Plumbline-Pin_Points-2004-RNS
- Section
-
MP3/FLAC
- Group
- RNS
- Size
- 88,03 MB
- Files
- 12
- Date
- 2004-08-17
NFO
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▄▓▀▀ ▀████▓▄█▓▓▓███▓█▓▀▀▀ TEAM RNS PRESENTS ▄■ ▐█▄▓██
▀ ▀██░▐██▀▀ ▐█▄ ▄██▌ ▄██▌░█▌
▀ ▄▄ ▀█▄▀██▄▄████▌ARTIST: Plumbline ▐████▄███▀▄█▀ ▄▄
▄██▌ ▀▓▄▀██▄▀▀▀ ▀▀▀▄██▀▄▓▀ ▐██▄
█████▄ ▐█▌▐███▄ TITLE: Pin Points ▄███▌▐█▌ ▄█████
███████▄▄▄▓░ ▓█████ ██████▄░▓▄▄▄███████
▀█████▓▄▄▄█▐▓█████▌ LABEL: Hydrogen Dukebox ▐█████▓▌█▄▄▄▓█████▀
▀▀████▀▀▄██████▀ ▀██████▄▀▀████▀▀
▄▄▀▀ ▄██████▀ RIPPER: Team RNS ▀██████▄
▄ ▀ ▄██████▀ ▀██████▄
▄█▓▀ ▄██████▀ ▀██████▄
██▌ ▐██████▌ ▐██████▌
▀██▄ ▐██████ 212kbps avg - Electronic ▐▓█████▌
▀██▄ ▀█████▌ 0hr 57min total- 92.3mb ██████▀
▄▄▀▀███▄▄▀▀███▄ ███▓▀▀
█▓ ▀▀██▄ ▀██▄ RELEASE DATE: 2004-08-30 ██▀
▀▓▄ ▐██▌ ▐██▓▄ RIP DATE: 2004-08-17 ▄██▌
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▀█████▄ ▄▓██▓ ▓██▓ ▄█████▀
▀▀███████▀ track list ▀███████▀▓▄▄▄
▄▄▄ ▀▀██▄ ---------- ▄██▀▀■ ▀████▄
▄████▀▀▀▄ ▐██▓ 01 11 E52 5:10 ▓██▌ ▐▌ ▐████
▐████▌ ▄▄▓▓█▓▌ 02 555 W24 4:47 ▐▓█▓▓▄ ▀█▄▄▄███▀
▀████▄▄▄▄███████▀ 03 501 W23 5:14 ▀█████▄ ▀▀▀
▀▀███▀▄█████▀ 04 150 E42 4:39 ▀█████▄
▄█████▀ ▀▄▄ 05 56 E1 5:26 ▄▄▀ ▀█████▄
▐█████ ▐█▓ 06 66 9A 3:57 ▓█▌ █████▌
█████▌ ███▌ 07 317 W13 4:20 ▐███ ▐█████
▀█████▄ ▓██▓ 08 830 8A 3:42 ▓██▓ ▄█████▀
▀▀███████▀ 09 100 9A 5:22 ▀█████████
▀▀██▄ 10 212 E10 5:01 ▄██▀▀███ ▀ ▄
▄▄▄▄▄ ▐██▓ 11 811 10A 5:34 ▓██▌ ████▄ ▄█▌
▀ ▀▀███▄ ▄▓▓█▓▌ 12 66 W12 4:46 ▐▓█▓▓▄ ▀███████▀
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▄▄▄ ▀▀██▄ release notes ▄██▀▀■ ▀████▄
▄████▀▀▀▄ ▐██▓ ▓██▌ ▐▌ ▐████
▐████▌ ▄▄▓▓█▓▌ Great album from Plumbline. If you ▐▓█▓▓▄ ▀█▄▄▄███▀
▀████▄▄▄▄███████▀ like Orbital, you will probably like ▀█████▄ ▀▀▀
▀▀███▀▄█████▀ these guys. ▀█████▄
▄█████▀ ▀▄▄ ▄▄▀ ▀█████▄
▐█████ ▐█▓ Some blurb from ▓█▌ █████▌
█████▌ ███▌ http://www.hydrogendukebox.com/ ▐███ ▐█████
▀█████▄ ▓██▓ ▓██▓ ▄█████▀
▀▀███████▀ Plumbline, aka New Yorker, Will Thomas, ▀█████████
▀▀██▄ debuted on Hydrogen Dukebox in May 03 ▄██▀▀███ ▀ ▄
▄▄▄▄▄ ▐██▓ with the spellbinding album, Circles. ▓██▌ ████▄ ▄█▌
