FYA-For_Your_Attention-(Advance)-2004-RNS

Section
MP3/FLAC
Group
RNS
Size
75,09 MB
Files
13
Date
2004-07-03

NFO

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 ▄▓▀▀ ▀████▓▄█▓▓▓███▓█▓▀▀▀       TEAM RNS PRESENTS             ▄■  ▐█▄▓██
 ▀      ▀██░▐██▀▀ ▐█▄                                       ▄██▌  ▄██▌░█▌
  ▀   ▄▄  ▀█▄▀██▄▄████▌ARTIST: FYA                         ▐████▄███▀▄█▀  ▄▄
    ▄██▌    ▀▓▄▀██▄▀▀▀                                      ▀▀▀▄██▀▄▓▀    ▐██▄
   █████▄    ▐█▌▐███▄   TITLE: For Your Attention            ▄███▌▐█▌    ▄█████
   ███████▄▄▄▓░ ▓█████                                      ██████▄░▓▄▄▄███████
    ▀█████▓▄▄▄█▐▓█████▌ LABEL: Def Jam UK                  ▐█████▓▌█▄▄▄▓█████▀
      ▀▀████▀▀▄██████▀                                      ▀██████▄▀▀████▀▀
      ▄▄▀▀  ▄██████▀   RIPPER: Team RNS Spring                ▀██████▄
   ▄ ▀    ▄██████▀                                              ▀██████▄
▄█▓▀    ▄██████▀                                                  ▀██████▄
██▌    ▐██████▌                                                    ▐██████▌
▀██▄   ▐██████              214kbps avg - R&B                      ▐▓█████▌
  ▀██▄  ▀█████▌                0hr 48min total- 78.7mb             ██████▀
 ▄▄▀▀███▄▄▀▀███▄                                                  ███▓▀▀
█▓     ▀▀██▄  ▀██▄           RELEASE DATE: 2004-00-00            ██▀
▀▓▄      ▐██▌  ▐██▓▄           RIP DATE: 2004-05-22            ▄██▌
  ▀▀▄▄▄▄███▀  ▄▓▓█▓██▄                                      ▄▄▓▓█▓▓▄
      ▀▀▀   ▄█████▀ ▀▀██▄▄▄                           ▄▄▄▄███████████▄
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       █████▌    ▄█▓█                                        ▐███    ▐█████
       ▀█████▄ ▄▓██▓                                          ▓██▓  ▄█████▀
         ▀▀███████▀   track list                               ▀███████▀▓▄▄▄
     ▄▄▄     ▀▀██▄    ----------                                ▄██▀▀■   ▀████▄
  ▄████▀▀▀▄    ▐██▓   01 Too Hot                        3:22   ▓██▌ ▐▌    ▐████
 ▐████▌      ▄▄▓▓█▓▌  02 Bring It On                    4:11  ▐▓█▓▓▄ ▀█▄▄▄███▀
  ▀████▄▄▄▄███████▀   03 What's Going On                3:52   ▀█████▄  ▀▀▀
    ▀▀███▀▄█████▀     04 Lift Up Yuh Hand               3:57     ▀█████▄
        ▄█████▀ ▀▄▄   05 Must Be Love                   4:08   ▄▄▀ ▀█████▄
       ▐█████    ▐█▓  06 Pay Attention                  3:42  ▓█▌    █████▌
       █████▌    ███▌ 07 10 Out Of 10                   3:36 ▐███    ▐█████
       ▀█████▄  ▓██▓  08 Girl Talk                      3:06  ▓██▓  ▄█████▀
         ▀▀███████▀   09 Shack It Out                   4:22   ▀█████████
             ▀▀██▄    10 Miss Smith                     4:34    ▄██▀▀███   ▀ ▄
   ▄▄▄▄▄       ▐██▓   11 Tic Toc                        3:25   ▓██▌ ████▄   ▄█▌
  ▀  ▀▀███▄   ▄▓▓█▓▌  12 Body And Face                  2:44  ▐▓█▓▓▄ ▀███████▀
