization of familiar lyrical conceits. Hence, there is
   something of a learning curve for this music, an "EKS literacy" that is
   nurtured over time by repetitive exposure. What's amazing about Pieces
   of 8 is that it may be Edward's first album that peeks its out of that
   endlessly self-referential universe of bedroom electronics, crepuscular
   psychedelia and microcosmic dread. Musically, it's one of the best
   albums EKS has ever crafted, consisting of several solid songwriting
   efforts balanced perfectly with evocative sound-effects suites and
   passages of pure electronic ambience. Ka-Spel's trademark gallows humor
   is fully intact, explicating his constant themes of personal and
   universal apocalypse, and the existential dread experienced in a world
   of human emotions increasingly mediated by technology. Opening with a
   whimsical sea-shanty that evokes some pre-war street accordionist
   playing in a French harbor town, "The Writing on the Wall" inexplicably
   transforms into a haunting piano dirge littered with atmospheric
   samples. As ever, Edward is a storyteller, his lyrics spinning a yarn of
   a doomed man forced to walk the plank who, paradoxically, seems
   endlessly amused by his fate. "Here Comes the Night" is a lengthy,
   sprawling ambient piece that follows the more abstract moments of Dark
   Side of the Moon to their logical conclusion: a majestic space-scape
   haunted by fragile piano melodies and the ghostly transmissions of
   long-abandoned deep-space probes. The blasted, distorted electro groove
   of "Comedown" is punctuated by handclaps and noisy throbs, Edward's
   spiralling vocals evoking the terrors of infancy, pausing briefly to
   reference David Lynch's Eraserhead. "Alms for Lepers" is more standard
   EKS fare: melancholic vocals filled with linguistic puns and odd
   metaphors, against a backdrop of spectral keyboards and deliberately
   synthetic drum programming. The lengthy final track is a meticulously
   constructed, multi-layered kosmische symphony of cyclical electronic
   pulses that build in hallucinogenic intensity before giving way to a
   scratchy, warbling old 78 spinning out fractured, kaleidescopic
   nostalgia which bobs out over the whitecaps and disappears from view.
   --Jonathan Dean@brainwashed.com

 ______________________________________________________________________________.

   01          the writing on the wall                               05:28
   02          here comes the night                                  16:44
   03          comedown                                              05:17
   04          alms for leepers                                      06:13
   05          hanti                                                 02:34
   06          8.2 8.3                                               15:00
                                                                     .   .
                                                                     51:16 min
 ______________________________________________________________________________.
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   ▀▄               ██████████
    ▀▄   digaphobia ██████████ peace to music lovers everywhere
      ▀.     public ██████████
        ▀.    sound ██████████ 1real - amok - bcc - cmg - cmc - cms - diss
                  : █████▀████ drum - fuffens - hit2k - just - kw - nuhs - om
                  : ███████▀██ rac - radial - sb - sfe - soup - sour - tr - ube
                  . ██▄███████ _______________
                    ▀██▀█ ▀██
                     ▀▀ ▀ █▀██ go to the show
                     ▀█  ▀  ██ buy the t-shirt
                     ██ ▀ ▀█ ▄ order the vinyl
                     ▀  ▄  ▀ ▀ _______________
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Files

PathSize
01-edward_ka-spel-the_writing_on_the_wall-dps.mp37,27 MB
02-edward_ka-spel-here_comes_the_night-dps.mp325,98 MB
03-edward_ka-spel-comedown-dps.mp37,27 MB
04-edward_ka-spel-alms_for_leepers-dps.mp39,11 MB
05-edward_ka-spel-hanti-dps.mp33,74 MB
06-edward_ka-spel-8.2_8.3-dps.mp322,22 MB