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▓▒▒▒▒▓▓▓▓▓▓▓▓▓░:░ Release notes ░▒▓▓▓▓▓▒▒░░░░░░░░░░ ░░░░░░░░░░░░░░░░░░▓▒░
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▒▒ ▀ ▄ ■ ▀ ▒▒
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░░ Rel. date .: 09.11.2013 ░░
░░ ░░
░░ Artist ....: Louis Armstrong ░░
░░ Album .....: Mack The Knife ░░
░░ Genre .....: Jazz ░░
░░ ░░
░░ Label .....: Delta ░░
░░ Catalog # .: 17 197 ░░
░░ Language ..: English ░░
░░ ░░
░░ Source ....: CDDA ░░
░░ Size ......: 53.77 MB ░░
░░ ░░
░░ Louis Armstrong-Mack The Knife-2001 ░░
░░ ░░
░░ ----------------------------------------------------------------------- ░░
░░ ░░
░░ Louis Armstrong was the first important soloist to emerge in jazz, and ░░
░░ he became the most influential musician in the music's history. As a ░░
░░ trumpet virtuoso, his playing, beginning with the 1920s studio ░░
░░ recordings made with his Hot Five and Hot Seven ensembles, charted a ░░
░░ future for jazz in highly imaginative, emotionally charged ░░
░░ improvisation. For this, he is revered by jazz fans. But Armstrong also ░░
░░ became an enduring figure in popular music, due to his distinctively ░░
░░ phrased bass singing and engaging personality, which were on display in ░░
░░ a series of vocal recordings and film roles. ░░
░░ ░░
░░ Armstrong had a difficult childhood. William Armstrong, his father, was ░░
░░ a factory worker who abandoned the family soon after the boy's birth. ░░
░░ Armstrong was brought up by his mother, Mary (Albert) Armstrong, and his░░
░░ maternal grandmother. He showed an early interest in music, and a junk ░░
░░ dealer for whom he worked as a grade-school student helped him buy a ░░
░░ cornet, which he taught himself to play. He dropped out of school at 11 ░░
░░ to join an informal group, but on December 31, 1912, he fired a gun ░░
░░ during a New Year's Eve celebration, for which he was sent to reform ░░
░░ school. He studied music there and played cornet and bugle in the school░░
░░ band, eventually becoming its leader. He was released on June 16, 1914, ░░
░░ and did manual labor while trying to establish himself as a musician. He░░
░░ was taken under the wing of cornetist Joe "King" Oliver, and when Oliver░░
░░ moved to Chicago in June 1918, he replaced him in the Kid Ory Band. He ░░
░░ moved to the Fate Marable band in the spring of 1919, staying with ░░
░░ Marable until the fall of 1921. ░░
░░ ░░
░░ Armstrong moved to Chicago to join Oliver's band in August 1922 and made░░
░░ his first recordings as a member of the group in the spring of 1923. He ░░
░░ married Lillian Harden, the pianist in the Oliver band, on February 5, ░░
░░ 1924. (She was the second of his four wives.) On her encouragement, he ░░
░░ left Oliver and joined Fletcher Henderson's band in New York, staying ░░
░░ for a year and then going back to Chicago in November 1925 to join the ░░
░░ Dreamland Syncopators, his wife's group. During this period, he switched░░
░░ from cornet to trumpet. ░░
░░ ░░
░░ Armstrong had gained sufficient individual notice to make his recording ░░
░░ debut as a leader on November 12, 1925. Contracted to OKeh Records, he ░░
░░ began to make a series of recordings with studio-only groups called the ░░