       ▐███▌▄█████▀   13 Too Hot (Ft. Ward 21)          3:52   ▀█████▄  ▀▀▀
 ▄    ▄███▄█████▀                                                ▀█████▄
  ▀▀███▀██████▀ ▀▄▄                                            ▄▄▀ ▀█████▄
       ▐█████    ▐█▓                                          ▓█▌    █████▌
       █████▌    ███▌                                        ▐███    ▐█████
       ▀█████▄  ▓██▓                                          ▓██▓  ▄█████▀
         ▀▀███████▀                                            ▀███████▀▓▄▄▄
     ▄▄▄     ▀▀██▄    release notes                             ▄██▀▀■   ▀████▄
  ▄████▀▀▀▄    ▐██▓                                            ▓██▌ ▐▌    ▐████
 ▐████▌      ▄▄▓▓█▓▌  FYA's 'wicked triangle' of Kizzi        ▐▓█▓▓▄ ▀█▄▄▄███▀
  ▀████▄▄▄▄███████▀   Bennett, Tenza Foster and Emma Nhamburo  ▀█████▄  ▀▀▀
    ▀▀███▀▄█████▀     have come a long way since they first      ▀█████▄
        ▄█████▀ ▀▄▄   belted out songs in Slough's youth       ▄▄▀ ▀█████▄
       ▐█████    ▐█▓  centres three years ago. On the eve of  ▓█▌    █████▌
       █████▌    ███▌ release of their unfailingly bouncy    ▐███    ▐█████
       ▀█████▄  ▓██▓  debut single, 'Must Be Love"- a         ▓██▓  ▄█████▀
         ▀▀███████▀   near-flawless dancehall declaration of   ▀█████████
             ▀▀██▄    intent as they up the ante for homegrown  ▄██▀▀███   ▀ ▄
   ▄▄▄▄▄       ▐██▓   reggae and pop music in general - FYA    ▓██▌ ████▄   ▄█▌
  ▀  ▀▀███▄   ▄▓▓█▓▌  might just be the coolest girl group in ▐▓█▓▓▄ ▀███████▀
       ▐███▌▄█████▀   Britain.                                 ▀█████▄  ▀▀▀
 ▄    ▄███▄█████▀                                                ▀█████▄
  ▀▀███▀██████▀ ▀▄▄   At a time when Sean Paul - the           ▄▄▀ ▀█████▄
       ▐█████    ▐█▓  acceptable face of dancehall - has      ▓█▌    █████▌
       █████▌    ███▌ taken over CD:UK and Top of The Pops,  ▐███    ▐█████
       ▀█████▄  ▓██▓  every R&B diva worth their salt has him ▓██▓  ▄█████▀
         ▀▀███████▀   toasting on their record (Blu Cantrel,   ▀███████▀▓▄▄▄
     ▄▄▄     ▀▀██▄    Beyonce Knowles) and rhythm compilations  ▄██▀▀■   ▀████▄
  ▄████▀▀▀▄    ▐██▓   are being advertised on prime time TV,   ▓██▌ ▐▌    ▐████
 ▐████▌      ▄▄▓▓█▓▌  FYA shouldn't be mistaken for a gimmick ▐▓█▓▓▄ ▀█▄▄▄███▀
  ▀████▄▄▄▄███████▀   band. They're reconfiguring the format   ▀█████▄  ▀▀▀
    ▀▀███▀▄█████▀     for pop music drawing on lessons learned   ▀█████▄
        ▄█████▀ ▀▄▄   from the time before dancehall was       ▄▄▀ ▀█████▄
       ▐█████    ▐█▓  fashionable and they struggled to make  ▓█▌    █████▌
       █████▌    ███▌ their mark, the highest grade riddims  ▐███    ▐█████
       ▀█████▄  ▓██▓  of J.A. which they've been down with    ▓██▓  ▄█████▀
         ▀▀███████▀   since they first started listening to    ▀█████████
             ▀▀██▄    music, and their markedly different       ▄██▀▀███   ▀ ▄
