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█ - d e e p h o u s e -
09.29.2013
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artist : Patrice Scott
title . Nostalgia
type : EP
year . 2013
genre : House
subgenre . Deep House
label : Sistrum Recordings
cat . SIS021
URL : http://www.discogs.com/release/4656193
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encoder . LAME 3.98
quality : VBRkbps / 44,1Khz / Joint-Stereo
source . Vinyl
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01.Nostalgia 07:18
02.Sequence Two 07:14
14:32 min26,06 MB
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Is nostalgia electronic musicÆs most valuable commodity? A lot of
producers seem to think so, hence the constant revisiting and
reintroduction of sounds and narratives, irrespective of whether they
come from Chicago, New Jersey or New York. In the case of Patrice
Scott, there is a different dynamic at play. It would be easy to claim
that his emotive house releases on Sistrum are a direct reference to
the past, but that would conveniently forget the fact that Scott, like
Keith Worthy, lived through the birth of electronic music in his home
town and is merely relating those experiences.
Given that he makes such sublime music, it is not difficult to forgive
him taking so long to getting round to doing this - he has been DJing
since the 80s but only put out his first record in 2006. The other
anomaly about Scott is that while he wears his influences visibly, his
sound is unmistakable.
Indeed, the title track on this 21st Sistrum record is instantly
recognisable as his; the drums are clipped and tough and rugged and,
combined with a pulsing bass, the arrangement is more upfront than the
standard deep house record. That said, he also understands melody
better than most producers; a synth line swirls in early on, but as
the track approaches mid-point, a second, more atmospheric one sweeps
through, creating the spine-tingling shiver.
Yet it would also be a mistake to assume Scott shares the penchant for
noodly, going-nowhere deep house. Indeed, ôSequence Twoö reveals a
different side to Scott. Unlike typical Scott tracks like ôNostalgiaö,
ôAtmospheric Emotionsö or ôEvolutionsö, it is tougher and clubby. This
will come as no surprise to anyone who has heard him DJ, and one of
his greatest attributes is his ability to bring his textured sounds to
peak-time sets.
On ôSequence Twoö however, he ditches any concessions to musicality û
unless one counts the repetitive, jazzy licks that fade in and out at
will. Instead the focus is on cavernous bass tones, steely, hammering
drums and an acid line so fat and woozy, it makes RedshapeÆs doomy low
ends sound positively upbeat. Despite what its title states, there is
little to get nostalgic about on this release
enjoy!
remember to support artists.
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shoutouts to the groups that love the music they promote..
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If you're down with the deep house music, music with feeling..
music that makes you groove no matter where you are.. and you
think you can add to this feeling.. then drop us a line d_h@zmail.com
keep the feeling real. .∙· d e e p h o u s e 2 0 1 3 ·∙.
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