Keith_Jarrett-Life_Between_the_Exit_Signs-Remastered-2004-JUST

Section
MP3/FLAC
Group
JUST
Size
62,00 MB
Files
9
Date
2004-08-20

NFO

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     ▄▓█████████▓▓█▀                                               ▀▀▀▓██▓▌
░   ▓█████████▓▓█▀       [ J U S T F U N . P R E S E N T S ]        ▐█▄██▓▀
   ▐███▓██▀▀▓▀░                                                      ██▓▓█▀▀
░  ▓████▓▌  ░  Artist.......: Keith Jarrett                          ▐▓▀▀
▓ ▐█████▓█     Album........: Life Between The Exit Signs            ▀ ░
▀█▄▓████▓▓▄█▀  Genre........: Jazz                                   ░▓ ▌
 ▄▀██▓██▓▓▀    Language.....: English                               ░▓░▐▓
 ▓▓▄▀█▓▓▓▀     Label........: Rhino                                ░▓░ █▓▌
 ▐█▓▓ ▀▓       Catnr........: n/a                                 ░▓▓▓ ▐█▓▓
  ▓█▓▌         URL..........: n/a                                  ▓░ ███▓▓[z0o]░
  ▐██░                      ░                           ░  ▄ ░▄▄▄▄▓▄▄▓████▓▓▄▄▄▄▓▄▄
   ▀▓█░▄   ▌             ░▓░ [ R E L E A S E . I N F O ] ▓░   ▓▀▓█████████████▓▓▓▀
 ░   ▀▀▓█▄▐▓          ░▓▓▓░                             ░▓▓▓░ ░ ▀▓██████▓██▓▓▀  ░
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    ░▓▓░ ▐█▓▓   ░ ░▓▓░    source......: CDDA                   ░▓▓ ▐███████▓▓▌  ░
 ░░      ███▓▓  ▓▓░▓░     playtime....: 43:24 min             ░▓▓░ ▓███▀ ▀▓█▓▓  ░
▄▄▄▄▄▓▄▄▓████▓▓▄▄▄▄░▄▄    rip.date....: Aug-17-2004            ▓  ▐█▓▀  ░ ░▀█▓▌
 ▀▓█████████████▓▓▓▀      str.date....: 000-00-2004         ░▓░  █▀ ░░▓▓▓   ▀▓
  ░ ▀▓██████▓██▓▓▀  ▓░    ripper......: JusT TeaM            ▓▓ ▀░ ░ ░ ░▓░   ░▀
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      ▓███▀ ▀▓█▓▓ ▓░░     size........: 61,9 MB                   ░▒░    ░▓░   ░
     ▐█▓▀ ░░  ▀█▓▌░       quality.....: VBR/44,1Hz/Joint-Stereo          ░      ▒
     █▀ ░▓▓▓▓░  ▀▓                                                    ░  ░    ░
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  ░    ▄█▒████████▓▓▀                                               ▀▓██▓███▓▄
     ▄▓██░██████▓▓█▀        [ T R A C K . L I S T I N G ]              ▀▀▀▓██▓▌
    ▓█████████▓▓█▀                                                      ▐█▄██▓▀
   ▐███▓██▀▀▓▀░                                                          ██▓▓█▀▀
   ▓████▓▌  ░ track  title                                          time ▐▓▀▀
   ▓████▓▌                                                               ▀ ░▌
   ▓████▓▌     01.   Lisbon Stomp                                  06:06   ▓▌
   ▓████▓▌     02.   Love No. 1                                    06:17   ▓▌
   ▓████▓▌     03.   Love No. 2                                    04:33   ▓▌
   ▓████▓▌     04.   Everything I Love                             04:34   ▓▌
   ▓████▓▌     05.   Margot                                        03:46   ▓▌
   ▓████▓▌     06.   Long Time Gone (But Not Withdrawn)            04:56   ▓▌
   ▓████▓▌     07.   Life Between The Exit Signs                   06:54   ▓▌
   ▓████▓▌     08.   Church Dreams                                 06:18   ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌              [ A B O U T . T H i S . R E L E A S E ]            ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌       Not long after recording '66's Buttercorn Lady with       ▓▌
   ▓████▓▌       Art Blakey, and Dream Weaver, which signalled the         ▓▌
   ▓████▓▌       beginning of his association with Charles Lloyd's         ▓▌
   ▓████▓▌       hugely popular quartet, pianist Keith Jarrett was         ▓▌
   ▓████▓▌       encouraged by Lloyd producer George Avakian to make       ▓▌
   ▓████▓▌       his first recording as a leader. Jarrett's                ▓▌
   ▓████▓▌       immediate popularity in Downbeat's Readers poll for       ▓▌
   ▓████▓▌       that year was instrumental in his being able to           ▓▌
   ▓████▓▌       attain complete artistic freedom, a characteristic        ▓▌
   ▓████▓▌       that has ultimately defined his entire career. Life       ▓▌
   ▓████▓▌       Between the Exit Signs finds a nascent Jarrett            ▓▌
   ▓████▓▌       wearing some of his primary influences on his             ▓▌
   ▓████▓▌       sleeveùBill Evans, Paul Bley and Ornette Coleman          ▓▌
   ▓████▓▌       most notablyùbut, even so, many of his defining           ▓▌
   ▓████▓▌       qualities as a distinctive player are already in          ▓▌
   ▓████▓▌       evidence.                                                 ▓▌