   ▄▄▄▄▄       ▐██▓   upbringings. Emma hails from Harare,     ▓██▌ ████▄   ▄█▌
  ▀  ▀▀███▄   ▄▓▓█▓▌  Zimbabwe. Tenza comes from Montego Bay, ▐▓█▓▓▄ ▀███████▀
       ▐███▌▄█████▀   Jamaica. While Kizzi reps for Slough.    ▀█████▄  ▀▀▀
 ▄    ▄███▄█████▀                                                ▀█████▄
  ▀▀███▀██████▀ ▀▄▄   "Slough is alright," opines Kizzi with a ▄▄▀ ▀█████▄
       ▐█████    ▐█▓  smile. "We all live there now, it's     ▓█▌    █████▌
       █████▌    ███▌ been a good town for us to keep our    ▐███    ▐█████
       ▀█████▄  ▓██▓  heads down and develop our music. You   ▓██▓  ▄█████▀
         ▀▀███████▀   know you can step out of the door and    ▀███████▀▓▄▄▄
     ▄▄▄     ▀▀██▄    there won't be any trouble. It's a small  ▄██▀▀■   ▀████▄
  ▄████▀▀▀▄    ▐██▓   town and everyone knows each other"      ▓██▌ ▐▌    ▐████
 ▐████▌      ▄▄▓▓█▓▌  While Slough's isn't exactly known as a ▐▓█▓▓▄ ▀█▄▄▄███▀
  ▀████▄▄▄▄███████▀   hit factory, FYA have crafted a          ▀█████▄  ▀▀▀
    ▀▀███▀▄█████▀     formidable album on the downlow there over ▀█████▄
        ▄█████▀ ▀▄▄   the past few years. As other British     ▄▄▀ ▀█████▄
       ▐█████    ▐█▓  labels will now throw large amounts of  ▓█▌    █████▌
       █████▌    ███▌ money at anything that moves in        ▐███    ▐█████
       ▀█████▄  ▓██▓  Jamaican dancehall, Kizzi, Emma and     ▓██▓  ▄█████▀
         ▀▀███████▀   Tenza have been creating the record that ▀█████████
             ▀▀██▄    is as British as Mike Skinner (The        ▄██▀▀███   ▀ ▄
   ▄▄▄▄▄       ▐██▓   Streets) or So Solid but will have the   ▓██▌ ████▄   ▄█▌
  ▀  ▀▀███▄   ▄▓▓█▓▌  resonance of Sean Paul.                 ▐▓█▓▓▄ ▀███████▀
       ▐███▌▄█████▀                                            ▀█████▄  ▀▀▀
 ▄    ▄███▄█████▀     "Sean Paul has opened doors," states       ▀█████▄
  ▀▀███▀██████▀ ▀▄▄   Tenza. "But really performance wise we'd ▄▄▀ ▀█████▄
       ▐█████    ▐█▓  much rather hear Elephant Man, Bounty   ▓█▌    █████▌
       █████▌    ███▌ Killer (who appears on the FYA album)  ▐███    ▐█████
       ▀█████▄  ▓██▓  or Lady Saw. They're energy levels are  ▓██▓  ▄█████▀
         ▀▀███████▀   closer to us." While most artists these  ▀███████▀▓▄▄▄
     ▄▄▄     ▀▀██▄    days just open their mouths and make      ▄██▀▀■   ▀████▄
  ▄████▀▀▀▄    ▐██▓   pretty sounds, FYA have a depth and      ▓██▌ ▐▌    ▐████
 ▐████▌      ▄▄▓▓█▓▌  control beyond their years. They may be ▐▓█▓▓▄ ▀█▄▄▄███▀
  ▀████▄▄▄▄███████▀   digging Jamaica's loudest mouths for     ▀█████▄  ▀▀▀
    ▀▀███▀▄█████▀     style on the microphone but the slackness  ▀█████▄
        ▄█████▀ ▀▄▄   and rude lyrics prevalent in most        ▄▄▀ ▀█████▄
       ▐█████    ▐█▓  dancehall aren't on their agenda.       ▓█▌    █████▌
       █████▌    ███▌ "(Elephant Man's) 'Log On' was a       ▐███    ▐█████
