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▀▀███████▓▒░ Ripped ░ ███ ▒▓░░░▒ ██ FUCK WHAT YOU HEARD! ░▒▓███████▀▀
░████▓▒░ by TEAM ░░ ██ ▒░░ ░░ ██ PRESENTS ░▒▓████░
▓███▒ FWYH ░░ █ ▒░ ░ ▀ ▒███▓
███▓ ▓███
▒███░ ARTiST....[ Diaphane ░███▒
███▒ TiTLE.....[ Lifeforms ▒███
▓██▓ GENRE.....[ Electronic ▓██▓
███ LABEL.....[ Ant-Zen ███
▓██░ KHZ.......[ 44,1 ░██▓
▒██▒ MODE......[ avgkbps / Joint-Stereo ▒██▒
░██▒ ENCODER...[ Lame 3.98.4 ▒██░
▀▄ ▒██▓ REL.DATE..[ 11.13.2013 ▓██▒ ▄▀
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█▄▄▄▄▄▓▒▀▀▀▀▀▀ [TRACKLiST] ▀▀▀▀▀▀▒▓▄▄▄▄█
▓█▓▀ Nr. TRACK ∙∙∙∙∙∙∙∙∙ TiME: ▀▓█▓
░█▒ ________________________________________________________________ ▒█░
░█▒ 01│ L'eau Vive │ 05:35 ▒█░
░█▒ 02│ Iridium │ 06:24 ▒█░
░█▒ 03│ Fracture │ 05:34 ▒█░
░█▒ 04│ Sources │ 06:52 ▒█░
░█▒ 05│ Interstice │ 07:12 ▒█░
░█▒ 06│ Rhizomes │ 06:58 ▒█░
░█▒ 07│ Microline │ 03:42 ▒█░
░█▒ 08│ Lifeforms │ 06:34 ▒█░
░█▒ 09│ Metastable │ 04:52 ▒█░
░█▒ 10│ Opalescence │ 06:07 ▒█░
░█▒ │ │ _____ ▒█░
░█▓ │ TOTAL PLAYTiME (MiN):│ 59:50 ▓█░
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▀▓█▓▀ [RELEASENOTES] ▀▓█▓▀
▒█▓ ∙∙∙∙∙∙∙∙∙ ▓█▒
░█▒ ▒█░
░█▒ ThereÆs never really been an adequate descriptor for the kind of ▒█░
░█▒ music Diaphane makes, at least insofar as genre goes. Various ▒█░
░█▒ projects and labels (notably M-Tronic, Tympanik and Ant-Zen ▒█░
░█▒ sublabel Hymen) have explored the potent mixture of deep ▒█░
░█▒ composition, technoid rhythms, and rich sound design that Ab Ovo ▒█░
░█▒ member RΘgis Baillet is now plying in his solo project, but as a ▒█░
░█▒ style itÆs always felt too rarified and multifaceted to pin to ▒█░
░█▒ one genus. It could also be that by their very nature producers ▒█░
░█▒ like Diaphane are too fluid to accurately categorize; as ▒█░
░█▒ evidenced by his new albumÆs rapidly cycling form, Baillet is in ▒█░
░█▒ no hurry to settle into doing any one thing. ▒█░
░█▒ ▒█░
░█▒ In a field where intellectual concerns like sound design are ▒█░
░█▒ paramount, the music on Lifeforms makes a strong case for ▒█░
░█▒ analysis from a more impressionistic standpoint. A song like ▒█░
░█▒ ôIntersticeö shows deep complexity in its mix of natural piano ▒█░
░█▒ tones, subtly evolving pads and skittering drum sounds, but what ▒█░
░█▒ makes more of an impact are the microbuilds of tension and ▒█░
░█▒ release as those elements bounce off one another, taking on new ▒█░
░█▒ significance and meaning as they interact. ôFractureö takes on ▒█░
░█▒ some of the now familiar subbass and syncopated rhythms of ▒█░
░█▒ dubstep, sounds weÆre accustomed to hearing everywhere from ▒█░
░█▒ clubs to car commercials, but deploys them cleverly, teasing the ▒█░
░█▒ listener with hints until hearing them fully emerge feels ▒█░
░█▒ cathartic in a way they rarely are allowed to be. ▒█░
░█▒ ▒█░
░█▒ Despite being very traditionally musical (very few moments pass ▒█░
░█▒ without some recognizable melody and songs often seem to shift ▒█░
░█▒ in movements like a classical piece) I find myself thinking ▒█░
░█▒ about what Diaphane does in terms of shapes and movement rather ▒█░
░█▒ than specific sounds. While I certainly wouldnÆt take anything ▒█░
░█▒ away from Baillet as a technician and designer, IÆm more carried ▒█░
░█▒ away by Lifeforms when I stop zeroing in on individual elements ▒█░
░█▒ and start paying attention to the greater whole. Like a camera ▒█░
░█▒ coming into focus, the disparate sounds of the title track ▒█░
░█▒ coalesce in ways that its deeply vocoded vocal sample, ratchetty ▒█░
░█▒ bass and coatings of digital reverb donÆt suggest when taken on ▒█░
░█▒ their own. Similarly, the rhythmic noise elements of the busy ▒█░
░█▒ ôMetastableö seem impassable until you allow your ears to adjust ▒█░