░░ Hot Fives or the Hot Sevens. For live dates, he appeared with the ░░
░░ orchestras led by Erskine Tate and Carroll Dickerson. the Hot Fives' ░░
░░ recording of "Muskrat Ramble" gave Armstrong a Top Ten hit in July 1926,░░
░░ the band for the track featuring Kid Ory on trombone, Johnny Dodds on ░░
░░ clarinet, Lillian Harden Armstrong on piano, and Johnny St. Cyr on ░░
░░ banjo. ░░
░░ ░░
░░ By February 1927, Armstrong was well-enough known to front his own ░░
░░ group, Louis Armstrong & His Stompers, at the Sunset CafΘ in Chicago. ░░
░░ (Armstrong did not function as a bandleader in the usual sense, but ░░
░░ instead typically lent his name to established groups.) In April, he ░░
░░ reached the charts with his first vocal recording, "Big Butter and Egg ░░
░░ Man," a duet with May Alix. He took a position as star soloist in ░░
░░ Carroll Dickerson's band at the Savoy Ballroom in Chicago in March 1928,░░
░░ later taking over as the band's frontman. "Hotter than That" was in the ░░
░░ Top Ten in May 1928, followed in September by "West End Blues," which ░░
░░ later became one of the first recordings named to the Grammy Hall of ░░
░░ Fame. ░░
░░ ░░
░░ Armstrong returned to New York with his band for an engagement at ░░
░░ Connie's Inn in Harlem in May 1929. He also began appearing in the ░░
░░ orchestra of Hot Chocolates, a Broadway revue, given a featured spot ░░
░░ singing "Ain't Misbehavin'." In September, his recording of the song ░░
░░ entered the charts, becoming a Top Ten hit. ░░
░░ ░░
░░ Armstrong fronted the Luis Russell Orchestra for a tour of the South in ░░
░░ February 1930, then in May went to Los Angeles, where he led a band at ░░
░░ Sebastian's Cotton Club for the next ten months. He made his film debut ░░
░░ in Ex-Flame, released at the end of 1931. By the start of 1932, he had ░░
░░ switched from the "race"-oriented OKeh label to its pop-oriented big ░░
░░ sister Columbia Records, for which he recorded two Top Five hits, ░░
░░ "Chinatown, My Chinatown" and "You Can Depend on Me" before scoring a ░░
░░ number one hit with "All of Me" in March 1932; another Top Five hit, ░░
░░ "Love, You Funny Thing," hit the charts the same month. He returned to ░░
░░ Chicago in the spring of 1932 to front a band led by Zilner Randolph; ░░
░░ the group toured around the country. In July, Armstrong sailed to ░░
░░ England for a tour. He spent the next several years in Europe, his ░░
░░ American career maintained by a series of archival recordings, including░░
░░ the Top Ten hits "Sweethearts on Parade" (August 1932; recorded December░░
░░ 1930) and "Body and Soul" (October 1932; recorded October 1930). His Top░░
░░ Ten version of "Hobo, You Can't Ride This Train," in the charts in early░░
░░ 1933, was on Victor Records; when he returned to the U.S. in 1935, he ░░
░░ signed to recently formed Decca Records and quickly scored a double- ░░
░░ sided Top Ten hit, "I'm in the Mood for Love"/"You Are My Lucky Star." ░░
░░ ░░
░░ Armstrong's new manager, Joe Glaser, organized a big band for him that ░░
░░ had its premiere in Indianapolis on July 1, 1935; for the next several ░░
░░ years, he toured regularly. He also took a series of small parts in ░░
░░ motion pictures, beginning with Pennies From Heaven in December 1936, ░░