       ▀█████▄  ▓██▓  wicked song," Tenza continues. "        ▓██▓  ▄█████▀
         ▀▀███████▀   Everyone - black, white, Asian - would   ▀█████████
             ▀▀██▄    dance to it in the club, then when they   ▄██▀▀███   ▀ ▄
   ▄▄▄▄▄       ▐██▓   figured out what it was saying, everyone ▓██▌ ████▄   ▄█▌
  ▀  ▀▀███▄   ▄▓▓█▓▌  took a step back. Maybe when these      ▐▓█▓▓▄ ▀███████▀
       ▐███▌▄█████▀   artists travel more and experience other ▀█████▄  ▀▀▀
 ▄    ▄███▄█████▀     cultures more they will become more        ▀█████▄
  ▀▀███▀██████▀ ▀▄▄   accepting."                              ▄▄▀ ▀█████▄
       ▐█████    ▐█▓                                          ▓█▌    █████▌
       █████▌    ███▌ "We don't have time for rude chatting  ▐███    ▐█████
       ▀█████▄  ▓██▓  in our lyrics," adds Kizzi              ▓██▓  ▄█████▀
         ▀▀███████▀   demonstrating a maturity that most 16    ▀███████▀▓▄▄▄
     ▄▄▄     ▀▀██▄    year olds in her position would struggle  ▄██▀▀■   ▀████▄
  ▄████▀▀▀▄    ▐██▓   for. "FYA show that women can be just as ▓██▌ ▐▌    ▐████
 ▐████▌      ▄▄▓▓█▓▌  good as man, and we don't need to       ▐▓█▓▓▄ ▀█▄▄▄███▀
  ▀████▄▄▄▄███████▀   disrespect ourselves or anyone else.     ▀█████▄  ▀▀▀
    ▀▀███▀▄█████▀     We're strong people, we're a voice of      ▀█████▄
        ▄█████▀ ▀▄▄   reason reaching out for everyone. And we ▄▄▀ ▀█████▄
       ▐█████    ▐█▓  want to have a good time while we're    ▓█▌    █████▌
       █████▌    ███▌ doing it."                             ▐███    ▐█████
       ▀█████▄  ▓██▓                                          ▓██▓  ▄█████▀
         ▀▀███████▀   Spend five minutes chatting to them and  ▀█████████
             ▀▀██▄    its apparent FYA's bright mix of          ▄██▀▀███   ▀ ▄
   ▄▄▄▄▄       ▐██▓   personalities mark them out as something ▓██▌ ████▄   ▄█▌
  ▀  ▀▀███▄   ▄▓▓█▓▌  special in a dumbed down musical age,   ▐▓█▓▓▄ ▀███████▀
       ▐███▌▄█████▀   so much so that they were the subject of ▀█████▄  ▀▀▀
 ▄    ▄███▄█████▀     an intense bidding war before finally      ▀█████▄
  ▀▀███▀██████▀ ▀▄▄   signing to Def Jam UK. Tenza - The DJ    ▄▄▀ ▀█████▄
       ▐█████    ▐█▓  (that's the MC in dancehall) - is an    ▓█▌    █████▌
       █████▌    ███▌ excellent lyricist who likes to let on ▐███    ▐█████
       ▀█████▄  ▓██▓  about her ideas. Emma - the singer -    ▓██▓  ▄█████▀
         ▀▀███████▀   has a voice which can switch from steady ▀███████▀▓▄▄▄
     ▄▄▄     ▀▀██▄    simmer to crescendo with ease. Kizzi -    ▄██▀▀■   ▀████▄
  ▄████▀▀▀▄    ▐██▓   the singjay (a mix of Dj-ing and         ▓██▌ ▐▌    ▐████
 ▐████▌      ▄▄▓▓█▓▌  singing) - is the most talkative one    ▐▓█▓▓▄ ▀█▄▄▄███▀
  ▀████▄▄▄▄███████▀   and on the mic has a unique soulful      ▀█████▄  ▀▀▀
    ▀▀███▀▄█████▀     delivery. When they combine on album       ▀█████▄
        ▄█████▀ ▀▄▄   tracks like 'Girl Talk', 'Tic Toc' and   ▄▄▀ ▀█████▄
