Jim_James-Regions_Of_Light_And_Sound_Of_God-CD-FLAC-2013-wWs

Section
MP3/FLAC
Group
wWs
Size
0 B
Files
0
Date
2013-07-15

NFO

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 ▄███▓▀▀                                                         ▀     ▓██▄
 ███▌    Artist .......:  Jim James                                     ▀▓███▄▄
 ███     Title ........:  Regions Of Light And Sound Of God                ▀██▌
 ███     Genre ........:  Indie                                            ▐██
 ███     Label ........:  ATD Records                                      ▓██
 ███     Language .....:  English                                          ███
 ███     Release Date .:  07-12-2013                                       ███
 ███     Quality ......:  806kbps 44100kHz 2 channels                      ███
 ███     Source .......:  CDDA                                             ███
 ███     Tracks .......:  9                                                ███
 ███     Size .........:  234.78 megs                                      ███
 ███     Discs ........:  1                                                ███
 ███     Encoder ......:  FLAC 1.2.1                                       ███
 ███                                                                       ███
 ███     Url: http://jimjames.com/                                         ███
 ▓██▌                                                                     ▐██▓
  ▓██                                                                     ██▓
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    ▄█▓▀ ░    ▀░ ▓▀▄▄▀▀▄    T R A C K L I S T I N G    ▄▀▀▄▄▀▓ ░▀    ░ ▀▓█▄
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 ▓██                                                                       ██▓
 ███      Track  Title                                          Time       ███
 ███       1.    State Of The Art (A.E.I.O.U)                  [ 5:17]     ███
 ███       2.    Know Til Now                                  [ 6:26]     ███
 ███       3.    Dear One                                      [ 3:10]     ███
 ███       4.    A New Life                                    [ 4:28]     ███
 ███       5.    Exploding                                     [ 2:00]     ███
 ███       6.    Of The Mother Again                           [ 3:53]     ███
 ███       7.    Actress                                       [ 4:38]     ███
 ███       8.    All Is Forgiven                               [ 4:56]     ███
 ███       9.    God's Love To Deliver                         [ 3:36]     ███
 ███                                                                       ███
 ███                                                          -------      ███
 ███                                                         00:38:24      ███
 ▓██▌                                                                     ▐██▓
  ▓██                                                                     ██▓
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    ▄█▓▀ ░    ▀░ ▓▀▄▄▀▀▄   R E L E A S E   N O T E S   ▄▀▀▄▄▀▓ ░▀    ░ ▀▓█▄
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 ███                                                                       ██▓
 ███     A&CMX066                                                          ███
 ███                                                                       ███
 ███     https://twitter.com/jimjames                                      ███
 ███     https://www.facebook.com/jimjamesmusic                            ███
 ███     https://www.youtube.com/user/jimjamesmusic                        ███
 ███                                                                       ███
 ███     For a guy defined by his band's take on "roots" music, Jim        ███
 ███     James' head has always been in the clouds. For the first few My   ███
 ███     Morning Jacket albums, he often recorded his vocals in an         ███
 ███     abandoned Kentucky grain silo, one of the few places that could   ███
 ███     give him the otherworldly reverb he desired. On any number of     ███
 ███     great My Morning Jacket songs-- "Gideon", "The Way That He        ███
 ███     Sings", "Circuital", "Golden"-- there's that moment when James    ███
 ███     cuts loose the sandbags and lets his voice pull the songs         ███
 ███     heavenward. It's a move drawn from gospel, but although his       ███
 ███     awareness of mortality is a matter of public record, James has    ███
 ███     never really affiliated himself with a particular religious       ███
 ███     ideology. He's a seeker with a strong moral compass, cobbling     ███
 ███     together beliefs from wherever, and relying on his music to help  ███
 ███     him transcend the earthly realm.                                  ███
 ███     If My Morning Jacket's albums have mostly come together like a    ███
 ███     revival meeting-- a group playing live, working together to       ███
 ███     create something larger than its members-- James' first solo      ███
 ███     album, Regions of Light and Sound of God, emerges from something  ███
 ███     closer to meditation. James holed himself away in his Louisville  ███
 ███     home studio, writing and piecing together songs, playing most of  ███
 ███     the parts himself. It's process-based music, and he admits it in  ███
 ███     the album's first seconds. On "State of the Art (A.E.I.O.U.)",    ███
 ███     James breaks his creative process down to its primordial          ███
 ███     elements-- vowels, nursery rhymes-- like he's leading a workshop  ███
 ███     on discovering one's inner poet. Like everything he does, it's    ███
 ███     deeply self-conscious, wholly earnest, and just a slight bit      ███
 ███     goofy. And like so many artists chin-deep in Pro Tools, James     ███
 ███     distances himself from the claim that he's using production       ███
 ███     devices (computer software or metal silo walls) as creative       ███
 ███     crutches. As "A.E.I.O.U." slithers to life with a sinuous piano   ███
 ███     figure, James relates his manifesto: "I use my state of the art   ███
 ███     technology/ Now don't you forget it: it ain't usin' me."          ███
 ███     Mastery over technology is a fitting metaphor for Regions' core   ███
 ███     theme: exceeding limitations in the interest of personal          ███
 ███     reinvention. Where in title and subject matter, Circuital marked  ███
 ███     a return to form for My Morning Jacket, Regions sees James        ███
 ███     pushing outward in all directions, stylistically and              ███