░░ and he continued to record for Decca, resulting in the Top Ten hits ░░
░░ "Public Melody Number One" (August 1937), "When the Saints Go Marching ░░
░░ in" (April 1939), and "You Won't Be Satisfied (Until You Break My ░░
░░ Heart)" (April 1946), the last a duet with Ella Fitzgerald. He returned ░░
░░ to Broadway in the short-lived musical Swingin' the Dream in November ░░
░░ 1939. ░░
░░ ░░
░░ Satchmo at Symphony Hall With the decline of swing music in the post- ░░
░░ World War II years, Armstrong broke up his big band and put together a ░░
░░ small group dubbed the All Stars, which made its debut in Los Angeles on░░
░░ August 13, 1947. He embarked on his first European tour since 1935 in ░░
░░ February 1948, and thereafter toured regularly around the world. In June░░
░░ 1951 he reached the Top Ten of the LP charts with Satchmo at Symphony ░░
░░ Hall ("Satchmo" being his nickname), and he scored his first Top Ten ░░
░░ single in five years with "(When We Are Dancing) I Get Ideas" later in ░░
░░ the year. The single's B-side, and also a chart entry, was "A Kiss to ░░
░░ Build a Dream On," sung by Armstrong in the film The Strip. In 1993, it ░░
░░ gained renewed popularity when it was used in the film Sleepless in ░░
░░ Seattle. ░░
░░ Satch Plays Fats: The Music of Fats WallerArmstrong completed his ░░
░░ contract with Decca in 1954, after which his manager made the unusual ░░
░░ decision not to sign him to another exclusive contract but instead to ░░
░░ have him freelance for different labels. Satch Plays Fats, a tribute to ░░
░░ Fats Waller, became a Top Ten LP for Columbia in October 1955, and Verve░░
░░ Records contracted Armstrong for a series of recordings with Ella ░░
░░ Fitzgerald, beginning with the chart LP Ella and Louis in 1956. ░░
░░ Armstrong continued to tour extensively, despite a heart attack in June ░░
░░ 1959. In 1964, he scored a surprise hit with his recording of the title ░░
░░ song from the Broadway musical Hello, Dolly!, which reached number one ░░
░░ in May, followed by a gold-selling album of the same name. It won him a ░░
░░ Grammy for best vocal performance. This pop success was repeated ░░
░░ internationally four years later with "What a Wonderful World," which ░░
░░ hit number one in the U.K. in April 1968. It did not gain as much notice░░
░░ in the U.S. until 1987 when it was used in the film Good Morning, ░░
░░ Vietnam, after which it became a Top 40 hit. Armstrong was featured in ░░
░░ the 1969 film of Hello, Dolly!, performing the title song as a duet with░░
░░ Barbra Streisand. He performed less frequently in the late '60s and ░░
░░ early '70s, and died of a heart ailment in 1971 at the age of 69. ░░
░░ ░░
░░ As an artist, Armstrong was embraced by two distinctly different ░░
░░ audiences: jazz fans who revered him for his early innovations as an ░░
░░ instrumentalist, but were occasionally embarrassed by his lack of ░░
░░ interest in later developments in jazz and, especially, by his ░░
░░ willingness to serve as a light entertainer; and pop fans, who delighted░░
░░ in his joyous performances, particularly as a vocalist, but were largely░░
░░ unaware of his significance as a jazz musician. Given his popularity, ░░
░░ his long career, and the extensive label-jumping he did in his later ░░