       ▐█████    ▐█▓  'What's Going On' the result is a       ▓█▌    █████▌
       █████▌    ███▌ perfect blend of dancehall pop with    ▐███    ▐█████
       ▀█████▄  ▓██▓  entertaining messages that sets it far  ▓██▓  ▄█████▀
         ▀▀███████▀   above the latest wave of conveyer belt   ▀█████████
             ▀▀██▄    pop idol clones that have flooded the     ▄██▀▀███   ▀ ▄
   ▄▄▄▄▄       ▐██▓   charts.                                  ▓██▌ ████▄   ▄█▌
  ▀  ▀▀███▄   ▄▓▓█▓▌                                          ▐▓█▓▓▄ ▀███████▀
       ▐███▌▄█████▀   "'What's Going On With That' is just our ▀█████▄  ▀▀▀
 ▄    ▄███▄█████▀     take on problems we see around," says      ▀█████▄
  ▀▀███▀██████▀ ▀▄▄   Emma. "Drugs and guns - when is it all   ▄▄▀ ▀█████▄
       ▐█████    ▐█▓  going to stop. 'Girl Talk' is just what ▓█▌    █████▌
       █████▌    ███▌ it says, gossiping, girls kicking it." ▐███    ▐█████
       ▀█████▄  ▓██▓  "Tic Toc is just about getting down in  ▓██▓  ▄█████▀
         ▀▀███████▀   the club," interjects Kizzi. "But we     ▀███████▀▓▄▄▄
     ▄▄▄     ▀▀██▄    didn't want to do the same lyrics as      ▄██▀▀■   ▀████▄
  ▄████▀▀▀▄    ▐██▓   everyone else so to make it different    ▓██▌ ▐▌    ▐████
 ▐████▌      ▄▄▓▓█▓▌  it's about the last hour in the dance,  ▐▓█▓▓▄ ▀█▄▄▄███▀
  ▀████▄▄▄▄███████▀   everyone tired, sitting down. We're like ▀█████▄  ▀▀▀
    ▀▀███▀▄█████▀     'Get up! It's the last half hour to bust   ▀█████▄
        ▄█████▀ ▀▄▄   your moves."                             ▄▄▀ ▀█████▄
       ▐█████    ▐█▓                                          ▓█▌    █████▌
       █████▌    ███▌ "We enjoy the process of constructing  ▐███    ▐█████
       ▀█████▄  ▓██▓  the songs almost as much as performing  ▓██▓  ▄█████▀
         ▀▀███████▀   them," explains Tenza. "One of us will   ▀█████████
             ▀▀██▄    come with a punchline then we all go away ▄██▀▀███   ▀ ▄
   ▄▄▄▄▄       ▐██▓   and come up with our parts, bring        ▓██▌ ████▄   ▄█▌
  ▀  ▀▀███▄   ▄▓▓█▓▌  something different to the song, bounce ▐▓█▓▓▄ ▀███████▀
       ▐███▌▄█████▀   ideas of each other. We usually start    ▀█████▄  ▀▀▀
 ▄    ▄███▄█████▀     the concepts without a riddim (in contrast ▀█████▄
  ▀▀███▀██████▀ ▀▄▄   to the traditional method in dancehall   ▄▄▀ ▀█████▄
       ▐█████    ▐█▓  of writing to a rhythm) but if we hear  ▓█▌    █████▌
       █████▌    ███▌ a riddim that's hot and pumping then   ▐███    ▐█████
       ▀█████▄  ▓██▓  that can sometimes inspire us to find a ▓██▓  ▄█████▀
         ▀▀███████▀   chorus or topic."                        ▀███████▀▓▄▄▄
     ▄▄▄     ▀▀██▄                                              ▄██▀▀■   ▀████▄
  ▄████▀▀▀▄    ▐██▓   FYA's distinctive voices and dynamic     ▓██▌ ▐▌    ▐████
 ▐████▌      ▄▄▓▓█▓▌  mean that all the tracks mentioned are  ▐▓█▓▓▄ ▀█▄▄▄███▀
