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| EleVator Music |
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| Artist : Rejections |
| Album : Resin in the Filter |
| Bitrate : 320 kbps |
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+-------------------------------[Release Info]-------------------------------+
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| Source : WEB |
| Label : Opal Tapes |
| Year : 2013 |
| Genre : Ambient |
| Rip date : 2013-08-25 |
| Store date : 2013-06-03 |
| Rip tool : WEB |
| Encoder : WEB |
| Size : 118.71 megs |
| |
+--------------------------------[Track List]--------------------------------+
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| Tracks: |
| 1. Resin In The Filter A 28:10 |
| 2. Resin In The Filter B 21:09 |
| ----------------------------------------------------------------------- |
| 49:19 |
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+-------------------------------[Release Notes]------------------------------+
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| http://opaltapes.bandcamp.com/album/rejections-resin-in-the-filter |
| |
| The music put out by UK based cassette label Opal Tapes is what we can |
| easily classify as a state of the art: it ranges from avant-garde dance |
| music to new age drone, refusing to stand by a particular genre or sound |
| limitation. We've already featured the sound explorer Uio Loi, who |
| mashed together neo-disco, noise and trance; while other stand-outs from |
| the imprint is clearly The Pagan Cinema by Australian beat wizard Tuff |
| Sherm or the underground rookie M. Geddes Gengras. "It was supposed to |
| be about people coming from house and techno who were more interested in |
| making textural music or non-rhythm based music, and people coming from |
| 'outsider' music and making more rhythmic music", summarized label |
| founder Stephen Bishop on Resident Advisor back in January, and indeed |
| so. |
| |
| UK's drone outfit Rejections and his brand new full-lenght Resin In The |
| Filter makes no exception. Building up on Bishops explanation, |
| Rejections is obviously classified as this kind of 'outsider music', as |
| extremly harsh interference clouds centers his music. The tribal beats |
| that arise and manically hammers from time to time can be understood as |
| a welcoming complement to increase the threatening atmosphere, and as |
| impressive as it is, the tension never really drops thoughout the |
| record's 50 minute-long spin. All in all, Rejections has succeed to |
| create a post-apocalyptic world sounding somewhat like the end of modern |
| civilization, constraining moments of beauty into the otherwise hopeless |
| landscape. |
| |
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