▀ ▀▀███▄ ▄▓▓█▓▌ The piece was a concept album, of ▐▓█▓▓▄ ▀███████▀
▐███▌▄█████▀ sorts, that took its inspiration from a ▀█████▄ ▀▀▀
▄ ▄███▄█████▀ roadtrip from LA to New York and the ▀█████▄
▀▀███▀██████▀ ▀▄▄ various geographical and architectural ▄▄▀ ▀█████▄
▐█████ ▐█▓ spectacles encountered along the way. ▓█▌ █████▌
█████▌ ███▌ ▐███ ▐█████
▀█████▄ ▓██▓ Pin Points, Plumblines second ▓██▓ ▄█████▀
▀▀███████▀ full-length, continues with the theme of ▀███████▀▓▄▄▄
▄▄▄ ▀▀██▄ maps, locations, and architecture, ▄██▀▀■ ▀████▄
▄████▀▀▀▄ ▐██▓ although its focus is much more local: ▓██▌ ▐▌ ▐████
▐████▌ ▄▄▓▓█▓▌ New York City. Will explains how the ▐▓█▓▓▄ ▀█▄▄▄███▀
▀████▄▄▄▄███████▀ album came about: Taking inspiration ▀█████▄ ▀▀▀
▀▀███▀▄█████▀ from buildings in New York City, I began ▀█████▄
▄█████▀ ▀▄▄ making a list of particular ones that, ▄▄▀ ▀█████▄
▐█████ ▐█▓ for me, have a strong visual, ▓█▌ █████▌
█████▌ ███▌ architectural, or emotional connection ▐███ ▐█████
▀█████▄ ▓██▓ with the intent of each building ▓██▓ ▄█████▀
▀▀███████▀ representing a track on the CD. ▀█████████
▀▀██▄ ▄██▀▀███ ▀ ▄
▄▄▄▄▄ ▐██▓ Will also sought to explore alternative ▓██▌ ████▄ ▄█▌
▀ ▀▀███▄ ▄▓▓█▓▌ ways of gathering sounds to launch the ▐▓█▓▓▄ ▀███████▀
▐███▌▄█████▀ creative process. Will wanted to find ▀█████▄ ▀▀▀
▄ ▄███▄█████▀ and capture the auditory experience of ▀█████▄
▀▀███▀██████▀ ▀▄▄ each building. New York City is very ▄▄▀ ▀█████▄
▐█████ ▐█▓ much about movement, so rather than ▓█▌ █████▌
█████▌ ███▌ find the sounds, it seemed logical to ▐███ ▐█████
▀█████▄ ▓██▓ remain still outside each building and ▓██▓ ▄█████▀
▀▀███████▀ have the sounds come to me. If these ▀███████▀▓▄▄▄
▄▄▄ ▀▀██▄ walls could listen, what would they hear? ▄██▀▀■ ▀████▄
▄████▀▀▀▄ ▐██▓ ▓██▌ ▐▌ ▐████
▐████▌ ▄▄▓▓█▓▌ After the field recordings had been ▐▓█▓▓▄ ▀█▄▄▄███▀
▀████▄▄▄▄███████▀ gathered, Will realised that the music ▀█████▄ ▀▀▀
▀▀███▀▄█████▀ would be too literal if he concentrated on ▀█████▄
▄█████▀ ▀▄▄ the typical city sounds i.e. traffic ▄▄▀ ▀█████▄
▐█████ ▐█▓ noise, construction work, etc. So I ▓█▌ █████▌
█████▌ ███▌ picked out the smaller, more ▐███ ▐█████
