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░█ ██ ██ ▒██ █ ▓█ ███░ ████░ Trixie Whitley - Fourth Courner
██ █▒ ██ ███ █ ██ ██ ░████▓ ─────────────────────────────────
█▓ █ ██ ██ █ ██ ██ ▓████▓ Supplier....: Team MND
▄▓██▓ ▒ ██ ███▓ ░█ █▒█▀ ██████ Ripper......: Team MND
▐█ ░▓░ ▒████ ▓█ ▓█ ▓██▒ ░█████ Quality.....: VBRkbps
▓█░ ▒▓██▒ █▓ ██░██ ░ ░░█████ Release Date: 02/11/2013
██▒▒░ ▓███████████▓▀ █████░ Source......: CDDA
██▓▓▓▒ ▓██████ █ ░ ▒██████▌ Genre.......: Indie
████████████████░ ░ ░█████████▀ Total Tracks: 15
█ ███ ░▒░██████████████████ Playtime....: 65:01 min
█ ░ ▓█ ░██████████████▓ CD Size.....: 101,10 MB
███▒▓█████▄▄▄▄█████████▒────────────────────────────────────────────────────┐
│░
│ TrackListings │░
│ ·───────────────· │░
│ 01 - Irene [04:03] │░
│ 02 - Never Enough [03:41] │░
│ 03 - Pieces [04:39] │░
│ 04 - Need Your Love [03:34] │░
│ 05 - Silent Rebel Pt. 2 [04:44] │░
│ 06 - Breathe You In My Dreams [04:20] │░
│ 07 - Gradual Return [03:42] │░
│ 08 - Hotel No Name [04:13] │░
│ 09 - Morelia [04:50] │░
│ 10 - Fourth Corner [04:38] │░
│ 11 - Oh, The Joy [04:10] │░
│ 12 - Like Ivy (Bonustrack) [04:02] │░
│ 13 - Strong Blood (Bonustrack) [05:05] │░
│ 14 - A Thousand Thieves (Bonustrack) [04:57] │░
│ 15 - I'd Rather Go Blind (Ft Daniel Lanois & Brian Blade) [04:23] │░
│ │░
└──────────────────────────────────────────────────────────────────────┘░
Release Info
·─────────────·
──────────────────────────────────────────────────────────────────────┐
│ Trixie Whitley, daughter of late guitarist Chris Whitley who has her │░
│ fatherÆs idiosyncratic way with a forlorn folk-blues number, should │░
│ be savoring the moment. After several EPs and an unreleased album │░
│ for Jive Records ù for whom she recorded as vocalist for Daniel │░
│ LanoisÆ side group Black Dub ù the smoky R&B stylist finally issued │░
│ her debut disc ôFourth Cornerö │░
│ │░
│ Fourth corner. Physically, itÆs where four states in the U.S. come │░
│ together at one singular point. │░
│ Symbolically, itÆs where the four great rivers in China come │░
│ together as one. Or, it could be the cycle of life during the four │░
│ seasons of the year. For Trixie Whitley, itÆs a metaphor for trying │░
│ to find balance and belonging from the songs that make up her │░
│ scintillating debut album, Fourth Corner. │░
│ │░
│ Whitley burst into public consciousness in 2011 as the lead singer │░
│ of Black Dub, super-producer Daniel LanoisÆ (U2, Bob Dylan) project, │░
│ blowing people away with a voice and presence beyond her now-25 │░
│ years. │░
│ │░
│ And itÆs that voice: an emotional, blues-drenched instrument that │░
│ ranges from a lilting slap to a knock-you-backwards uppercut. On │░
│ Fourth Corner, Whitley explores the range of human emotion in │░
│ another set of four: utter love, total rage, unadulterated │░
│ happiness, and crippling loneliness. ôItÆs those elements of life I │░
│ keep coming back to,ö she says. ôBoth as a person and musically as │░
│ well.ö │░
│ │░
│ Recorded in New York with producer/keyboardist Thomas Bartlett (aka │░
│ Doveman, whoÆs also worked with Glen Hansard, Antony and the │░
│ Johnsons, Grizzly Bear and the National) engineer Pat Dillett (David │░
│ Byrne, St. Vincent, Mary J. Blige), and string arrangements by Rob │░
│ Moose (Antony, Bon Iver), aching songs like ôNeed Your Loveö have │░
│ Whitley working from a spare beginning that explodes into a blossom │░
│ dripping with pleading vocals and delicate piano. On tracks like the │░
│ sassy ôIreneö and the sinister ôHotel No Name,ö Whitley lays down a │░
│ snarling guitar line on top of scuzzy beats while her voice veers │░
│ from defiant to remorseful. │░
│ │░
│ ItÆs a tantalizing mix of sounds that can come only from someone who │░
