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▓█▀▄▄ Artist : David Bowie ▄▄▀█▓
▐▓▌▐█▌ Album : Heathen ▐█▌▓▌
▐▀▄██ Label : Columbia ██▄▀▌
▄███▌ Genre : Pop ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2002-06-11 ██▀▄▌
▐▓▌▐█▌ Quality : 966 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.2.1 ▀▀▄█▓
▓███ Size : 372.96 MB ███▓
▀ ▀█▌ Time : 51:36 min ▐█▀ ▀
▓▄███ Url : http://www.davidbowie.com ███▄▓
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▄██▀ ▀██▄
██▌ 1. Sunday 4:45 ▐██
██▌ 2. Cactus 2:54 ▐██
██▌ 3. Slip Away 6:04 ▐██
██▌ 4. Slow Burn 4:41 ▐██
██▌ 5. Afraid 3:28 ▐██
██▌ 6. I've Been Waiting for You 3:00 ▐██
██▌ 7. I Would Be Your Slave 5:13 ▐██
██▌ 8. I Took a Trip on a Gemini Spaceship 4:06 ▐██
██▌ 9. 5:15 The Angels Have Gone 5:01 ▐██
██▌ 10. Everyone Says "Hi" 3:57 ▐██
██▌ 11. A Better Future 4:11 ▐██
██▌ 12. Heathen (The Rays) 4:16 ▐██
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████ Heathen marks a new beginning for David Bowie in some ways -- ████
████ it's his first record since leaving Virgin, his first for ████
████ Columbia Records, his first for his new label, ISO -- yet it's ████
████ hardly a new musical direction. Like Hours, this finds Bowie ████
████ sifting through the sounds of his past, completely at ease with ████
████ his legacy, crafting a colorful, satisfying album that feels like ████
████ a classic Bowie album. That's not to say that Heathen recalls any ████
████ particular album or any era in specific, yet there's a deliberate ████
████ attempt to recapture the atmosphere, the tone of his '70s work -- ████
████ there's a reason that Bowie decided to reteam with Tony Visconti, ████
████ the co-producer of some of his best records, for this album -- ████
████ even if direct comparisons are hard to come by. Which is exactly ████
████ what's so impressive about this album. Bowie and Visconti never ████
████ shy away from electronic instrumentations or modern production -- ████
████ if anything, they embrace it -- but it's woven into Bowie's sound ████
████ subtly, never drawing attention to the drum loops, guitar synths, ████
████ and washes of electronica. For that matter, guest spots by Dave ████
████ Grohl and Pete Townshend (both on guitar) don't stand out either; ████
████ they're merely added texture to this an album that's intricately ████
████ layered, but always plays smoothly and alluringly. And, make no ████
████ mistake, this is an alluring, welcoming, friendly album -- there ████
████ are some moody moments, but Bowie takes Neil Young's eerie "I've ████
████ Been Waiting for You" and Pixies' elusively brutal, creepy ████
████ "Cactus" and turns them sweet, which isn't necessarily a bad ████
████ thing, either. In the end, that's the key to Heathen -- the ████
████ undercurrent of happiness, not in the lyrics, but in the making ████
████ of music, a realization by Bowie and Visconti alike that they are ████
████ perfect collaborators. Unlike their previous albums together, ████
████ this doesn't boldly break new ground, but that's because, 22 ████
████ years after their last collaboration, Scary Monsters, both Bowie ████
████ and Visconti don't need to try as hard, so they just focus on the ████
████ craft. The result is an understated, utterly satisfying record, ████
████ his best since Scary Monsters, simply because he'd never sounded ████
████ as assured and consistent since. ████
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