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street date: 00-00-1996
rip date: 20-09-2013
artist : King Tubby & Prince Jammy
title : Dub Gone 2 Crazy
year : 1996
genre : Reggae
label : Blood And Fire Records
cat-nr : BAFCD 013
Encoder : FLAC 1.2.1
Ripping Tool : EAC
website : http://www.bloodandfire.co.uk/
Source : CD
tracks : 14
length : 47:56
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nr. song title length
1 Dub Of Rights 3:33
2 A Living Version 3:10
3 The Poor Barber 3:20
4 Higher Ranking 3:27
5 A Heavy Dub 3:06
6 A Stalawatt Version 3:02
7 King Tubby's In Fine Style 3:14
8 African Sounds 3:29
9 Version Of Class 3:26
10 Channel One Under Heavy Manners 3:24
11 Breaking Up Dubwise 4:09
12 Channel Get Knockout 3:25
13 Channel Is A Joker 3:33
14 Drums Of Africa 3:38
... . .
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YARD FLAC FORCE
This companion volume to 1994's Dub Gone Crazy set again features Bunny Lee
rhythms, impeccably played by the crack sessioneers known as the
Aggrovators, and getting the sonic sculpting treatment from Prince Jammy and
King Tubby himself. Includes the magnificent and ultra rare 'King Tubby's In
Fine Style'.
What the press say:
One thing that makes these pioneering Jamaican dub tracks from 1975-79 so
outstanding is their sense of an outcome unknown in advance, probably even
to their creators. This sense of improvisatory alertness of having to find
an immediate solution, makes them sound still fresh and alive today. A
microscope is applied to a particular part of the mix, blows it out of all
proportion and then pulls it back, revealing it to be merely an element of a
much greater set of changes and relationships. The fact that it all takes
place in real-time adds tangible levels of adrenaline. Tunes such as 'Dub Of
Rights', 'The Poor Barber' and 'In Fine Style' opt for maximum disruption to
the basic rhythm; showers of rimshots cut across the beat, giant
thunderclaps of spring-reverb, the mix twisting and bulging around cyclical
hi-hat patterns. They exist at a moment where virtual chaos co-exists with
an intuitive sense of dramatic logic, combining fragments into electrifying
narratives. The other factor which gives these tracks such power, too often
neglected, is the fantastic instrumental playing on the rhythm tracks. On
mixes like 'Higher Ranking', 'Breaking Up Dubwise' and 'Channel One Under
Heavy Manners' the producers are careful to allow the rhythm section to
speak a little more freely, and the FX are less dramatic, serving a more
decorative function. But even here harmony and song form are virtually
abandoned, and little remains of the original tunes but the occasional ghost
of a melody, the relic of a horn arrangement. And all these tracks are
relics too; fractured remains of a pop music whose unique social and
technological circumstances are long gone. Even collected together on this
smart compilation they remain glimpses and refractions rather than
comprehensive documents - a sense of fragmentation which seems entirely
appropriate. While it is nice to have these archaeologys, let's not forget
that such neatness and clarity was not in any way where this pragmatic,
functional, ad hoc music came from or what it was really about. The dark
spaces and intrigues at the centre of these tracks speak of a very different
set of priorities. Richard Scott - The Wire, August '96
http://www.bloodandfire.co.uk/album_detail.php?id=BAFCD013
YARD FLAC FORCE
YARD is dedicated for years to bring you the best in reggae, dub, dancehall and soca.
Greetings to all people who contributed to help YARD to still be on the top after all this years
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