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▓█▀▄▄ Artist : Roger Knox And The Pine Valley Cosmonauts ▄▄▀█▓
▐▓▌▐█▌ Album : Stranger In My Land ▐█▌▓▌
▐▀▄██ Label : Bloodshot Records ██▄▀▌
▄███▌ Genre : Country ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2013-02-12 ██▀▄▌
▐▓▌▐█▌ Quality : 895 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.2.1 ▀▀▄█▓
▓███ Size : 274.90 MB ███▓
▀ ▀█▌ Time : 40:41 min ▐█▀ ▀
▓▄███ Url : http://www.amazon.com/Stranger-Land-Roger-Valley- ███▄▓
▐▓████▌ Cosmonauts/dp/B00AMB7VAY/ ▐████▓▌
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▄██▀ ▀██▄
██▌ 1. The Land Where The Crow Flies Backwards 3:32 ▐██
██▌ 2. Stranger In My Country 3:57 ▐██
██▌ 3. Blue Gums Calling Me Back Home 2:49 ▐██
██▌ 4. Took The Children Away 4:29 ▐██
██▌ 5. Arafura Pearl 3:32 ▐██
██▌ 6. Brisbane Blacks 3:22 ▐██
██▌ 7. Wayward Dreams 3:07 ▐██
██▌ 8. Scobie's Dream 2:06 ▐██
██▌ 9. Ticket To Nowhere 3:16 ▐██
██▌ 10. Warrior In Chains 5:01 ▐██
██▌ 11. Streets Of Tamworth 2:38 ▐██
██▌ 12. Home In The Valley 2:52 ▐██
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████ Australia has long had its own country music tradition, and while ████
████ it certainly drew from and sounds (on the surface, at least) like ████
████ American country music, with the same instrumentation and many of ████
████ the same themes, it is its own thing, the country pop approach of ████
████ Keith Urban aside. The Johnny Cash of Australian country would ████
████ have to be Roger Knox, born a Gamilaroi man, raised in the ████
████ Toomelah Aboriginal Mission near Boggabilla, and known in ████
████ Australia and New Zealand as the Black Elvis and the Koori King ████
████ of Country. This set for Bloodshot Records, which pairs Knox with ████
████ Chicago's Pine Valley Cosmonauts, finds Knox honoring the many ████
████ fine Aboriginal country songwriters of his homeland, and the ████
████ irony might well be that while the country music scene in America ████
████ is just about the whitest around, in Australia it just might be ████
████ the blackest. The themes and the aims are the same, though, and ████
████ this record is unmistakably traditional country no matter how one ████
████ chooses to define the genre, with the song and the narrative it ████
████ tells always at the center of things. Among the many highlights ████
████ on this quietly stirring album are Knox's versions of Dougie ████
████ Young's "The Land Where the Crow Flies Backwards," Harry ████
████ Williams' "Blue Gums Calling Me Home" (which almost sounds like ████
████ it could have been on the Byrds' groundbreaking Sweetheart of the ████
████ Rodeo album), and Joan Fairbridge's classic train song "Ticket to ████
████ Nowhere," although each of the dozen tracks here has a somber and ████
████ emotional grace. The Cosmonauts accompany Knox with a sparse ████
████ precision that lets each song remain at center stage, which is ████
████ what traditional country has always been about, no matter what ████
████ continent it's coming from. Both a revelation and a fine album in ████
████ a style that seems timeless, Stranger in My Land should, in a ████
████ fair and equitable world, bring Knox an appreciative audience in ████
████ America, and it may well illustrate how much American country ████
████ music has lost and left behind in its brazen pursuit of the pop ████
████ charts. ████
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