  ▀████▄▄▄▄███████▀   pure Fya girls moments - engaging,       ▀█████▄  ▀▀▀
    ▀▀███▀▄█████▀     communal and funky - it's not a sound      ▀█████▄
        ▄█████▀ ▀▄▄   you'll get elsewhere at the moment and a ▄▄▀ ▀█████▄
       ▐█████    ▐█▓  testament to it's wide appeal is the    ▓█▌    █████▌
       █████▌    ███▌ fact that they're going down a storm   ▐███    ▐█████
       ▀█████▄  ▓██▓  all over the UK, from Slough to         ▓██▓  ▄█████▀
         ▀▀███████▀   Scotland. "Glasgow is the best place     ▀█████████
             ▀▀██▄    we've ever performed, for real," beams    ▄██▀▀███   ▀ ▄
   ▄▄▄▄▄       ▐██▓   Tenza. "The crowd was going mad, they    ▓██▌ ████▄   ▄█▌
  ▀  ▀▀███▄   ▄▓▓█▓▌  were wicked. Trying to follow our dance ▐▓█▓▓▄ ▀███████▀
       ▐███▌▄█████▀   routines, they may not have understood   ▀█████▄  ▀▀▀
 ▄    ▄███▄█████▀     everything we were saying but the energy   ▀█████▄
  ▀▀███▀██████▀ ▀▄▄   was electric. I think we were so         ▄▄▀ ▀█████▄
       ▐█████    ▐█▓  different to what they were used to     ▓█▌    █████▌
       █████▌    ███▌ that they really embraced it."         ▐███    ▐█████
       ▀█████▄  ▓██▓                                          ▓██▓  ▄█████▀
         ▀▀███████▀   "We love performing live and we take     ▀███████▀▓▄▄▄
     ▄▄▄     ▀▀██▄    really big inspiration from people like   ▄██▀▀■   ▀████▄
  ▄████▀▀▀▄    ▐██▓   Beyonce and Missy - they kill it         ▓██▌ ▐▌    ▐████
 ▐████▌      ▄▄▓▓█▓▌  everytime they step on stage and we     ▐▓█▓▓▄ ▀█▄▄▄███▀
  ▀████▄▄▄▄███████▀   want to be the same," Tenza concurs.     ▀█████▄  ▀▀▀
    ▀▀███▀▄█████▀     "It's more immediate than being in the     ▀█████▄
        ▄█████▀ ▀▄▄   studio. The crowds have been loving us   ▄▄▀ ▀█████▄
       ▐█████    ▐█▓  so badly that we sometimes forget our   ▓█▌    █████▌
       █████▌    ███▌ dance routines and just vibe with      ▐███    ▐█████
       ▀█████▄  ▓██▓  them."                                  ▓██▓  ▄█████▀
         ▀▀███████▀                                            ▀█████████
             ▀▀██▄    "We love all the aspects of live shows,   ▄██▀▀███   ▀ ▄
   ▄▄▄▄▄       ▐██▓   especially the dressing up," adds Kizzi. ▓██▌ ████▄   ▄█▌
  ▀  ▀▀███▄   ▄▓▓█▓▌  "We like to look different all the      ▐▓█▓▓▄ ▀███████▀
       ▐███▌▄█████▀   time, same colours but our own styles.   ▀█████▄  ▀▀▀
 ▄    ▄███▄█████▀     There's a lot of customisations of         ▀█████▄
  ▀▀███▀██████▀ ▀▄▄   clothing we do. We have to look          ▄▄▀ ▀█████▄
       ▐█████    ▐█▓  different all the time."                ▓█▌    █████▌
       █████▌    ███▌                                        ▐███    ▐█████
       ▀█████▄  ▓██▓  FYA's forthcoming album features an     ▓██▓  ▄█████▀
         ▀▀███████▀   impressive line up with guest            ▀███████▀▓▄▄▄
     ▄▄▄     ▀▀██▄    appearances from Jamaican dancehall       ▄██▀▀■   ▀████▄
