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░█▒█ Artist ■ Deus Otiosus █▒█░
░ █▒█ Album ■ Godless █▒█ ░
░█░█ Year ■ 2012 █░█░
█░█ Release Date ■ 2013-11-09 █░█
█░█ Genre ■ Death Metal █░█
█ █ Label ■ Deepsend Records █ █
█░█ Source ■ CD █░█
█ █ Type ■ Album █ █
█░█ Quality ■ VBR, 44.1kHz, Joint Stereo █░█
█ █ █ █
█ █ █ █
█ █ Danes Deus Otiosus released a fairly competent and engaging █ █
█ █ debut in 2010's Murderer, and here they follow in its █ █
█ █ footsteps with another bastard stepchild of the traditional █ █
█ █ death and thrash metal genres, and in doing so removed █ █
█ █ themselves from the most easily categorized retro airs that █ █
█ █ are in many case beginning to induce nausea since they've █ █
█ █ become so bloody trendy. Now, I understand that nostalgia █ █
█ █ is an important factor for all music addicts (including █ █
█ █ those who weren't around when a genre first developed), and █ █
█ █ it's 'cool' and I myself enjoy a lot of the bands who █ █
█ █ provide a loving and gloomy glimpse back into the █ █
█ █ authenticity of the past, but I'm almost at the point where █ █
█ █ another doppelganger of Left Hand Path, Severed Survival or █ █
█ █ Onward to Golgotha might shred what little remains of my █ █
█ █ sanity... █ █
█ █ Thankfully, Godless uses old school imperatives only as a █ █
█ █ guideline and then forges its own path towards a grave and █ █
█ █ haunting introspection. The meaty, clear riffing patterns █ █
█ █ offer a hybrid of dark West Coast thrash like Slayer or █ █
█ █ Possessed and steadier death metal grooves from the 90s, █ █
█ █ threaded with tremolo picked passages that betray a hint of █ █
█ █ a Swedish black/death metal influence. Often there will be █ █
█ █ eruptions of more uptempo melodies you might expect of █ █
█ █ Deceased (as in "Cast from Heaven"), but they can also █ █
█ █ creep along with a cleaner, less crushing death/doom █ █
█ █ aesthetic. The vocals are blocky, brutal, gruff and dark █ █
█ █ almost like Jan-Chris de Koeijer on Gorefest records like █ █
█ █ Erase, with a more ominous ringing out at the end of lyric █ █
█ █ lines. Drums have a loud, crashy, pervasive tone to them █ █
█ █ which feels creates a very up front, live foundation for █ █
█ █ the atmosphere of the guitars, and though it's probably the █ █
█ █ least distinguished element in the music, the bass rides █ █
█ █ along hurriedly to the guitar progressions. They win points █ █
█ █ for getting such a clear production to still seem decidedly █ █
█ █ raw and lo-fi. These aren't exactly the simplest of songs, █ █
█ █ either, there's a lot of effort in the construction of the █ █
█ █ riffs and a wealth of variety across the 41 minutes. █ █
█ █ There are some genuinely chilling or distinct tunes on the █ █
█ █ album, like "New Dawn" where they pair up a mournful clean █ █
█ █ vocal to the tremolo death metal guitar, or closer "Death █ █
█ █ Dance" with its swaggering, sepulchral bluesy struts in █ █
█ █ both the intro and bridge; but at the same time, there are █ █
█ █ a dozen or so guitar progressions here that didn't entirely █ █
█ █ blow me away. The leads are frenetic and fun, often using a █ █
█ █ wah wah effect to create a darker groove psychedelia █ █
█ █ redolent of the death'n'roll niche, and there are █ █
█ █ definitely points at which Godless took on a tone and █ █
█ █ atmosphere akin to Entombed's Morning Star or Wolverine █ █
█ █ Blues. All told, this was also a fraction more enjoyable █ █
█ █ than Murderer, and worth hearing if you like well scripted █ █
█ █ death metal with a difference to it, songwriting over █ █
█ █ brutality, etc. Fans of Dismember, Unleashed, Grave, █ █
█ █ Gorefest, Desultory, Necrophobic, and Bolt Thrower will no █ █
█ █ doubt appreciate it. █ █
█ █ █ █
█░█ █░█
█ █ 1. Snakes of the Low 5:00 █ █
█ █ 2. In Harm's Way 4:31 █ █
█ █ 3. New Dawn 6:06 █ █
█ █ 4. Pest Grave 4:59 █ █
█ █ 5. Surrounded by the Dead 5:06 █ █
█ █ 6. Cast From Heaven 5:14 █ █
█ █ 7. Face the Enemy 4:27 █ █
█ █ 8. Death Dance 5:41 █ █
█ █ 41:04 █ █
█░█░ █░█░
█░█░ █░█░
█░█▒ + G R a v e W i s h + █░█▒
░█▒█▒ - est.2000 - ░█▒█▒
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