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▀█████▓▌ MTD Proudly Presents ▐▓█████▀
[Info]
Artist : Roger Knox And The Pine Valley Cosmonauts
Album : Stranger In My Land
Label : Bloodshot Records
Genre : Country
Street Date : 2013-02-17
Quality : 247 kbps / 44.1kHz / Joint Stereo
Encoder : Lame 3.98.4 -V0
Size : 75.89 MB
Time : 40:42 min
Url : http://www.amazon.com/Stranger-Land-Roger-Valley-Cosmonauts/d
p/B00AMB7VAY/
[Tracks]
1. The Land Where The Crow Flies Backwards 3:32
2. Stranger In My Country 3:57
3. Blue Gums Calling Me Back Home 2:49
4. Took The Children Away 4:29
5. Arafura Pearl 3:32
6. Brisbane Blacks 3:22
7. Wayward Dreams 3:08
8. Scobie's Dream 2:06
9. Ticket To Nowhere 3:16
10. Warrior In Chains 5:01
11. Streets Of Tamworth 2:38
12. Home In The Valley 2:52
[Notes]
Australia has long had its own country music tradition, and while it
certainly drew from and sounds (on the surface, at least) like American
country music, with the same instrumentation and many of the same themes, it
is its own thing, the country pop approach of Keith Urban aside. The Johnny
Cash of Australian country would have to be Roger Knox, born a Gamilaroi
man, raised in the Toomelah Aboriginal Mission near Boggabilla, and known in
Australia and New Zealand as the Black Elvis and the Koori King of Country.
This set for Bloodshot Records, which pairs Knox with Chicago's Pine Valley
Cosmonauts, finds Knox honoring the many fine Aboriginal country songwriters
of his homeland, and the irony might well be that while the country music
scene in America is just about the whitest around, in Australia it just
might be the blackest. The themes and the aims are the same, though, and
this record is unmistakably traditional country no matter how one chooses to
define the genre, with the song and the narrative it tells always at the
center of things. Among the many highlights on this quietly stirring album
are Knox's versions of Dougie Young's "The Land Where the Crow Flies
Backwards," Harry Williams' "Blue Gums Calling Me Home" (which almost sounds
like it could have been on the Byrds' groundbreaking Sweetheart of the Rodeo
album), and Joan Fairbridge's classic train song "Ticket to Nowhere,"
although each of the dozen tracks here has a somber and emotional grace. The
Cosmonauts accompany Knox with a sparse precision that lets each song remain
at center stage, which is what traditional country has always been about, no
matter what continent it's coming from. Both a revelation and a fine album
in a style that seems timeless, Stranger in My Land should, in a fair and
equitable world, bring Knox an appreciative audience in America, and it may
well illustrate how much American country music has lost and left behind in
its brazen pursuit of the pop charts.