░░ years, as well as the differing jazz and pop sides of his work, his ░░
░░ recordings are extensive and diverse, with parts of his catalog owned by░░
░░ many different companies. But many of his recorded performances are ░░
░░ masterpieces, and none are less than entertaining. ░░
░░ ░░
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░░ THIS IS *NOT* A SUBSTITUTE OF THE ORIGINAL. ░░░
░░ --------------------------------------------------------------------- ░░░
░░ ░░░
░░ NB TRACKNAMES: LENGHT: ░░░
░░ ░░░
░░ 01. Hello Dolly 02:31 ░░░
░░ 02. Mack The Knife 03:25 ░░░
░░ 03. Muskrat Ramble 02:00 ░░░
░░ 04. Blueberry Hill 03:18 ░░░
░░ 05. When It's Sleepy Time Down South 02:44 ░░░
░░ 06. A Kiss To Build A Dream On 02:58 ░░░
░░ 07. Just A Gigolo 03:10 ░░░
░░ 08. La Vie En Rose 03:51 ░░░
░░ 09. That's My Desire 02:51 ░░░
░░ 10. Indiana 04:21 ░░░
░░ 31:09 ░░░
░░ --------------------------------------------------------------------- ░░░
░░ TO THE INVOLVED ARTIST(S), CONSIDER THIS AS A FREE WORLDWIDE PROMO ░░░
░░ CAMPAIGN. TO THE END (L)USERS, SUPPORT HE ARTIST(S) OR DEL! ░░░
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██████▀▀▀▀ ▀ ▀ ▒ ░▒▒░ ▓▓▒▒░ ▓█▓▒ ▀▀▀▀▀▀▀▓███████▓▓▓▒▒░░
▓██▀ "Oi" to: ░▒▒░ ░ ▓▓▒▒░░ ▀▓▓▒▒▒░░░ ▀▀▓██▓▒▒░░
▓█▌ ░▒▒░░ ▀▓▓▓▒▒▒░░ ▀▀▓▓▓▓▒▒▒▒░░ ░▓█▓▒░
▒█░▒▓▓▓▒▒▒▒▒▒▒▒▒▒░░░░░░░░░░░ ░░░ ░ ░░▒▒░░ ▀▀▓▓▓▒▒▒▒▒▒▒▒▒▒▒▓▓▓▓▓▄░░░▓▓░░
▒█ ░░▒▒▒░░░░░▀▀▀▀▀▀▀▀▀▀▓▓▓▄▄▀▀▓▓▄▓▓░░
▒▓ ░ ▀▀▓▓▄░▀▓▓░░
░▓ ▀▓▓░░▓░░
░▓ ADDiCTED TO MUSiC, AGAiNST THE REST, █▓░▓░░
░▒ CiTADEL CREW MP3 DiViSiON, █▓▓░░
░▒ DECiBEL COURiERS, dissident, █▓░░
░▒ EViGHET, ▓░░
░▒ iMAGiNE, iNTERNET MUSiC PiRATE GUiLD, ▒░░
░░ LOGOS, ▒░░
░░ MEN iN PiNK, MiNDSCAPE, MiNDSCAPE_JAZZ, ▒░░
░░ NEW WORLD ORDER MP3, ░░
░░ OTAKU, ░░
░░ PROViDERS OF SOUND, ░░
░░ SUPERiOR ART CREATiONS, SYNTHESiS MEDiA, ░░
░░ WALL OF SOUND, WE LOVE WAREZ MP3, ░░
░░ ░░
░░ #OpPayBack & ALL OF OUR FRIENDS AND FAMILY HERE AND GONE. ░░
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░░ ---------------------------------------------------------------------- ░░
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░░ "Those who do not remember the past are condemned to repeat it." ░░
░░ ░░
░░ George Santayana ░░
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░░ ---------------------------------------------------------------------- ░░
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░░ ▄▄█▓▀ ▄▄ - IF YOU DON'T LIKE THIS RELEASE THEN ░░
░░ ▄▄▓███▓▓▓░░███▓▓▓▄▄▄ WHO CARES?? ░░
░░ ▄▓████▀░░▒▒▒▒▒▓▓▒▒▒▒▒▒▓█▄▄ ░░
░ ▄▀▀▄░░░▒▒▒▓▓▓▓▓▓▓▓▓▓▓▓▒▒▓▓██▄ - WE SHIT ON *ALL* SCENE-IDIOTS: ░░
░ ▄░░▒▒▓▓▓▓█▀▀▀▀▀▓▓██▀▓▓▓▓▓▒▒▓█ "H8ERS", NUKERS, PUBBERS AND MAYBE ON ░░
░ █▓▓▓▀██▓▀▀▀▄▓▒░░▄██▌░░ ▓▀▓▓▓▓█ YOU TOO?!? ░░
█▓▓▀▄▓█▓▓░░░░█████▓█▓▄▄▄█▓ ▀▓▀▓▓ ░░
█▀ █▓▀▓███▄▄▄███▓▓▓█████▓█▀▄▐▌ █ - WE ONLY BELIEVE THAT TUESDAY STORE ░░
█ ▐█████▀ ████▓▓█▌▀██▓▓ ▐▓ PICKUPS IS TEH BEST MUSIC EVAAAAAAR! ░░
░ ███▀ ▐████▓█▓ ▐▓▀ ▀ ░░
░░ ▓ ███▓███▓ ▀ - WE CONSTANTLY LOOKING FOR ANY 10+GB/S, ░░
░░ ▐███▓▓██▌ 50+TBS W/ 0SEC ATTITUDE THAT CAN BARELY ACHIEVE ░░
░░ ██▓▓▓▓█▌ 6 MONTHS OF UPTIME. WHQ SPOT AVAILABLE!! ░░
░ ▓█▓▒▒▓█ ░░
░░ ██▒▒▒▓█▌ ░░
░░ ▐█▌░▒▒▓██ YOUR **TRUE** PSEUDO-FRiENDS. ░░
░░ ▐█▌░░▒▓█▌ ░░
░░░ ██▒░▒▓█▌ ▓ ▄■ WASHED UP SCENESTERS ░░
░▒░ ▐█▌▓▀▓█▌ ▓▄▓ · '13 ░░
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THIS IS NOT PIRACY.