   ▓████▓▌       Beginning an association with bassist Charlie Haden       ▓▌
   ▓████▓▌       and drummer Paul Motian that was to last for nearly       ▓▌
   ▓████▓▌       ten years, Jarrett demonstrates a penchant for            ▓▌
   ▓████▓▌       overt lyricism on ôMargotö and ôLove No. 1,ö a            ▓▌
   ▓████▓▌       somehow distinctly American flavour on ôLisbon            ▓▌
   ▓████▓▌       Stomp,ö and free playing on the title track and           ▓▌
   ▓████▓▌       ôLove No. 2,ö which follow the Ornette Coleman            ▓▌
   ▓████▓▌       modus operandi of structured themes leading into          ▓▌
   ▓████▓▌       completely open improvised sections. He even covers       ▓▌
   ▓████▓▌       one standard, Cole Porter's ôEverything I Love,ö to       ▓▌
   ▓████▓▌       show his love of the Great American Songbook, a           ▓▌
   ▓████▓▌       characteristic that would, of course, be brought to       ▓▌
   ▓████▓▌       greater fruition with his now twenty-year old             ▓▌
   ▓████▓▌       Standards Trio with Gary Peacock and Jack                 ▓▌
   ▓████▓▌       DeJohnette.                                               ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌       Haden, having already spent a good deal of time           ▓▌
   ▓████▓▌       with Coleman, brings a strong sense of adventure          ▓▌
   ▓████▓▌       coupled with a clear sense of history and                 ▓▌
   ▓████▓▌       tradition. Motian, at that time better known for          ▓▌
   ▓████▓▌       his more subdued work with Bill Evans, gets the           ▓▌
   ▓████▓▌       opportunity to play in a looser setting, displaying       ▓▌
   ▓████▓▌       his abilities as textural player and colourist that       ▓▌
   ▓████▓▌       would gain him a greater reputation in years to           ▓▌
   ▓████▓▌       come.                                                     ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌       But as strong as Haden and Motian are as musical          ▓▌
   ▓████▓▌       personalities, it is Jarrett who clearly shines on        ▓▌
   ▓████▓▌       this recording. Less concerned with some of the           ▓▌
   ▓████▓▌       more odd choices that he made in the mammoth '70          ▓▌
   ▓████▓▌       session that resulted in three intriguing but             ▓▌
   ▓████▓▌       largely uneven recordingsùThe Mourning of a Star,         ▓▌
   ▓████▓▌       El Juicio and Birthùthis is a more straightforward        ▓▌
   ▓████▓▌       session that, while perhaps less widely                   ▓▌
   ▓████▓▌       experimental, ultimately succeeds as a more               ▓▌
   ▓████▓▌       consistent document of where Jarrett came from and        ▓▌
   ▓████▓▌       who he was ultimately to become. Life Between the         ▓▌
   ▓████▓▌       Exit Signs is a remarkable first outing from a            ▓▌
   ▓████▓▌       pianist who has inarguably become as important as         ▓▌
   ▓████▓▌       his sources, moving the tradition forward while at        ▓▌
   ▓████▓▌       the same time maintaining a clear reverence for it.       ▓▌
   ▓████▓▌                                                                 ▓▌
░  ▓████▓▌                                                                 ▓▌
▓ ▐█████▓█                       [ A B O U T . U S ]                       ▓▌
▀█▄▓████▓▓▄█▀                                                              ▓▌
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      ░   ███▓▓                                              ▀▀▀▀▀  ███▓▓
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       ▀▓█████▓▓▓                   by z0oy0rk                   ▀▓█████▓▓▓
       ▐███████▓▓▌                                               ▐███████▓▓▌
       ▓███▀ ▀▓█▓▓    [ J U S T F U N born in Apr. 2 0 0 0 ]     ▓███▀ ▀▓█▓▓
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      █▀         ▀▓                                             █▀         ▀▓
     ▀░       ░   ░▀                                           ▀░         z!░▀

Files

PathSize
00-keith_jarrett-life_between_the_exit_signs-remastered-2004-cover-jus51,89 KB
01-keith_jarrett-lisbon_stomp-just.mp38,76 MB
02-keith_jarrett-love_no._1-just.mp38,60 MB
03-keith_jarrett-love_no._2-just.mp36,49 MB
04-keith_jarrett-everything_i_love-just.mp36,65 MB
05-keith_jarrett-margot-just.mp35,33 MB
06-keith_jarrett-long_time_gone_(but_not_withdrawn)-just.mp37,15 MB
07-keith_jarrett-life_between_the_exit_signs-just.mp39,63 MB
08-keith_jarrett-church_dreams-just.mp39,32 MB