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street date: 00-00-1994
rip date: 20-09-2013
artist : VA
title : If Deejay Was Your Trade The Dreads At King
year : 1994
genre : Reggae
label : Blood And Fire Records
cat-nr : BAFCD 001
Encoder : FLAC 1.2.1
Ripping Tool : EAC
website : http://www.bloodandfire.co.uk/
Source : CD
tracks : 16
length : 50:27
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nr. song title length
1 Big Joe - In The Ghetto 3:23
2 I-Roy - War And Friction 3:21
3 Little Joe - Tradition Skank 3:48
4 Tappa Zukie - Jah Is I Guiding Star 3:28
5 Jah Stitch - Set Up Yourself Dreadlocks 3:01
6 Dr Alimantado - Chant To Jah 2:59
7 Dr Alimantado - Mash It Up 2:33
8 Dr Alimantado & Jah Stitch - The Barber 3:31
Feel It
9 Jah Stitch - Bury The Barber 2:53
10 Jah Stitch - Black Harmony Killer 3:03
11 Jah Stitch - Greedy Girl 3:12
12 Dillinger - Regular Girl 2:44
13 Dillinger - Daylight Saving Time 2:24
14 Prince Jazzbo - Gal Boy I Roy 3:13
15 Prince Jazzbo - Good Memories 4:00
16 Prince Far I - Shuffle And Deal 2:54
... . .
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YARD FLAC FORCE
Check out the roots of today's rap and deejay styles with the cream of
Kingston's toasters and boasters of the mid-seventies. Nine great artists
including I. Roy, Tappa Zukie, Dr Alimantado and Jah Stitch talk roots and
reality over boom shot dubs mixed by the legendary King Tubby and produced
by the hitmaker of the seventies Bunny Lee.
What the press say:
"Now brother and sister down here in the ghetto where we stay, we've got a
lot of hope down here in the ghetto I would tell you..." So says deejay Big
Joe on the opening track on this indispensable compilation of classic
mid-seventies deejay sides from the Bunny Lee stable courtesy of a new
reggae label inaugurated by Dub Catcher's very own Steve Barrow. Without
pretension to the intrepid weirdness of a Lee Perry, nor the deep spiritual
vibe of an Augustus Pablo or Yabby U, Edward 'Bunny' Lee's name may not
enjoy the mythical status afforded these contemporaries, but they didn't
call him Striker Lee the Hit Man for nothing. Bunny simply gave the people
what they wanted, and those records appearing on his Jackpot, Justice,
Attack and Hot Stuff labels, almost always carrying a thunderous King Tubby
dub on the reverse, were among the most popular of their day. Listening to
this album you feel as if you are right there in Tubby's studio; Tubbs is at
the board and the deejays are lined up and ready. Bunny's irrepressible
spirit fills the room, he knows what he wants and if the deejay runs out of
lyrics, well, Bunny will always proffer a couplet or two. Tubbs lines up the
tape, Bunny shouts "Go deh now", and the Aggravators new cut of John Holts
'Ali Baba' rhythm cranks out over the headphones. Doctor Alimantado steps up
to the mike exuding an irrepressible ragamuffin cool, hails up his bredrin
Jah Stitch, and the pair clamber aboard a revving motorbike and literally
ride the rhythm, rubber-necking the girls; well rude, pausing only briefly
at the barber shop to laugh theatrically at the man's plight, now that the
youth them dread up an' 'im cyaan get no wuk, before roaring off down the
track in search of the likkle spliff the ital physician recalls leaving at
the Black Ark-that's 'The Barber Feel It' , one of a clutch of records from
the period taunting the unfortunate tonsors, in torment as dreadlocks become
the fashion amongst Jamaica's youth. On 'Bury The Barber', from the morgue
to the cemetery, concluding that the "baalhead, an' that woman" did for the
hapless hairdresser, (Tado, on another popular version of the rhythm, not
included here, claims Tom the barber's son shot the barber, everyone knows
that!). Stitch then blots his right-on copy book, shocking liberal
sensibilities by compounding Horace Andy's almost pathological distrust of
feminine guile on 'Greedy Gal'. The mood lightens for one of the funniest
toasts ever,'Gal Boy I Roy', an instalment of a famous series of on-vinyl
spats between Prince Jazzbo, and had made disparaging remarks concerning
Jazzbo's alleged deficit in the looks department. Rising to the bait, Jazzbo
casts despicable aspersions upon I. Roy's masculinity, accusing him of
cross-dressing and wearing powder on his face, Roy, you understand, being
something of a dandy. Listen out for the priceless utterance "So you tell
the crowd that Jazzbo is very ugly, but if I didn't ugly, you wouldn't have
the opportunity to call my name in your song seeking promotion!" The
previously unreleased out-take 'Good Memories' finds Jazzbo in more
conciliatory mood, urging love and unity, and evoking memories by the score.
This album fair brims with such wonders. Check out I. Roy himself on 'War
and Friction' utilising the heaviest flying cymbal rhythm you'll ever hear
(originally issued in 'Death Trap' by The Prophets on Yabby U's 'Vivien
Jackson' label), mixed into phased oblivion by King Tubby. Revel in
Alimantado's 'Chant to Jah' in psalms style over the original 1968 cut of
Slim Smith's 'The Beatitude', Tubby ringing it through the equaliser.
Witness Tappa Zukie's ire spilling over on 'Jah Is My Guiding Star' - "Don't
Get Me Mad Yah!" - or the iry Little Joe (later reinvented as Ranking Joe)
on 'Tradition Song'. Dillinger steps it up with 'Regular Girl' and 'Daylight
Saving Time' (aka 'The Best Time'). Jah Stitch returns for 'Set Up Yourself
Dreadlocks'. We even interrupt Prince Far I as he tries his hand at 'Deck Of
Cards' (entitled 'Shuffle & Deal' here, and in fact a Winston Riley
production), a dread take on Wink Martindale's 1959 hit. Heavier than lead,
dreader than dread! Dub Catcher, July/August '94
http://www.bloodandfire.co.uk/album_detail.php?id=BAFCD001
YARD FLAC FORCE
YARD is dedicated for years to bring you the best in reggae, dub, dancehall and soca.
Greetings to all people who contributed to help YARD to still be on the top after all this years
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