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Cappella-U_Got_2_Let_The_Music-CDM-FLAC-1993-DeVOiD
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___________________/ Release Info \
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:
Artist...: Cappella
Album....: U Got 2 Let The Music
Type.....: Normal
Genre....: Electronic
Label....: Axis Records
Language.: English
Year.....: 1993 Source...: CD Maxi
R.Date...: 06-16-2013 Grabber..: EAC Secure
S.Date...: 00-00-1993 Encoder..: FLAC 1.2.1 Lossless
Quality..: 902 kbps Avg 44.1kHz 2 channels
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/ Track List .
+-----------
01 U Got 2 Let The Music (DJ Pierre Edit) 3:10
02 U Got 2 Let The Music (Brescia Edit) 3:42
03 U Got 2 Let The Music (Pagany KM 1972 Mix) 5:27
04 U Got 2 Let The Music (Plus Staples Mix) 5:17
05 U Got 2 Let The Music (DJ Professor Trans X 11:40
Cut)
06 U Got 2 Let The Music (DJ Pierre Mix) 5:35
07 U Got 2 Let The Music (Mars Plastic Mix) 5:46
Total Size.: 7 Files/272.0MB/40:37 min
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| Release Notes \
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An Italo-house production team employing up to ten different studios, at
least a trio of producers for every production and scores of session
workers, Cappella is mostly the creation of producer Gianfranco Bortolotti.
Undoubtedly influenced by Motown's assembly-line aesthetic (as well as the
1980's British dance team of Stock, Aitken & Waterman), Bortolotti
coordinated the work of longtime producers team of DJ Professor, Mauro
Picotto AKA R.A.F. and Pierre Feroldi AKA DJ Pierre (not the Chicago
producer) to create dozens of European club/chart hits under the aliases
Cappella, 49ers, Fargetta, R.A.F., Club House and East Side Beat. For good
or ill, Bortolotti's productions were most responsible for the Italian
house phenomenon of the late 1980's and early 1990's, based on an
often-maligned push-button production blueprint which includes only the
cheesiest melodies, samples, piano lines and diva vocals. Each single
produced by Bortolotti's Media Productions underwent rigorous testing and
remixing for maximum airplay in each country it was released, with only
Bortolotti holding the final word on the final product. Inspired by the
productions of Italo-disco DJ Pierre Feroldi, Bortolotti began mixing
around Italy while at school in the late 1970's. The Cappella Project had
already debuted as a production team by the end of the decade, though
Bortolotti did little more than mix in the music industry until the
mid-'80s. In 1987, he produced Cappella's "Bauhaus (Push The Beat)", a club
hit throughout Europe and the UK. The following year brought the
contintent-wide Top 10 hit "Heylom Halib", which presaged a wave of
similar-sounding Italian house tracks during 1989-90. Bortolotti recorded a
Cappella album (the cash-in heavy "Heylom Halib"), and scored again with
the singles "Be Master In One's Own House" and "House Of Energy Revenge".
To his credit, he did recruit seminal diva Loleatta Holloway for the single
"Take Me Away", less successful than the chart-entries but much better.
Throughout the 1990's, Cappella was one of the most thoroughly unartistic
Eurodance acts - and for the most part, proud of it. After several
additional 1992-93 hits (Including "U Got 2 Know", based around a sample
from Ralphi Rosario's seminal "You Used To Hold Me" featuring the vocals of
Xaviera Gold), Bortolotti decided to make an act of Cappella with the
addition of two Brits: Rod Bishop (formerly with Positive Gang) and Kelly
Overett (a vocalist who had worked with SL2). The singles "U Got 2 Let The
Music" and "Move On Baby" became Cappella's biggest hits, hitting number
one in several countries during 1994. The album "U Got 2 Know" did
appreciably well, though Overett left by 1995 (to be replaced by Alison
Jordan). Soon however, Cappella appeared to be running on steam. The
1995-96 singles like "Tell Me The Way" and "I Need Your Love" barely made
the European charts, and their 1996 album "War In Heaven" fared poorly
(though it was released in America).
: URL: http://tinyurl.com/mgvt3rw
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:
: Looking for:
+ PRIVATE .eu site for exclusive group usage
+ PRIVATE .eu affil sites (100mbit+)
+ PRIVATE archive sites (any section)
+ Anything useful you could think of.
: CONTACT: Your mom knows. And your sister. .......
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