│ says: ôIÆm from everywhere but have never felt like I belong.ö │░
│ Whitley lived a nomadic life: born in Belgium, she split her time │░
│ growing up there and in New York but also frequently visiting family │░
│ in France, Texas, and Mexico. Her mother came from an artistic │░
│ European gypsy family, filled with musicians, painters, writers, and │░
│ sculptures, while her father, renowned singer-songwriter Chris │░
│ Whitley, thrust her into the world of music as a toddler when she │░
│ joined him onstage in Germany at age three. │░
│ │░
│ After her parents divorced, she returned to her motherÆs native │░
│ Belgium and became engrossed in the arts: she played drums, acted │░
│ and sang with several theater companies, and toured Europe with the │░
│ renowned dance company Les Ballets C de la B and choreographer Sidi │░
│ Larbi Cherkaoui. At the same time, she became the youngest resident │░
│ DJ at the Belgium Museum of Modern Art at age 11, spinning the likes │░
│ of Aphex Twin and Squarepusher to old school Hip Hop, African music │░
│ to avant garde composer John Zorn. ôAt first the Museum thought it │░
│ was kind of a joke: æCome see our 11-year-old DJ,Æö she laughs. ôBut │░
│ then people kept coming. I couldnÆt beat mix at all and I had to │░
│ stand on three beer crates to even see the turntables!ö │░
│ │░
│ Though Whitley explores the gamut of human emotion in her music, │░
│ thereÆs a sense of fearlessness in her that is unwavering. She │░
│ dropped out of school at 17 and moved back to New York and started │░
│ slinging burgers at a local dive. Meanwhile, she ground out her own │░
│ material in the city. She learned piano, guitar and soon started │░
│ playing solo shows, a preface to recording her first EP Strong │░
│ Blood. │░
│ │░
│ With that EP in hand, she and her mother went to a music festival in │░
│ Belgium where Daniel Lanois was playing a gig with drummer Brian │░
│ Blade, best known for his work with Joni Mitchell and Wayne Shorter. │░
│ At her motherÆs behest, she thrust a copy of Strong Blood into │░
│ LanoisÆ hand and returned to New York, thinking nothing would ever │░
│ come of it. │░
│ │░
│ ôI went back to that shitty restaurant and it got to the point where │░
│ I was going to ditch music and go back to school and get my GED,ö │░
│ says Whitley. ôBut when I got home that day, Daniel called. I │░
│ screamed.ö Lanois invited her to Boston to record. He was so blown │░
│ away that he asked her to front Black Dub, working with Blade and │░
│ bassist Daryl Johnson. The bandÆs self-titled album was released in │░
│ October of 2010 and the group toured well into 2011, with WhitleyÆs │░
│ voice propelling the groupÆs unique groove to ultimate peaks. │░
│ │░
│ With the Black Dub shows, countless solo gigs in New York and │░
│ Europe, and buzz-building performances at festivals like Bonnaroo, │░
│ SXSW, and Celebrate Brooklyn, Whitley has become one of the most │░
│ talked about new artists of 2012. In November/December 2012, she │░
│ embarked on her first solo U.S. tour, and currently continues to │░
│ tour Europe and the US in anticipation of Fourth CornerÆs 2013 │░
│ release. │░
│ │░
│ ôIÆm psyched and petrified,ö says Whitley in her archetypal wide- │░
│ eyed wonderment mixed with a fierce determination. ôAs a songwriter, │░
│ I want to go to places people donÆt expect and with that is complete │░
│ freedom of expression.ö Perhaps that place is another version of a │░
│ fourth corner: something spiritual perhaps, certainly emotional, but │░
│ most definitely real. │░
│ │░
│ Enjoy this Great MnD Release ! │░
└──────────────────────────────────────────────────────────────────────┘░
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