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▀█████▓▌ MTD Proudly Presents ▐▓█████▀
[Info]
Artist : Johnny Winter And
Album : Live at the Fillmore East 10/3/70
Label : Relayer Records
Genre : Blues
Street Date : 2013-01-29
Quality : 249 kbps / 44.1kHz / Joint Stereo
Encoder : Lame 3.98.4 -V0
Size : 122.33MB
Time : 66:35 min
Url : http://www.amazon.com/And-Live-Fillmore-Original-Recording-Re
mastered/dp/B00ACA3596/
[Tracks]
1. Guess I'll Go Away 4:39
2. Good Morning Little School Girl 4:37
3. Rock And Roll Hoochie Koo 4:47
4. It's My Own Fault 22:24
5. Highway 61 Revisited 7:31
6. Mean Town Blues 18:07
7. Rollin' And Tumblin' 4:30
[Notes]
For decades now, weÆve thought of Live Johnny Winter And as the seminal live
JW document from the early part of his career. That record, taken from
performances at the Fillmore East and from a gig in Florida, was comprised
mainly of rock & roll covers and a couple of originals. As a single LP it
clocked in at just under 40 minutes. It smokes, but not as hard as this set,
recorded a week or two before at the Fillmore East in 1970. Sony let
Collectors' Choice take some prime stuff from the vaults for this one. This
is the Johnny Winter And group simply tearing it up on a selection of
originals and covers. The sound quality is phenomenal and the energy on this
gig not only rivals that of the previous record, it leaves it in the dust.
For listeners who are casting a wary eye at this review, one need only
compare the two versions of ôGood Morning Little School Girl,ö which are
only a second different in length. That said, the symbiotic interplay
between Winter and second lead guitarist Rick Derringer (who went by his
real name of Zehringer then) on this version sounds like a switchblade duel.
The other two cuts that are duplicated, ôItÆs My Own Faultö and ôMean Town
Blues,ö are both much longer on this gig. The former clocks in at 22 minutes
and the latter at 18. The improvisation and guitar challenges are
voluminous, wildly energetic, and creative. ôHighway 61 Revisited" here
contains the slide guitar workout from Winter we hoped for on the Second
Winter album and never got. The furious abandon he plays with is
unchallenged on any of his live records; itÆs Elmore James by way of Mike
Bloomfield with Winter's gnarly single-string fills, full of distortion and
barely controlled volume. The version of ôMean Town Bluesö on this set
becomes the definitive one -- in large part because of DerringerÆs
complementary counterpoint lead work -- as does ôItÆs My Own Fault,ö which
transcends its slow tempo and becomes something wholly other. The closing
read of Muddy WatersÆ ôRollinÆ and Tumblin'ö is only 4:33, but makes one
wish it were three times that long. Its fiery, steel-melting intensity
features some of the most vicious slide guitar on record to come out of the
'70s. The only track that really doesnÆt impress here is ôRock and Roll
Hoochie Koo,ö but not because its performance is substandard. ItÆs simply
that in comparison to all the brilliant spontaneity and furious energy on
the rest of the set, it feels too controlled. But thatÆs hardly a complaint.
Even though Derringer wrote it, this one blows away the JWA studio version
or Derringer's own hit single take. This set blows the stuff in WinterÆs own
officially released bootleg series away, and becomes his definitive live
recording, hands down.