░█▒ to the aggression and hear small washes of sound slide between ▒█░
░█▒ the cracks, tiny tendrils that end up dictating several shifts ▒█░
░█▒ in tempo and structure. ▒█░
░█▒ ▒█░
░█▒ I often find it hard to gauge how much I actually enjoy a record ▒█░
░█▒ like Lifeforms, as opposed to how much I appreciate the ▒█░
░█▒ intricateness and expertise of its construction. Even for an ▒█░
░█▒ album that tricks the ear into listening differently and makes ▒█░
░█▒ excellent use of space and timing, thereÆs an impassive quality ▒█░
░█▒ to many of these songs that can lull the listener into a state ▒█░
░█▒ where they arenÆt fully paying attention. The upshot of this is ▒█░
░█▒ that it makes bursts of energy like the dense climax of sting ▒█░
░█▒ sounds and warbling bass on ôLÆeau Viveö all the more gripping. ▒█░
░█▒ The obvious downside is that itÆs sometimes too easy to let the ▒█░
░█▒ mind wander, and not really appreciate the work beyond its ▒█░
░█▒ various peaks. At the very least itÆs a complex and expert piece ▒█░
░█▒ of work that speaks to DiaphaneÆs abilities in numerous arenas; ▒█░
░█▒ like whatever hybrid genre might eventually claim it Diaphane ▒█░
░█▒ has many sides and each has the capacity to engage the audience ▒█░
░█▒ in different and interesting ways. ▒█░
▒██▄ ▄██▒
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▄▀ ▓▒█▓▓█▒▀▀▀▀▀▀ [GROUPNOTES] ▀▀▀▀▀▀▒█▓▓█▒▓ ▀▄
░ ▄████▓░ ∙∙∙∙∙∙∙∙∙∙ ░▓████▄ ░
░ ▄██▒██░░ ░░██▒██▄ ░
▄▀ ▓█▒░ FWYH : FUCK WHAT YOU HEARD, We're all about Family ░▒█▓ ▀▄
▓█▓░ Dedication, Quality, Respect & LOVE for the music! ░▓█▓
▓█▓░ As the years pass, all our motives and objectives ░▓█▓
▓█▓░ remain,we want to give the best of dark electronic ░▓█▓
▓█▓░ genres,with the quality deserved for the only true ░▓█▓
▓█▓░ underground scene, the Future is these genres!!!!! ░▓█▓
▓█▓░ ░▓█▓
▓█▓░ To all the artists that we release, some newcomers ░▓█▓
▓█▓░ & other established acts: We are sorry if you dont ░▓█▓
▓█▓░ understand the promotion we do, of your own work, ░▓█▓
▓█▓░ but if you make quality music, we are pretty sure ░▓█▓
▓█▓░ that a lot of people will spend their own money on ░▓█▓
▓█▓░ your art. Our intention isn't to spread for the ░▓█▓
▓█▓░ masses, but just to promote good music, so all we ░▓█▓
▓█▓░ can ask is an apologize for any misunderstanding!! ░▓█▓
▓█▓░ You People deserve all our respect and attention!! ░▓█▓
▓█▓░ ░▓█▓
▓█▓░ Alternately to all the Xdcc & p2p lamerz that one ░▓█▓
▓█▓░ day will probably destroy us all, our releases are ░▓█▓
▓█▓░ not supposed to be spread around, but to be where ░▓█▓
▓█▓░ they are meant to stay! Behind Doors & Locked Away ░▓█▓
▓█▓░ ░▓█▓
▓█▓░ __________________________________________________ ░▓█▓
▓█▓░ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ [GREETS] ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ░▓█▓
▓█▓░ ░▓█▓
▓█▓░ To our competition: AMOK, CMG, D2H, radial, SEVER ░▓█▓
▓█▓░ for all the good "fights", may you lose more than ░▓█▓
▓█▓░ win,there's no room for second place in this bizz ░▓█▓
▓█▓░ ░▓█▓
▓█▓░ To all the crews that have been an example for us ░▓█▓
▓█▓░ trough this years, many to enumerate, but we all ░▓█▓
▓█▓░ know "Who is Who", Props go to "WHO" deserves it! ░▓█▓
▓█▓░ ░▓█▓
▓█▓░ And finally, greets to all FWYH guys and their own ░▓█▓
▓█▓░ families, takes time and patience to go along with ░▓█▓
▓█▓░ all of this, so the warmest greets are to them!!!! ░▓█▓
▓█▓░ ░▓█▓
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░▀ ▄▄███▒░███▄▄▄ ▄ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▄ ▄▄▄███░▒███▄▄ ▀░
▄███▀▀█▓▒▒██▀▀▀ ▀▀▀██▒▒▓█▀▀███▄
▀█▓██ ASCii By AyLieN OF CHEMICAL REACTiON 2oo2! ██▓█▀
████ Updated on 12-2006 ████
████ ████
███ FWYH : in Joint-Stereo forces ███
██▄ with Lame 3.98.4 ▄██
██ Alive since 2001 ██
█▄ ▄█