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Frank_De_Wulf-The_B-Sides_Remixed-CDM-FLAC-1991-DeVOiD
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___________________/ Release Info \
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:
Artist...: Frank De Wulf
Album....: The B-Sides Remixed
Type.....: Normal
Genre....: Electronic
Label....: Music Man Records
Language.: English
Year.....: 1991 Source...: CD Maxi
R.Date...: 06-16-2013 Grabber..: EAC Secure
S.Date...: 00-00-1991 Encoder..: FLAC 1.2.1 Lossless
Quality..: 863 kbps Avg 44.1kHz 2 channels
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/ Track List .
+-----------
01 The Tape (Remix) 4:54
02 Magic Orchestra (Remix) 3:46
03 Compression (Remix) 4:17
04 Butterfly (Bonus Track) 4:15
Total Size.: 4 Files/111.7MB/17:12 min
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| Release Notes \
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One of the pioneers of the belgian new beat and techno scene. De Wulf
started in music around 1986 as a DJ/programmer for several local pirate
radio stations in the area of Gent. He was mainly interested in music with
a strong rhythmical content: new wave funk, electro, European and American
experimental post-punk. Not just contenting himself with lining up tracks
and commenting on them as radio makers in those days did, he made his own
mixes and created a particular live atmosphere during his programmes.
From radio it was just a small step to DJ'ing in clubs, and by doing that
Frank became intrigued by the process of making music. Captured by the
early spirit of the new beat movement, his desire to gain more creative
possibilities made him swap his turntables for a synthesizer and a sampler,
and in this modest home studio environment he started to compose his own
material and to remix existing tracks.
First public proof of his talents as a musician and a producer was the
12-inch "Acid Rock", which instantly became an underground hit and over the
years developed into one of the classics of the first European Dance wave.
But De Wulf's big breakthrough came with The B-Sides (2) series (on Music
Man Records), a stylish cocktail of beats and pieces, peculiar atmospherics
and citations from international Dance highlights. All four volumes charted
in several European countries and reigned over dancefloors on the continent
as well as in the States. The B-Sides vested De Wulf's name as key figure
in the neo-beat wave, and in no time he found himself travelling throughout
the global Dance village to DJ, to remix for artists as diverse as Erasure,
N-Joi, Jam & Spoon, Orb, The and Shamen, The and to promote his own
material.
He later released an impressive body of work on his own labels H.P.F.,
Tribal Sun, Mikki House, Two Thumbs and Growth, compiled the CD "Missing
Links" (a collection of his favourite tracks by other artists mixed with
his own) and did production work for others. As an artist he continued to
grow, incorporating Trance and ambient elements in his avant-Dance music.
He left the music scene at the end of the nineties and explores now the
world of multimedia. He has his own multimedia company called "GRID".
: URL: http://tinyurl.com/l6zt7wf
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