▀█████▄ ▓██▓ interesting bits, like the squeaking of ▓██▓ ▄█████▀
▀▀███████▀ shoes on an outdoor basketball court, ▀█████████
▀▀██▄ the voice snippets of passing ▄██▀▀███ ▀ ▄
▄▄▄▄▄ ▐██▓ conversations, or the clinking of a dogs ▓██▌ ████▄ ▄█▌
▀ ▀▀███▄ ▄▓▓█▓▌ collar. I then took those sounds and ▐▓█▓▓▄ ▀███████▀
▐███▌▄█████▀ edited, distorted, looped and filtered ▀█████▄ ▀▀▀
▄ ▄███▄█████▀ them so they evolved into a more musical ▀█████▄
▀▀███▀██████▀ ▀▄▄ tone, noise, or rhythmical element. Once ▄▄▀ ▀█████▄
▐█████ ▐█▓ the tracks were complete, I titled each ▓█▌ █████▌
█████▌ ███▌ track according to the buildings ▐███ ▐█████
▀█████▄ ▓██▓ address that had inspired it. ▓██▓ ▄█████▀
▀▀███████▀ ▀███████▀▓▄▄▄
▄▄▄ ▀▀██▄ Will also sought to experiment with the ▄██▀▀■ ▀████▄
▄████▀▀▀▄ ▐██▓ tone of Pin Points so that a transition ▓██▌ ▐▌ ▐████
▐████▌ ▄▄▓▓█▓▌ from its predecessor was clearly ▐▓█▓▓▄ ▀█▄▄▄███▀
▀████▄▄▄▄███████▀ audible. In a quest for a more organic ▀█████▄ ▀▀▀
▀▀███▀▄█████▀ nature, cellist Julia Kent and vocalists, ▀█████▄
▄█████▀ ▀▄▄ Paulette and Connie Petruk, contribute ▄▄▀ ▀█████▄
▐█████ ▐█▓ in order to add a melodic texture that ▓█▌ █████▌
█████▌ ███▌ blends with the sound of the ▐███ ▐█████
▀█████▄ ▓██▓ buildings. ▓██▓ ▄█████▀
▀▀███████▀ ▀█████████
▀▀██▄ Restful, enriching, subtly energetic and ▄██▀▀███ ▀ ▄
▄▄▄▄▄ ▐██▓ architecturally precise, this suggests ▓██▌ ████▄ ▄█▌
▀ ▀▀███▄ ▄▓▓█▓▌ great things to come. The Wire ▐▓█▓▓▄ ▀███████▀
▐███▌▄█████▀ ▀█████▄ ▀▀▀
▄ ▄███▄█████▀ Enjoy! ▀█████▄
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Files
| Path | Size |
| 01-plumbline-11_e52-rns.mp3 | 7,91 MB |
| 02-plumbline-555_w24-rns.mp3 | 7,28 MB |
| 03-plumbline-501_w23-rns.mp3 | 7,99 MB |
| 04-plumbline-150_e42-rns.mp3 | 7,03 MB |
| 05-plumbline-56_e1-rns.mp3 | 8,15 MB |
| 06-plumbline-66_9a-rns.mp3 | 5,04 MB |
| 07-plumbline-317_w13-rns.mp3 | 7,15 MB |
| 08-plumbline-830_8a-rns.mp3 | 6,63 MB |
| 09-plumbline-100_9a-rns.mp3 | 8,17 MB |
| 10-plumbline-212_e10-rns.mp3 | 7,47 MB |
| 11-plumbline-811_10a-rns.mp3 | 8,50 MB |
| 12-plumbline-66_w12-rns.mp3 | 6,72 MB |