  ▄████▀▀▀▄    ▐██▓   legend and Grammy award winner Bounty    ▓██▌ ▐▌    ▐████
 ▐████▌      ▄▄▓▓█▓▌  Killer and UK dancehall phenomenon Sun  ▐▓█▓▓▄ ▀█▄▄▄███▀
  ▀████▄▄▄▄███████▀   Cycle Crew. Producers include Skatta of  ▀█████▄  ▀▀▀
    ▀▀███▀▄█████▀     the Coolie Dance and Bad Company Rhythms,  ▀█████▄
        ▄█████▀ ▀▄▄   Jazzwad - Jamaican based producer of     ▄▄▀ ▀█████▄
       ▐█████    ▐█▓  Bounty Killer, Sizzla, Wayne Wonder and ▓█▌    █████▌
       █████▌    ███▌ JA 13 who wrote and produced the       ▐███    ▐█████
       ▀█████▄  ▓██▓  critically acclaimed "Heroes of         ▓██▓  ▄█████▀
         ▀▀███████▀   Kingston".                               ▀█████████
             ▀▀██▄                                              ▄██▀▀███   ▀ ▄
   ▄▄▄▄▄       ▐██▓   In their non-Fya life they're just like  ▓██▌ ████▄   ▄█▌
  ▀  ▀▀███▄   ▄▓▓█▓▌  any other teenage girls, but onstage or ▐▓█▓▓▄ ▀███████▀
       ▐███▌▄█████▀   in the studio the girls are set to       ▀█████▄  ▀▀▀
 ▄    ▄███▄█████▀     revitalise the pop charts. With so much    ▀█████▄
  ▀▀███▀██████▀ ▀▄▄   unremarkable music around at the moment, ▄▄▀ ▀█████▄
       ▐█████    ▐█▓  FYA are peddling something fresh and    ▓█▌    █████▌
       █████▌    ███▌ exciting. Listen up.                   ▐███    ▐█████
       ▀█████▄  ▓██▓                                          ▓██▓  ▄█████▀
         ▀▀███████▀                                            ▀███████▀▓▄▄▄
     ▄▄▄     ▀▀██▄                                              ▄██▀▀■   ▀████▄
  ▄████▀▀▀▄    ▐██▓                                            ▓██▌ ▐▌    ▐████
 ▐████▌      ▄▄▓▓█▓▌                                          ▐▓█▓▓▄ ▀█▄▄▄███▀
  ▀████▄▄▄▄███████▀                                            ▀█████▄  ▀▀▀
    ▀▀███▀▄█████▀                                                ▀█████▄
        ▄█████▀ ▀▄▄                                            ▄▄▀ ▀█████▄
       ▐█████    ▐█▓                                          ▓█▌    █████▌
       █████▌    ███▌                                        ▐███    ▐█████
       ▀█████▄  ▓██▓                                          ▓██▓  ▄█████▀
         ▀▀███████▀                                            ▀█████████
             ▀▀██▄                                              ▄██▀▀███   ▀ ▄
   ▄▄▄▄▄       ▐██▓                                            ▓██▌ ████▄   ▄█▌
  ▀  ▀▀███▄   ▄▓▓█▓▌                                          ▐▓█▓▓▄ ▀███████▀
       ▐███▌▄█████▀                                            ▀█████▄  ▀▀▀
 ▄    ▄███▄█████▀                                                ▀█████▄
  ▀▀███▀██████▀ ▀▄▄                                            ▄▄▀ ▀█████▄
       ▐█████    ▐█▓                                          ▓█▌    █████▌
       █████▌    ███▌                                        ▐███    ▐█████