 ███     emotionally. At one extreme, there's the shimmering, nearly New   ███
 ███     Age "Of the Mother Again", suggesting the inevitability of        ███
 ███     change and the joy of falling in sync with nature's cycles. At    ███
 ███     the other end, there's "Dear One", with a retrofuturistic rhythm  ███
 ███     bed that sounds like Stereolab, and a title suggesting both a     ███
 ███     romantic ode and space exploration vehicle, on which James sees   ███
 ███     a relationship as a galactic journey: "You always pushed the      ███
 ███     boundaries of my soul/ With life and love we've finally gained    ███
 ███     control."                                                         ███
 ███     Though his hippy undertones might suggest otherwise, Regions is   ███
 ███     about asserting control. Even on "Mother", the dewiest track,     ███
 ███     James follows one lyric about nothing staying the same for long   ███
 ███     with another-- "close your eyes and its gone"-- that draws the    ███
 ███     song to a dramatic pause, before bringing it back with a funky    ███
 ███     rhythm section in tow. It's a theatrical moment on an album full  ███
 ███     of them-- Regions opens by channeling Traffic's 1971 glam-fusion  ███
 ███     epic "The Low Spark of High-Heeled Boys", and throughout, James   ███
 ███     is as comfortable as ever in his Mr. Fantasy guise. Even in My    ███
 ███     Morning Jacket's earliest moments, he's styled himself a          ███
 ███     ringleader capable of sonic wizardry, a strummy Southerner cut    ███
 ███     from the showy mold of Elton John or Wayne Coyne.                 ███
 ███     On "A New Life", he turns a simple folk song into a showtune, in  ███
 ███     a way that nods toward Bowie's Hunky Dory. As the song plays      ███
 ███     out, James adds bits of musical scenery, as if stagehands keep    ███
 ███     rolling new canvas backdrops behind him. By the end, "Life"       ███
 ███     blossoms into musical theater, balancing sweetness and schmaltz   ███
 ███     in a way that only James can. He can't make an album without      ███
 ███     cheese, this much is obvious-- the less said about the            ███
 ███     well-intentioned Martin Luther King ode "God's Love", the         ███
 ███     better-- but as "A New Life" shows, when he's able to rein it     ███
 ███     in, the results are engrossing. (And when he can't help but       ███
 ███     crack up the second time he sings "I think I'm really being       ███
 ███     sincere," you know he's in on his own joke.)                      ███
 ███     Regions' best moments come when James' sense of wonder and fear   ███
 ███     are most palpable. On "Know 'Til Now", he channels a              ███
 ███     face-to-face-with-the-sublime feeling that leaves him wordless,   ███
 ███     though far from exultant. Sounding like a VHS recording of an     ███
 ███     old 16mm reel of a clipped sample of a long-unheard soul revue,   ███
 ███     "Know" took more than a few James fans aback as the album's       ███
 ███     first single. Yet as "Wordless Chorus" showed, he's uniquely      ███
 ███     capable of letting the spirit move him past the limits of         ███
 ███     language, and the lyrics to "Know" offer a glimpse into what      ███
 ███     feels like an inner monologue-- "How could I have known/ How      ███
 ███     sweet it could be!"-- before he steps aside and lets the music    ███
 ███     take over. Instead of the beatific skyward glance we might        ███
 ███     expect, however, the song's sultry, Lynchian coda aims backward   ███
 ███     to My Morning Jacket's own genesis, painting from the same color  ███
 ███     palette as the doo-wop influenced "They Ran" from the band's      ███
 ███     1999 debut. On "Know"'s companion piece, "All is Forgiven",       ███
 ███     however, James finally lets his voice, spirit, fears, and hopes   ███
 ███     loose. As he wails, he's complemented not by a children's chorus  ███
 ███     or a pipe organ, but by a sweltering saxophone and mid-tempo      ███
 ███     rhythm section. It's a surreal effect: a sidelong glance at the   ███
 ███     expectations for such a song.                                     ███
 ███     Isolation can often lead to indulgence, but not here. In less     ███
 ███     confident hands (including those of a younger Jim James),         ███
 ███     creative solitude could easily result in an unwieldly conceptual  ███
 ███     opus. Blessedly, Regions is the opposite: a svelte, sweet         ███
 ███     collection clocking in at under 40 minutes-- the shortest album   ███
 ███     of his career. While addressing the same themes he's been         ███
 ███     tweaking for more than a decade now, James adds a new trick to    ███
 ███     his ever-expanding repertoire: transforming the boundless         ███
 ███     possibilities of solo creativity into a cohesive one-man show.    ███
 ███                                                                       ███
 ███     By Eric Harvey [http://pitchfork.com/]                            ███
 ███                                                                       ███
 ███     Regions of Light and Sound of God es el primer disco en           ███
 ███     solitario de Jim James, lφder, cantante y compositor de la banda  ███
 ███     estadounidense My Morning Jacket, quien por mßs de quince a±os    ███
 ███     ha sido el foco principal de una de las bandas mßs aclamadas y    ███
 ███     exitosas del rock. Ahora con su disco solista, James alcanza un   ███
 ███     nuevo territorio sin dejar atrßs los logros conseguidos con My    ███
 ███     Morning Jacket. En el disco, James toca todos los instrumentos.   ███
 ███     Las nueve canciones que forman wparte del ßlbum recorren desde    ███
 ███     m·sica instrumental y psicodelia dulce hasta pop optimista y      ███
 ███     densas guitarras. Regions of Light and Sound of God fue escrito   ███
 ███     y producido por Jim James, en Louisville, Kentucky. La m·sica     ███
 ███     del disco estß inspirada en la vida y en la novela grßfica        ███
 ███     ôGodÆs Manö de Lund Ward publicada en 1929.                       ███
 ███     Enjoy =>                                                          ███
 ███                                                                       ███
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 ▓▄███████████▓▀▀▀▀▀▀▀▀▀▀▀                               ▀▀   ▒   ▀▀ korma[67]
 ▓█▓▀▀▀▀                                                      ▓
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