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album - Who's Gonna Go Your Crooked Mile (Advance)
artist - Peter Case
label - Vanguard Records
genre - R&B
retail - 09/14/2004
rip - 08/13/2004
ripper - Kournikova
quality - VBRk HQ Joint Stereo
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01 4:50 Wake Up Call
02 6:14 My Generations Golden Handcuff Blues
03 5:30 Crooked Mile
04 6:34 Blind Luck
05 8:16 Spell Of Wheels
06 5:35 On The Way Downtown
07 6:36 Let Me Fall
08 9:52 Two Heroes
09 7:58 Blue Distance
10 4:54 Coulda Shoulda Woulda
11 7:15 Cold Trail Blues
12 6:54 If You've Got A Light To Shine
13 9:36 Something's Coming
14 7:48 I Hear Your Voice
15 8:30 First Light
16 6:03 Gone
112:25 total playing time - total size 103MB
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r e l e a s e n o t e s
After disbanding the Los Angeles new wave/power pop group
the Plimsouls, Peter Case launched a career as an important
American singer/songwriter specializing in the flat-pick
guitar style and semi-autobiographical stories of drifters
delivered in a narrative style. Born in the '50s and growing
up in upstate New York, Case was inspired, like any number
of young men of his generation, by Elvis Presley and the
Beatles. He was also a fan of the folk and blues of
Mississippi John Hurt, Leadbelly, and Woody Guthrie and as a
teenager took to the troubadour's life, playing coffeehouses
and busking. He was discovered on the streets of San
Francisco in 1976 by songwriter Jack Lee, with whom he
collaborated in the Nerves, a short-lived but influential
power pop act. The meeting led to a move to L.A. and the
formation of the Plimsouls in 1980. After the group found
success with the power pop standard "A Million Miles Away,"
they called it quits and Case debuted with Peter Case for
Geffen in 1986. It was a collection of hard folk songs
produced by T-Bone Burnett and included co-writes with
Burnett and Case's first wife, Victoria Williams, along with
performances by John Hiatt and Roger McGuinn. Case was among
a handful of rockers who had been honing his acoustic songs
in clubs, helping to launch the so-called "unplugged"
movement. In 1989, he released The Man With the Blue
Post-Modern Fragmented Neo-Traditionalist Guitar, again with
the help of choice musicians like David Hidalgo, Ry Cooder,
and Benmont Tench. In a Rolling Stone interview that year,
Bruce Springsteen cited Case as the songwriter he was
listening to most at the time. For 1992's Six-Pack of Love,
Case chucked the folk aesthetic for something more
rock-oriented, but the collection flopped as did his liaison
with Geffen. He regrouped and self-released Sings Like Hell,
recorded with Marvin Etzioni in a Los Angeles living room in
1993. The strength of that release earned him a new
recording contract with Vanguard in 1995 and Case came on
strong for Torn Again, his best set of spare songs about
lonesome losers since Blue Guitar.
In 1996, the Plimsouls re-formed for some reunion shows and
a recording session at the Epitaph Records studios; Kool
Trash (Shaky City) eventually saw release in 1998, while
Case continued to tour and record as a solo act. In 1997, he
hosted a weekly evening for songwriters at Santa Monica's
revived Ash Grove folk club. In between releasing two more
records for Vanguard, Full Service No Waiting (1997) and
Flying Saucer Blues (2000), Case curated a musical program
for the Getty Museum in Los Angeles and performed Beatles
songs at the Hollywood Bowl with Sir George Martin. In
spring of 2001, he compiled Avalon Blues, a tribute to his
hero, Mississippi John Hurt, featuring contributions from
Lucinda Williams, Dave Alvin, and Steve Earle for Vanguard;
it was nominated for a Grammy in the Best Traditional Folk
category. That year he also self-released Thank You St.
Jude, a collection of songs from his catalog recorded in
solo acoustic arrangements with fiddle. In Fall 2002, he
released his ninth solo album Beeline which combined his
rock-folk style with new rhythms and prepared guitar sounds.
k l u d g e . s o u n d n o t e s
KLUdGE is a mature group that came together from the best and
oldest roots of the mpeg layer scene. Since the time of cda,
much has evolved and changed into what mpeg3 is known as today.
KSi is this new group that only rips the best out there and
only what we feel needs to be ripped. KSi continues to grow and
strives to find the best music for the people. We thank all the
supporters and groups that have helped us get where we are
today. We welcome all our new members that have joined within
the last few months and make KSi what it is.
Join us today on EFnet in #KSi
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