       ▀█████▄  ▓██▓                                          ▓██▓  ▄█████▀
         ▀▀███████▀                                            ▀███████▀▀
          ▄█████▀                                                ▀█████▄
        ▄█████▀ ▀▄▄                                            ▄▄▀ ▀█████▄
       ▐█████    ▐█▓                                          ▓█▌    █████▌
       █████▌    ███▌                                        ▐███    ▐█████
       ▀█████▄ ▄▓██▓   ▄███▓▓▄▄                    ▄▄▓▓███▄   ▓██▓▄ ▄█████▀
         ▀▀███████▀ ▄▄██▀    ▀██▄                ▄██▀    ▀██▄▄ ▀███████▀▀
           ▄███▀█▄██▀▀       ▄██▀▄▄▄▄▄      ▄▄▄▄▄▀██▄       ▀▀██▄█▀███▄
        ▄████████▀▀▓▓▓▄▄▄█████▓██▀▀▀▀██▄ ▄▄██▀▀▀▀██▓█████▄▄▄▓▓▓▀▀████████▄
      ▄█████▀▄██▌      ▀▀▀▀▀███▄      ▀████▀      ▄███▀▀▀▀▀      ▐██▄▀█████▄
     ▄█████▌▐████▄      ▄▄▄███▀▀██▄▄▄███▀████▄▄▄██▀▀███▄▄▄      ▄████▌▐█████▄
     ██████▌ ▀█████▄▄▄█████▀      ███▀▀    ▀▀███      ▀█████▄▄▄█████▀ ▐██████
      ▀▀████▄▄ ▀▀███████▀▀    ▄▄█▀▀            ▀▀█▄▄    ▀▀███████▀▀ ▄▄████▀▀
           ▀▀███▄▄▄     ▄▄▄█▓▀▀                    ▀▀▓█▄▄▄     ▄▄▄███▀▀
               ███▌       ▐█▌     ▄▄█▀   █   ▀█▄▄     ▐█▌       ▐███
                ▀██▄     ▄█▀ ▄▄▄██▀▀    ███    ▀▀██▄▄▄ ▀█▄     ▄██▀
                  ▀▀██▄██████▀▀▀       ▓████       ▀▀▀██████▄██▀▀
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           ▀█▓▀▄▄▄▄▄                █████░██████
             ▀▓▓████████▄▄          ▐▓███░██████               ▄▄▄▄▄▀▓█▀
               ▀███████▀▀███▄▄       ▓██████████         ▄▄████████▓▓▀
                 ▀████████▄█▀▀██▄▄   ▀███▌▐███▓▌     ▄▄███▀▀███████▀
                   ▀███████████▀███▄  ▓██▌▐██▓▓  ▄▄██▀▀█▄████████▀
                     ▀██████████▄▄▀▀█▄ ▓██ █▓▓▌ ███▀███████████▀
                        ▀███████████▀██ ▓▓ ▓▓▄██▀▄▄██████████▀
                          ▀▀█████████▄█▌▐▓█▓▌█▓▓██████████▀
                ▄▄▄▄▄▄▄▄▄▄▄▄   ▀▀█████▄ ██▓▓█▄█████████▀▀
         ▄▄▄▄███████████████████▄▄▄▓▓▀▓▄████▄█████▀▀   ▄▄▄▄▄▄▄▄▄▄▄▄
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  ▀███▓▓▓████████▓▓▓████████▄▄▄▄▄▄▄▄▀█▀█▄▄██▀█▀▓▓▓▀▀▀▀▀▀▀▀▄▄▄▄▄▄▄▄▀▀▀█▀██████▄▄
      ▀▀▀▓▓▓███████▓▓▓▓███████▀▀▀ ▄▄▀▄██████▄▀█▄▄ ▀▀▀████████████████████▀▀▀
             ▀▀▀▀▀▀▀▀▀▀       ▄▄██▀███▀▀███▀█▄▀████▄▄       ▀▀▀▀▀▀▀▀
                            ▄████████   ███  ██▄▀█████▄
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Files

PathSize
01-fya-too_hot-rns.mp35,29 MB
02-fya-bring_it_on-rns.mp36,66 MB
03-fya-whats_going_on-rns.mp35,96 MB
04-fya-lift_up_yuh_hand-rns.mp36,11 MB
05-fya-must_be_love-rns.mp36,17 MB
06-fya-pay_attention-rns.mp35,33 MB
07-fya-10_out_of_10-rns.mp35,52 MB
08-fya-girl_talk-rns.mp35,07 MB
09-fya-shack_it_out-rns.mp36,95 MB
10-fya-miss_smith-rns.mp36,36 MB
11-fya-tic_toc-rns.mp35,18 MB
12-fya-body_and_face-rns.mp33,89 MB
13-fya-too_hot_(ft_ward_21)-rns.mp36,60 MB