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▀█████▓▌ MTD Proudly Presents ▐▓█████▀
[Info]
Artist : Crash Karma
Album : Rock Musique Deluxe
Label : Independent
Genre : Rock
Street Date : 2013-08-06
Quality : 288 kbps / 44.1kHz / Joint Stereo
Encoder : Lame 3.98.4 -V0
Size : 91.90 MB
Time : 42:18 min
Url : http://www.crashkarma.com/
[Tracks]
1. Appetite For Life 3:52
2. Tomorrow 3:20
3. Man On Trial 3:38
4. Everything 4:36
5. Finaly Free 3:33
6. What Ever Happened 3:48
7. Leave Her Alone 3:44
8. Spinning 3:37
9. It's For Love 3:56
10. When You're Gone 3:48
11. Tonight 4:26
[Notes]
What goes around comes around. Especially for Crash Karma.
When they roared to life with their super-powered debut album in 2010, the
members of this Can-Rock dream team ù singer Edwin (formerly of I Mother
Earth), guitarist Mike Turner (ex- Our Lady Peace), drummer Jeff Burrows
(The Tea Party) and bassist Amir Epstein (Zygote) ù were musical peers with
separate but equal pasts. Almost three years later to the day, with their
fittingly titled sophomore album Rock Musique Deluxe, they have grown into a
band of brothers with a shared musical vision theyÆre willing to fight for.
Even among themselves.
ôWhen we first got together, I didnÆt know the guys,ö says bassist and main
songwriter Epstein, who set up the musical blind date that launched the band
in 2008. ôI wasnÆt friends with them and they werenÆt friends with each
other ù which I actually thought was kind of strange, being that they were
in three of the most successful bands ever in Canada. They had crossed paths
when they toured, but they werenÆt super-tight. So we werenÆt very
comfortable in the studio. Everybody was on their best behaviour. If someone
made a suggestion someone else didnÆt like, there wasnÆt much criticism.
Nobody wanted to offend. ôSince then, weÆve played together, weÆve recorded
together, weÆve toured together. And weÆve become close, a bunch of buddies.
We know everything about each other now ù all the dark secrets. So it was a
lot different in the studio. We were comfortable with one another, we were
honest with one another, we were open with one another. And it was way more
opinionated ù æThat sucks! Do it again!Æ Instead of everybody doing what
they want, we did what was best. And we all ended up making a stronger album
because of it.ö
That cocktail of camaraderie, confidence and creative conflict is the spark
that ignites the high- octane Rock Musique Deluxe. Co-produced by the band
and studio veteran Terry Brown (Rush, Max Webster, Voivod) in their Toronto
hometown, the lean, muscular album takes up where previous hits like æAwakeÆ
and æFightÆ left off and heads into new sonic terrain.
ôYou can tell that thereÆs a maturity in the band,ö Edwin agrees. ôItÆs a
step ahead, not a step back. ItÆs not remaking the same record. ItÆs a
natural evolution. You could put it up against the first record, but it
doesnÆt sound like the first record. It sounds like a newer, fresher Crash
Karma.ö Also a more aggressive and progressive one. The just over 40-minutes
Rock Musique Deluxe runs darker, deeper and heavier than its predecessor,
thanks to TurnerÆs wall of serrated buzzsaw riffage and swirling flourishes,
EpsteinÆs nimble, melodic basslines and drummer BurrowsÆ marriage of octopus
dexterity and relentless propulsion. ôWe unleashed Burrows,ö
????
Epstein confirms. ôIf you listen to the drums, theyÆre ridiculous,
animalistic. We kept encouraging him to give us more.ö Once the drums were
tracked, the musicians were compelled to follow suit, incorporating
different time signatures, exotic percussion, unpredictable arrangements and
atmospheric textures ù the dividends paid by their newfound openness and
drive.
ôI always have to step back and take an audio picture of what we accomplish
as a band,ö Burrows says. ôThe sonic boom of four individuals from varied
musical backgrounds creating something so powerful and to the point is
amazing.ö
Beneath the albumÆs brains and brawn, however, beats a sincere, passionate
heart. In contrast to the more external perspective of their debut, this
time itÆs personal for lyricists Epstein and Edwin. The bulk of these 11
songs introduce protagonists standing at lifeÆs crossroads and running
emotional gauntlets. Meet the beleaguered star of the funk-flecked modern
rocker ôMan on Trialö. The self-recriminating anti-hero of the soaring
slow-burner ôEverythingö. The empowering lead of the infectious first single
ôTomorrowö. The protective champion of the ominous abuse-themed æLeave Her
AloneÆ. All of them (and more) are personified via EdwinÆs painstakingly
crafted vocals, which move seamlessly from tough to tender in a single
couplet.
ôThe way I see it,ö explains Edwin, ôthe first record had a lot of angst and
a little bit of love. This record has a lot of love and a little bit of
angst. And from my perspective, the songs are more singable. We put a lot of
backing harmonies on this one. On the first record, we tried not to use too
many harmonies so it didnÆt sound sweet and pretty. But this time, the songs
really lent themselves to a diversity of harmonies. But ultimately, itÆs not
like weÆre playing be-bop or anything. ItÆs still a rock album.ö And at a
time when real rock is in short supply, Crash Karma are proud to wear the
genre on their sleeve. And their album cover.
ôWeÆve played shows with some bands ù and IÆm not going to name them ù that
werenÆt rock bands, but were just pretending to be rock bands,ö explains
Epstein. ôIt was really irritating to see that. So our album title is just a
way of just saying, æThis is rock music. Take a listen to it, in case you
forgot what itÆs supposed to sound like.Æö Adds Edwin: ôI know thereÆs still
a lot of rock fans out there. I donÆt think rock is dead. I think it will
always make a revival in some form. And if we can have a part in that
revival, in making it front and centre a little bit, I would be greatly
honoured.ö
DonÆt be surprised if he gets his wish. After all, what goes around à